The ISO50 blog is now approaching it’s second birthday and with the new year I thought now would be a good time to rethink the layout and functionality of the interface. The blog runs on the superb WordPress platform (highly recommended) so it’s extremely flexible and I want to take better advantage of that flexibility. When I first designed and built the blog I admittedly had no clue what I was doing. At the time I wasn’t really an avid blog reader so I didn’t really understand the finer points of a well thought out blog design. Thankfully, WordPress supports themes so I snagged the classic Kubrick theme (now K2) and hacked it into the form you see here. I learned a lot during the process and during the following year or so of working with the blog so I feel better equipped now to give it another shot. But as anyone in web design knows, it’s very difficult to be objective about your own interfaces and to understand the difficulties end users may have with your design.
So I wanted to ask you, the readers, what you would do to improve the blog. Is there anything about the interface or the layout that’s confusing, cumbersome, or just plain broken? Are there any features that you feel are missing or would be a good addition? I am in the early stages of the redesign, I have some mock-ups and wireframes going and a development install running here locally, so now would be a great time for suggestions. I look forward to reading any ideas or suggestions you might have in the comments
Update: Based on Michael J.’s comments I have added to this post in the comments.
Saw this incredible house by Brazilian architect Humberto Hermeto posted on Notcot today, amazing! I guess the plan is to first save up and buy a bunch of Herman Miller pieces, then build a house like this around them. Though aesthetically pleasing, I often wonder if would actually be fun to live in a house like this. I have a lot of odds and ends around here, wires hanging out from behind stuff, basically crap everywhere. That probably wouldn’t look very hot next to a stark, modern backdrop like this. But I suppose if you can afford this kind of house you can probably afford some sort of crap organization system, from Design Within Reach. More info and pictures are here
I hope everyone has fully recovered from their New Year’s Eve celebrations and had some time to rest yesterday. Yesterday I had some time to compare notes with some other site’s TOP 10 albums of the year and noticed what I didn’t add but I still think mine holds up nicely. Would you guys care if I put up my TOP 25 singles for the year? or is that just going overboard?
One way I look for tracks is by going thru DJs myspace’s and looking at their charts for upcoming months. Usually guys from Hamburg, Berlin, or even older Detroit guys have their finger’s placed nicely on the best new music pulse. One name that came up was this Petar Dundov who made some really nice dubby techno. “Oasis” chugs along nicely, seems like a song you could play for your parents and be like “hey, I know you think you hate techno but check this out” kind of a nice gentle way to ease them into the genre instead of playing some favorite of yours like “Spastik”.
I didn’t know much about Stel when I received his remix for One Of Them’s “Sometimes I Feel Like” but right off the bat it caught my ear. With the French vocal attached he takes a deep house song somewhere i’d like to hear lounge music go into in the future.
I found Montag a long time ago when I was obsessed with Carpark records putting out Casino Versus Japan and Marumari(oh those were the days). He has some great licensable tracks, I feel like him and Styrofoam would of made a better Postal Service than what Gibbard and Dntel did.
Everyone knows Iceland’s Mum here I hope, Scott posted a wonderful track months ago. I had to add this track to the blog because of how simple it is and it makes you feel like you grew up with the group under some moss covered rock that had toy train sets, hand voice recorders and xylaphones.
