Ricardo Villalobos is known for his lengthy 14+ minute mind melting tracks in the techno world but he has this worldly draw I think when it comes down to rhythm & choice of sounds. Get to the 2:30 min mark and let it ride out, you’ll definitely hear why he goes for soo long. HIGHLY RECOMMENDED
It’s Shari Vari by A Number of Names, hopefully this song doesn’t need an introduction.
I follow Ras G on twitter, the dubstep artist that is one of the more hardcore dubstep supporters out there that has the pure passion for the music.
If you know me or if you’ve ever walked into my room you’ll know i’m a huge Police/Sting fan. Lately i’ve been working on edits but mostly of songs by The Police. The more I listen to their whole catalog the more I find small glimpses in songs that have perfect loops in them especially in this song Invisible Sun.
Sun Electric – Toninas – (Ricardo Villalobos Remix)
Here’s something to keep you busy over the weekend: The Ghostly Discovery App for iPhone. The free app allows you to create streaming playlists from the Ghostly catalogue by choosing a “mood” via a spectrum color wheel and a “style” via fader-like sliders. It’s sort of like Pandora but instead of picking a specific artist, you use the mood and style of the music you’re looking for as a starting point. And of course, you can find some Tycho stuff in there too. Check it out here
Update: Sorry, but as many of you pointed out in the comments, the app is not yet available internationally. Ghostly is working out the international licensing issues and it should be out soon. You can sign up to be notified when it is available by entering your email at the bottom of this page.
Whenever I see images like the ones below by Drew Gardner, I always ask myself how the hell they do it. Apparently they do it with $36,000 cameras. That’s not to say it’s all about the equipment, but 39 mega pixels doesn’t hurt. The Phase One camera system seems pretty incredible: a medium format, full-frame sensor that can produce “Noise-free exposures of up to an hour”. Crazy…
Artistically Gardner’s work (examples below) isn’t really my style, but technically it always amazes me that people can create images like this. The Strobist recently mentioned Gardner and his Phase One Masterclass. At $2,850 I won’t be attending anytime soon, but it would be great to see the process of someone who has mastered photography on this level.
Here’s a peek at Gardner’s process in his “Epic Location Photography” trailer:
I’m all about lonely and melancholic photography this week — though more importantly — I’m really into the effective implementation of a deceptively simple concept as seen above. Like Nobody is there, this series by J Bennett Fitts steers clear of any human subject; this time with a slightly more ominous tone. The focus of No Lifeguard on Duty is the abandoned swimming pools found throughout the country, usually alongside a similarly neglected hotel/motel from the 60’s. Just in time for summer! (At least in San Francisco…elsewhere in the country a more appropriate summer image might have the pool filled with water and people frolicking about. Here, summer means cold and foggy.)
Swimming pools are signs of spiritual optimism, economic prosperity and the hedonistic good life, so the image of a pool dried up and cracked or half full of dirty water becomes a symbol of disappointed hopes and dreams. A sign on the wall by a pool that was filled in with grassy sod says, ”No lifeguard on duty,” which is funny at first, and then starts to sound like an ominous judgment about modern American life. Ken Johnson
Photographer Tim Navis is participating in The Mongol Rally, a drive from the UK to Mongolia. You can follow along at Tim’s Rubik Crew page. Seems like an incredible adventure, I imagine he’ll be coming back with some amazing shots, can’t wait to see them. And in case you haven’t checked in on Tim since we last featured him, here are a few of his recent shots to refresh your memory:
Create Digital Music has a nice piece on the Walkman’s 30th Birthday. Pretty surprising actually, I don’t think I became aware of the Walkman until ’85 or so. Peter Kirn makes a good point: “Sony once had iconic design..” Link
