I really like today’s batch of tracks, all are really catchy in my mind. This Viernes track i’ve been waiting to share, its shimmery, light and builds nicely. The piano and vocals are so inviting while the guitar sits back and sets the tone yet never takes control which is a good formula for what I love in good shoegaze.
Cepia shared his official remix of M.I.A., this might be the first place its been posted and were proud to have it, he did a great job. You can always trust Cepia to push post IDM forward and he shows that here by making it work perfectly with a pop hit. Highly Recommended.
Deastro puts a spark to DIY/lo-fi and gives it that extra energy but from a producer with experience in his sound, you don’t always get that feeling, man what good drive too.
I think I have found my favorite Ratatat track which is named after their original band name I guess, what? the intro sounds like Mum, who would of thought, lovely work from this Brooklyn duo.
A little peek inside the wonderful world of Randolph Chabot, aka Deastro by James P. Morse. I had the chance to play with Deastro in Detroit and they really put on an incredible show, catch them if you have the chance.
As you can tell i’m a huge fan of Bibio and his new direction isn’t too surprising but definitely a noticeable difference, it’s less lo-fi and sounds like he added some dubstep kicks to makes the whole overall sound more round. A 7 inch vinyl single will be coming out on Warp on June 8th with this song will drop before the LP, I look forward to hearing the B side and all the other songs, should be a great surprise.
Type Records grabbed up the distant serenading City Center and this new LP is full of echoed vocals and gentle guitar strumming, such good atmosphere and timing in all his music, it really helps me to relax.
Deastro is giving away a free EP called Grower, its all instrumental and almost sounds like he woke up in the middle of the night and had an amazing brainstorm for an EP and knocked it out in hours by finessing very similar sounds. Its an epic masterpiece at times and its super kind of him to just give it away for free like that.
Lindstrøm & Prins Thomas are back at it again, first off they make me feel like I should never touch a synthesizer because really they make it sound soo easy. This track takes me on this journey like i’m riding into space on an all silk loosely put together yacht and I have an epic plan and a long to do list of how to save the universe but i’ll doing it at 15 MPH and not worrying about how and when I do it though. Within a minute of just listening you might end up starring at your computer and just thinking who are these guys and how do we make sure they never stop making new music.
Do you ever feel like I post too much electronic music? do you ever look at my post and just past by it and put on The Decemberist on? well here is my attempt to make your ears smile.
This summer has alot of promise here in Brooklyn, i’m looking forward to a lot of bands to come thru and blow me away, one in particular is the Harlem Shakes, they maybe my New Villager or your Clap Your Hands Say Yeah or your friends Passion Pit, listen and let me know what you think.
Deastro will be playing a few shows i’m sure with Tycho this year besides just the Detroit and Toronto shows coming up. Randy Chabot is a great if not amazing stage presents when you first see him perform. His sound for Vermillion Plaza is like a young U2 meets the soundtrack to Sonic the Hedgehog(specifically that 3D tube level where you run with tails…blah you might not know what I mean). Either way this band has epic talent and their Moondagger LP will be one that will be remembered on Ghostly’s release catalog.
New Dinosaur Jr. is hitting the record store shelves and all I want to do is listen to Feel The Pain.
When Tortoise comes to mind all I can think about is 3 things: First is fatty synth magic and second is there drummer can’t be a real person and third I remember the first time I saw the drummer play for Prefuse 73 in Detroit years ago and he was soo on point that he literally played one of the most complex parts i’ve seen him play all night while directing, pointing and yelling at the sound guy to the point that playing the song was 3rd on his priority list but still killed it, pure talent in my opinion, oh yeah and the rest of the band is good too.
We have written about this release before here with the Tycho free single and here with a bit more information about the project, now after the free download its officially out in digital retail stores with an exclusive Solvent track and available in physical CD format. Here is what Ghostly International had to say about the release thats #5 on iTunes Electronic charts – “Cartoon Network’s genre-defying [Adult Swim] programming rearranges comedy’s basic building blocks into oddities like Aqua Teen Hunger Force and Tim and Eric Awesome Show, Great Job!; Ghostly International’s artists scramble the language of dance and pop music into something strange and artful. It was only a matter of time before the two found each other and made adorably freakish babies.
The Ghostly Swim compilation is a collaboration between Ghostly International and [Adult Swim], a 20-track mix (curated by label founder Sam Valenti IV) of tracks from Ghostly’s avant-pop mainstays like Matthew Dear, Michna, and School of Seven Bells, alongside kindred spirits like Milosh, FLYamSAM, and Mux Mool. Ghostly Swim’s best tracks embody the label’s trademark mix of playful darkness and irreverence – Deastro’s lurching robot-rock anthem “Light Powered,” The Chap’s bizarro-world pop hit “Carlos Walter Wendy Stanley,” Michna’s slinky-smooth “Triple Chrome Dipped” – making them an ideal accompaniment to, say, pissing in your pants over Harvey Birdman: Attorney at Law.
Ghostly Swim was initially released in early 2008 as an exclusive free download on [Adult Swim]’s website. Now, the groundbreaking compilation is available both on iTunes and as a limited-edition CD (available only through the Ghostly Store, free with a purchase of $20 or more), and includes a bonus track: Solvent’s banging cover of Madonna’s “Hung Up.””
