Fiji Vignettes
Here’s a beautiful 3 part vignette shot by director Riley Blakeway of Taj Burrow and friends in Fiji. Filming in a place like this, with surfers of this caliber, you’d expect it to look great and it does. Riley goes a little further to make it something else with the color and grain work, which I really appreciate. All three pieces have a great organic film-like grain and the color grading is spot. A feeling and look that you can’t just do with a plug-in.
When I first watched it, I was convinced this was 16mm and maybe super 8mm in spots. Here’s the kicker, “All of the surf vision was shot with the EX1.” says Blakeway. He also added that intros and outros were super 8mm. The camera is the Sony PMW-EX1, a type of camera that is similar to what a lot of us were used to shooting with before the Canon DSLR days. Not a 5D, 60D or even a RED Epic, which is great to see. I’ll try not to get into the technical too much on this, because it’s simply well shot, well edited and graded. His attention to detail is great on these, well done Riley.