Petar Dundov – Oasis – Substance & Vainqueur Remix
[audio:oasisremix.mp3]
One Of Them – Sometimes I Feel Like (Stel Remix)
[audio:stel.mp3]
Montag – Best Boy Electric
[audio:bestboy.mp3]
Mum – I’m 9 Today
[audio:9today.mp3]
Public domain imagery is nothing new (literally), there are entire source art books for sale that are comprised of royalty-free imagery that’s outlived the “life–plus–seventy” rule of EU copyright law. But most of these images are vague and anonymous with no particular brand attached; they came from a time when the idea of branding was still a somewhat nascent concept. So it was interesting to read that the entire £1.5-billion/yr. Popeye brand has become public domain in the EU (still 15 years to go in the US) as it’s copyright expired yesterday:
“The copyright expiry means that, from Thursday [Jan.1, 2009], anyone can print and sell Popeye posters, T-shirts and even create new comic strips, without the need for authorisation or to make royalty payments. ” – Adam Sherwin, TimesOnline
It’s pretty incredible to think that such a visible icon which has fueled so many industries (restaurants, toys, television, film, etc.) will cease to be owned by it’s various copyright holders. It stands to reason that there are myriad complexities and caveats to this situation; I would imagine Popeye’s Chicken and the others will have some legal recourse to maintain their trademark when 2024 rolls around here in the US (do you guys in the EU even have Popeye’s Chicken?). Other brands soon to join Popeye in copyright-free purgatory include Mickey Mouse, Bugs Bunny, and Superman (source). More info here & here
Image via erikland
So, I love Madvillian but I never noticed that one of my favorite tracks “Accordion” was just sampled from an original by Daedelus called “Experience”, check the similarities below.
Futuristic Hip Hop producer Dabrye has finally shown up this year with a mighty fine remix for King Midas Sound. This track took some time to grow on me because of the vox but the instrumental is pure gold since i’ve been on a huge dubstep kick.
One track that i’ve wanted to post for some time now is this Rustie track but I always thought it might be too rowdy for the blog but the more I listen its not too rowdy, right? You need to at least let it play to around the 1:37 mark so you can hear this muted sped up vibraphone melody. This Rustie kid is pretty amazing and he looks super young though but so do I (blows on nails) I hope he keeps up with this sound. If you like this Rustie guy you should also check out Bar 9, Starkey, and the BBC famous Wiley, they’re all on this rowdy dubstep tip.
Madvillian – Accordion
[audio:accordian.mp3]
Daedelus – Experience
[audio:experience.mp3]
King Midas Sound – One Ting (Dabrye Remix)
[audio:ting.mp3]
Rustie – Response
[audio:response.mp3]
This year I had a very nice christmas, I went back to Sacramento to see my family and came home with some great stuff (5 cutting boards! Also, pants.) But, since I’m not related to or friends with any millionaires and/or billionaires, I didn’t quite get everything I wanted. The following is my dream wish-list which I am publishing here in the hopes that Jimmy Warren Buffett will read it and decide that I need all this crap next Christmas.
The Herman Miller Embody Chair
I thought I’d start out with something somewhat practical, a humble chair. Although it stops seeming so humble when it looks like a hybrid of 70’s aircraft interior design and an alien throne and costs $1,600. I have never sat in one of these or even seen one in person, but every review I’ve read is glowing and I fondly recall my brief time sitting in a Herman Miller Aeron while I worked at Adobe. As a follow up to his iconic Aeron chair, designer Bill Stumpf created the new Embody just before he passed away in 2006.
Price: $1,600
Chances I’ll ever get one: Actually quite good. I have been sitting in a $150 Office Max monstrosity for years now and considering how much time I spend at my desk, I really owe it to my backside to invest in a good seat.
Nikon D700
After a lot of thought, I finally decided my next camera, if bought today, would be a D700. The only problem is my D80 hasn’t been stolen or dropped into a lake yet. I did drop it recently, breaking the flash, but it still works and the repair would be cheap so it’s really hard to justify dropping $2,700 on a new camera. Of course, a new camera this nice would need a very, very nice lens to do it justice. Add at least $1,000.
Price: $2,700 – $3,700
Chances I’ll ever get one: Slim. By the time I upgrade there will probably be something bigger and better in this price class. Although, I will definitely be getting something on this level, one of the gear purchases I regret most was skimping on my current rig (D80 + Tamron Lens).
Solid State Logic Matrix Console
I thought I would sneak the big one in the middle. If you aren’t a total audio geek or professional engineer, you probably don’t know or care what this is, but if you’ve ever listened to popular music then you’ve no doubt heard an SSL console at work. SSL makes some of the best sounding recording equipment known to man and their consoles (basically huge mixers) have been used to record countless hit records. I use SSL plugins, which are basically software emulators of their real-world counterparts. The plugins do sound amazing, but there’s nothing like the real thing. 16 channels of SSL EQ, motorized faders, DAW control…The list goes on. Of course it’s not cheap, hint: just the legs for this thing cost $900. While it is a steal compared to it’s full sized brethren, the price puts it’s well into pros-only territory.
