Loving this Egyptian Lover track, reminds me a bit of Twin Peaks at times.
Everyone has their favorite MJ song, this was mine, loved the crowd noise when I was a kid, makes me think about seeing video of Europeans looking at Michael Jackson perform live on stage and freaking out and getting dragged away crying because they loved him so much, to be honest when MJ passed I was thinking that Europe would flip out 10x more than the US and it probably did.
Sam posted some Drexciya a few weeks back, really minimalistic speedy synthy dark electro, perfect for a night speedboat rides.
For this Dam Funk track you really need to let it get half way through, Think Sonic the Hedgehog meets 2Pac if you aren’t into it so it at least puts a smile on your face, for the recent of you enjoy the heat this curious talent is giving off.
The Egyptian Lover – The Alezby Inn
Michael Jackson – Dirty Diana
Drexciya – Black Sea
Dam Funk – Sunset
With GM in the news, I was thinking about Detroit tonight. Detroit was the city I grew up closest to. My father grew up here and his dad worked on the Mercury Zephyr line.
Growing up near the city, the musical influence was huge. On any given weekend in the mid-to-late nineties, late night radio would mix up everything from the classic Art Of Noise song “Moments In Love” to local ghetto tech beats and new drum and bass coming out of the UK.
Much has been made about the city and why it’s music sounds the way it does. The desolate beauty, the mechanized auto factories and even the isolated water-ensconced nature of the state. All if it is true.
Here are four tracks that give me that Detroit feeling. These not the more discussed and celebrated classics, but more personal favorites.
Psyche – From Beyond (Transmat)
Carl Craig is a real legend and continues to impress. This song, under the Psyche alias is perhaps one of my favorite tracks ever. It has a crazy spell to it. It’s not quite techno and it pre-dates the breaks and jungle genres. It’s on it’s own planet. Pure late night driving music to roam the vacant freeways.
Cybotron – Cosmic Raindance (Fantasy)
Note: Please play on a proper stereo or headphones as the bassline is what holds this all together. Juan Atkins (“The Originator”) is arguably the greatest groove maker of the Detroit techno school. Cybotron, his group with Richard Davis and John Housely is responsible for some of the most seminal cuts that have been sampled and re-interpreted endlessly. I remember driving down to the store Record Time in our friend’s Ford Fiesta, listening to this on repeat and his subs would rattle the entire frame. Simply majestic.
Drexciya – Digital Tsunami (Tresor)
Drexciya is the most mythical duo of the Detroit techno school. The duo of the late James Stinson and Gerald Donald (also of Dopplereffekt, more on that later) made aggressive yet liquid odes to the ocean and it’s provence. This was a later cut, but got me into their brand of mutated electro. Their original pressings fetch a pretty penny on eBay and with good reason.
Suburban Knight – Collaboration Alpha (Peacefrog)
As part of the vaunted Underground Resistance Crew, Suburban Knight racked up a Detroit classic with “The Art Of Stalking” and also co-wrote tracks with Kevin Saunderson for his seminal and wildly successful Inner City project. This is a more recent track, and not a “classic” by any means, but I chose it because it’s important to recognize that Detroit techno is not a vintage style, it’s a methodology and an ethos that will continue to exist.