Some more brilliant covers from N+M (Naturwissenschaft und Medizin) Magazine. They were designed by Erwin Poell in the late 60’s. These are such incredible examples, not only are they beautiful, but they are no doubt conveying some extremely complex concepts through information design. There is apparently a book covering Poell’s work (via Thingstolookat):
Title: Entwürfe für den Alltag. Typografie, Grafik-Design, Art Direction Author: Erwin Pœll Year: 1992 Publisher: Birkhäuser Verlag Basel ISBN: 3-7643-2758-8
Micro-House, Minimal, whatever you call it, Fabric 13 (named for the London nightclub) was my first proper introduction to a style which I’ve really come to appreciate for it’s stripped down compositions and attention to detail. I’m a self-confessed maximalist when it comes to my own music so I really admire the producers of this genre for building so much energy and emotion into these seemingly simplistic sonic landscapes. Geiger’s wonderful mix of I Think About You isn’t quite as restrained as Villalobos’ offering, but a similar ethic permeates both tracks. My only complaint is that Geiger’s mix gets cut short just as it seems to be hitting it’s stride, but I suppose that was the point, damned minimalists! Another stand-out track from Fabric 13 you may remember is Jackson’s mix of Run Into Flowers which I posted on a while back.
As for the cover, I’m not such a huge fan of the haphazard-collage / inexplicable-gaussian-blurring / drop-shadow look, and it doesn’t really speak to the vibe I’m getting from the music inside, but at least the type is well executed.
[audio:easylee.mp3] A quick note: I’ve installed the beta version of Martin Laine’s Audio Player WordPress plugin (thanks Karl for the heads up). This new Flash MP3 player replaces the old one and should do away with some of the quirks people were experiencing before. Please let me know if you have any issues with the new player.
In the last Blue Note post I went with the more duo-tone offerings but with these 4 covers we see a bit more color injected into the compositions. That Dexter Gordon one is choice, this sort of stuff really needs to be offered in poster form. I always wonder who actually owns the rights to these images, I assume EMI does (they now own Blue Note), so that doesn’t bode well for future large format prints.
Massive bonus round: Name all the fonts used on these covers.
By the way, if you missed it last time, there was quite a nice debate running in the comments after the original Blue Note post. Worth a read, some good opinions from people in there. But no matter how good your opinion is, you can’t sway me from my original position: Cream > White!
Some very nice 60’s-ers Polish stamps via The Ministry of Type. I have a whole book of Czech stamps in this style, I will get some scans / pics up soon.
Some awesome typo going on in here, found it over at The Ministry of Type. It’s apparently by Puerto Rican artist Lorenzo Homar, there’s a full bio on him at the bottom of the page. Really very nice hand lettered style, The Ministry briefly discusses the possibilities of creating a digital typeface based on the top font up there, let’s hope that happens at some point. The bottom one, although obviously hand lettered, looks familiar…But I can’t put my finger on it. Any ideas?
I don’t pretend to understand sneaker culture, and rarely indulge in buying shoes for any other reason than that they look and fit good. But there are a few designs I hold dear, shoes I used to wear a lot or that just remind me of growing up. One shoe in particular is Adidas’ Rod Laver, I used to wear the white/greens all the time. Sort of burnt out on them (if that’s possible) so I don’t currently own a pair. I came across these new "Laver Classics" on Zappos today, but of course, they are out of stock. Guess I’ll have to actually venture out of the house to find them, perhaps one of the billion boutique shoe stores up on Haight Street will have them. Anyways, these are amazing, can’t wait to score a pair.
This classic from Funki Porcini’s album Hed Phone Sex always hits the spot. I’ve been wanting to post it, but not wanting to post it’s poorly designed album cover. So I’ve posted the cover to another Porcini release, Fast Asleep, which is amazing. If you look closely you’ll see that the titling is all done in vintage audio gear, pretty clever.