Price: $26,000 (yes, three zeroes)
Chances I’ll…. Let’s just stop there, it’s not happening. Ever.
Wacom Cintiq
Ok, back to something a bit more reasonable. The Cintiq is the top of the line Wacom, it’s essentially one of their tablets grafted to an LCD monitor. I got a chance to try one of these at OFFF in Barcelona and it was pretty incredible, actually being able to interact directly with the screen is a very refreshing way to work. The only problem I have with the Cintiq is that you really can’t color calibrate it properly, the touch sensitive membrane interferes with colorimeters. So essentially you would need this screen and then another for color proofing, causing a problem with desk space.
Price: $2,000
Chances: Pretty slim at the moment. This is the sort of thing I’d love to have, but it would really be hard to justify considering how seldom I would probably use it. If they came out with an LED version and dropped the price to around $1,500 I’d give it some more consideration.
AKG K 702 Headphones
Although not ideal, headphones are sometimes a necessity when working late hours on music projects. I broke the jack on my AKG K 240’s a while back and have sort of been limping along with them (have to jiggle the cord every hour or so to get stereo sound out of them). The K 702’s are the new, top of the line set from AKG and probably blow away those entry-level 240’s I’ve been using all these years. The beauty of buying high-end headphones for music production is that they also sound great for recreational listening.
Price: $450
Chances: Marginal. Headphones aren’t a huge priority for me so I haven’t done much research. When I do replace my set, if I spend anywhere near $450 I will definitely look around for some alternatives to the AKG’s before I take the plunge.
Adam Sub 8
I thought I’d end it off with something I’ll definitely be getting, though from myself. I ordered the Adam Sub 8 yesterday to complement my recently acquired Adam A7’s (pictured, the speakers closest to the monitor). I have been suffering with M-Audio BX8’s for about 6 years now. I sold my Event 20/20’s, then traded my Event Tria’s to get them for some insane reason I can’t quite recall now. They are really just terrible monitors, completely inaccurate. But I used them for so long that I got used to their inaccuracies and just sort of settled into a rut. After a very long and very frustrating ordeal mixing my latest single I decided enough was enough and got the A7’s. They’re incredibly accurate and very easy to work with, my ear fatigue is almost non-existent now. The only problem is they are small, they’ve only got 6″ drivers, so it’s hard for them to fill my studio and produce the lower ranges. So I decided to go all out and get the Sub 8 to fill in the low end. Let’s just hope it lives up to the sound of the A7’s.
Price: $800
Chances: It’s in the mail.
So that’s it, not so much to ask right? Mr. Buffett, if you’re reading, I will accept a wire transfer, at your age I don’t expect you to shlep this stuff all around town. Anyways, has anyone had any experience with any of this stuff? Any thoughts? I’d love to know about the Embody in particular, that thing is calling me in a big way.
I’ve been obsessing over Herman Miller furniture lately, spending way too much time browsing Hive. Herman Miller introduced it’s new Lifework Portfolio recently and I have to say it’s pretty clean. Included are some old favorites like the Nelson Swag Leg Desk and also some great newcomers. This Cognita is what stood out to me, I’m always a sucker for the whole wood-grain/white/stainless-steel look. The only problem is the price: $999. I can’t imagine spending a grand for something billed as a “storage bench” any time in the near future but it’s always fun to look.
I feel like if I did get a piece like the Cognita it would make everything else I have look so bad I would have to throw it all away and start from scratch. I guess it could be reasoned that buying one expensive piece of quality furniture that will last you a lifetime is a better investment than constantly buying sub-par stuff (Ikea) and replacing it every few years as it breaks or starts to look dated. I guess I just don’t have any experience with Herman Miller in particular so I don’t really know if it would hold up long enough to be worth the investment. Anybody splurged on high end furniture like this and if so, has it held up well? Was it worth it or do you regret the indulgence? Let us know in the comments
