Ivan Maximov created these opening titles for 20,000 Leagues Under the Sea for a school project. Relatively simple, compared to some of the intricate excellence you see on Art of the Title these days, but I think they are extremely well executed. I really like the combination of live action underwater footage with some slick After Effects motion overtop. Would love to see a longer version.
In the past we’ve talked about shooting underwater photos and wanting to experiment with it. These photos are from photographer Steven Taylor with musician Devan DuBois as the pictured subject. These images are a testament to the cool things that can result from experimenting with underwater photography.
I still would love to rent a housing for my Canon 1dmkII or even a cheap film camera and go for a dive into the ocean or a lake.
Can anyone recommend a decent waterproof film camera?
Well I have a new toy. No it’s not a $3500 underwater housing for my 5D (though that would be awesome). I’ve been shooting with a little Canon Powershot D10 for the last week and it’s been a lot of fun. If you are considering a trip to anywhere water-lush, I suggest giving the D10 a shot. It’s not perfect, but it sure beats spending a boat load for an SLR underwater housing if you’re strapped for cash.
First, the D10 is waterproof and shockproof. I tested it thoroughly (trust me, I break point-n-shoot cameras regularly). I carried it around in my swimming suit pocket and sat on it, swam with it, dropped it out of moving golf carts and threw it to friends when we didn’t have a ball. The thing is solid. I didn’t have a strap and this was a crucial error. If you are going to parade around with one, definitely invest in some kind of way to connect it to your person.
Next, it’s massively fun to have an amphibious camera that can fit in your pocket. I underestimated how much fun it would be and spent a very long time on various bizarre photo missions (#43. Try to take a photo with the lead singer from Kings of Leon, underwater. *Unsuccessful, but close). Even if you are just in a pool, the camera is worth trying.
The photos above are a few of the cooler ones I got. Dolphins are kind of a cheating way to make a photo look cool, but still, the colors and clarity are nice, especially for a wee little camera. These photos were shot with sand everywhere, all over the lens, and my complete lack of concern for the camera’s well-being. Pretty cool I’d say — it’s nice to not have to treat your camera like a fragile little hamster (5D).
On the negative side, it’s very bulky for a point-n-shoot. If you are in water, who cares, but if you are looking for a one stop shop that you can also bring out with you at night, this isn’t it. Putting it in your pants pocket renders that leg odd looking as it protrudes rather unfortunately. Personally, I also find it ugly, but I gravitate towards all black cameras, so take that with a grain of sea salt. The camera definitely looks more like a toy than a Bell & Ross.
This post certainly cements my affinity for underwater photos (Asako Narahashi will always reign supreme). I have a bunch more, but most are of my friends and I floating in the water, and we isn’t Facebook friends!
via CeeMarie
via Domino Island
via Domino Island
One of my favorite posts I’ve written here on ISO50 was on Asako Narahashi. I recently bought the book, which I would highly recommend if you enjoyed her photos. Like all photo books I buy, it’s hard to resist the urge to cut out and frame all the pages, as opposed to letting them all live together in their intended format. A friend of mine has his Richard Misrach On The Beach book adorning his walls and it looks great.
Anyway, the point is that Narahashi’s photos were one of my favorite things I’ve found scouring the internet for the blog. The photos above remind me of her series half awake and half asleep in the water, with the obvious addition of human beings. I prefer her photos (the absence of humanity gives them their distinctive mood), but these are still captivating in their own right.
In order the photos come to us from CeeMarie, and two from Domino Island.
If underwater housings for the 5DMKII weren’t SO EXPENSIVE I would be out in the bay right now shooting my own version.
The normal, non-secret Nikonos RS
This Nikonos was a total mystery. A secret that not many people knew about until recently. In fact, its existence was repeatedly denied by the manufacturer, even after the US Navy published this photo, showing a member of SEAL Team One equipped with one and the following caption:
980608-N-3236B-003 NAVAL AIR BASE CORONADO, California (June 8, 1998) — Navy SEALs attached to SEAL Team One, Naval Air Base Coronado, CA, conducts training using the Nikon/Kodak DCS 425 underwater digital camera which can send real time digital images to decision makers, and an LPI LPD tracking device uses brevity codes to send both mission status and precise longitude/latitude. U.S. Navy photo by Photographer Mate 2nd Class Ted Banks. (RELEASED)
– Gizmodo
Pretty interesting stuff and kind of odd to see the branding intact on the model used by the SEALs. The Gizmodo article makes a good point that it’s a shame the consumer version was discontinued; even if you don’t do underwater photography, it would make for an excellent no hassle all weather setup. More info and links can be found in the original article.
Apparently there’s a pretty good used market for these; all you aspiring SEALs can start planning your beach assaults with a nice rig like this. I’d like to see a digital model, but aesthetically I’m still partial to the original 35mm version:
Image via Dive Matrix
Via Gizmodo
A few photos from Australian photographer Trent Mitchell. That first image is really amazing — looks more like a painting than a photo to me. I am obsessed (and terrified) of the ocean, and I love shots like this that capture the colossal power and beauty of the ocean.
The other day I was convinced I needed to take underwater shots with my new camera. Thinking an underwater housing might cost somewhere around $100, I set out to purchase one and rent a wetsuit. This, I’ve learned, was a naive assumption. An underwater housing for my camera costs approx $3500. The dream died as quickly as it appeared.
The original inspiration for this underwater mission was the work of Asako Narahashi. The idea of floating just off the coast of various beaches, taking the occasional photo, sounded pretty good. Looks like I’ll have to make due with a complicated array of ziplock bags.