ISO50

I’ve been following Dan McPharlin’s work for a few years now, ever since his miniature synthesizer models started showing up on Matrixsynth. I fell in love with his perfectly crafted, perfectly photographed (seriously, the photography is almost cooler than the work itself) paper music machines. But after being introduced to his graphic/illustration work he quickly became one of my favorite artists. His illustrations are very reminiscent of another favorite of mine, Roger Dean, and are evocative of that prog-rock driven 70’s sci-fi art scene that, when done right, is just downright incredible.

So it’s been great to see Dan’s work start popping up all over the place, like here, here (Prefuse 73 cover), and here (Jakub, you really should have know better!). Beyond the visual beauty of his work, it’s just great to see someone being creative with such a novel medium. He brings the mind and eye of a designer to a world previously reserved for 60-somethings hiding out in their basements building model railroads. To see him wrap all this up and successfully translate that future-past-that-never-was aesthetic into commercial projects is a good thing indeed.

You can check out more of Dan’s work at his flickr.

On a side note, he’s posted some shots of his home/work-space here. Are you kidding? Amazing. My house looks like it was built of scraps from a 19th-century Troller Boat that ran aground in front of a hippie commune. Seriously, parts of a boat were used in the construction of this house, I am sure of it. Anyways, I am disorganized at best, slovenly at worst and I don’t think I have the skill set to keep such a meticulously minimalist situation like that up for any length of time. If I win the lottery I will get one of those modernist prefabs and put it in front of this house. I’ll then carefully place completely unusable angular furniture and German-designed objects all around it. Finally I will place a single synthesizer with wooden endbells and an analog sequencer on a white table with a molded plywood chair in front of it. When people come over I will tell them that’s where I get all my work done and then I will sit them down at a walnut coffee table with various important looking design books stacked neatly on top of it and expound on typography theory and then chastise them for not understanding the difference between kerning and leading. After they leave I will go back to my real house and eat a sandwich in my basement and watch Adult Swim and then not clean up the plate for a week or so.