This Star Slinger track might as well be a Top 40 chart monster, it hits harder than a punch to the neck and has more soul than most of the pop songs out there right now.
I hear that Darkstar might be heading over to Warp Records, I can really appreciate a song like Dear Heartbeat, its raising the bar for bedroom producers, reminds me of a more simplified JDSY song or something tolerable from Her Space Holiday.
Moths seems to be starting off on the right foot by following the footsteps of Four Tet, Gold Panda, Seams, etc. Thanks NAVIS for the tip. Maybe he’ll sign to Moodgadget if he sees this post?
The label BPitch Control has offered some of the best 4/4 records in the past 10 years that blur the line of Club ready / Headphone music with artists like Ellen Allien, Telefon Tel Aviv, Paul Kalkbrenner and many more. With Chaim on their roster they add more of that beautiful techno to their sound kind of like one of favorites Modeselektor’sI Love You:
Anyone know who did the image above? would love to give some credit.
I had the great fortune to study under Jennifer Sterling at the Academy of Art, a couple of years ago now. She taught two of my typography classes (one of which I completed the Pantone Poster for). I’ve always been a big fan of her work, and as Fabien points out, her long disconnected site, has recently popped back up. No new work that I can see, but it was exciting to see the archive back online.
Jennifer was definitely one of my favorite instructors at school. She was intensely critical, which I loved, and I feel like her exacting evaluations drove me to do some of my best work at the time. I can’t stand it when people hold back during critiques or are luke-warm on giving feedback. If something I’ve done is bad I want to know. Maybe I’ll disagree and we can argue about it, but it is in no way helpful for students/teachers to hedge around giving honest feedback. I always appreciated Jennifer’s classes for her honest and precise critique.
Had to share this, here is 5 seconds of every #1 song in chart history until 1992. I had to start with Part 2 because it started with Down Under but Part 1 is here.
I came across these great photos from Québec-based recording facility Studio Frisson while gear-lusting tonight and was stricken by their quality. Most studios don’t do a very good job of tastefully photographing the facilities so it was refreshing to see these very well executed portraits of some of the most rare and prized recording equipment in the world. Some of the post on the photos is a little synthetic for my tastes, but still nice. Unfortunately the images are watermarked so you’ll have to imagine what they’d look like clean.
Speaking of watermarked photos, I’ve really been getting annoyed by the practice, particularly by good photographers. I get why they’re doing it, but honestly, is the damage it does to your image and composition worth whatever infringement someone could pull off using a 650px, 72dpi JPEG? Just asking for the sake of argument, I can certainly understand the motivation.
Anyways, you may not share my hopeless obsession with analog audio hardware, but you can’t deny the sexiness of these machines and their interfaces. I’ve always found equipment like this a good source of inspiration when designing realistic software interfaces.
Sorry, no mention of the photographer that I could find. If anyone knows please speak up!
The title face looks like Clarendon to me; one of the better uses I’ve seen, particularly on the Emmanuelle cover. And that black background would make a great texture for all sorts of applications. Sharpen > Desaturate, Levels > Select Color Range, or just use in blending mode.
Update: According to Blo in the comments: “Emmanuelle and Emilienne were erotic best sellers, and Emmanuelle was also a film. 10x18cm is the size of the pocket book. It was and still is a collection of novel paperback.”
Today Teeel’sdebut EP Amulet came out, you might remember him from the Dry Waves compilation that we gave away for free or the Generic Man video we did using his song. At first listen you might just want to throw him under the bus with artists like Washed Out, Toro Y Moi, Millionyoung etc that all have fallen under the chillwave tag at one point in their music careers. I think Teeel sticks out for me because he went the hi-fi route and everything isn’t dragged thru the tape hiss(gods knows that isn’t a bad thing) but you can tell he’s comfortable with a clear output which is a breathe of fresh air. Download his single for free here or pick up the discounted EP here.
This Gatekeeper song touches on a sound that i’ve loved since I was little. Believe me this isn’t a bad thing but combine dreamy(probably not the best word) scene music from the TV show Airwolf with Paul Hertzog’s soundtrack(specific songs) for Bloodsport and your talking about my favorite childhood music that was coming out of the television. I mean I could also describe all same-y and compare it to Moroder or some of the better synthy Italo but that has been covered before.
When I want dub thats more on the electronic tip I know I can rely on Deadbeat, he’s been doing it for awhile now, I wish he didn’t veer off into minimal techno but this track Deep Structure always reminds me of what I fell in love with in Detroit Techno, let it ride out, I love it when Techno isn’t soo in your face but locks into a great long groove.
You know if i’m posting on Foxes In Fiction that means something is being given away for FREE. That generous and kind Canadian is at it again with a free 2 tracker, think bubbles with a stutter floating in circles inside a silo somewhere in Winnipeg.
The beach music will never die, it might be hip and then hated but you can’t deny a home for beautiful music like this Beach Fossils, if you see their new record pick it up and I swear you’ll find out that one summer night it will hit the spot just don’t force it.
While digging around for more info on the “found” work of Vivian Meier, I stumbled onto Todd Bieber’s video detailing his discovery of a roll of film in Prospect Park. He shows some of the (well shot) photography and wonders if he’ll ever find the people who took them. While this is an interesting story, I didn’t find it all that poignant until I read Peter Kirn’s take on Create Digital Motion.
Indeed, we are losing touch more and more with physical media. Perhaps this is a good thing for many reasons, but as a musician I struggle with the most meaningful way to release my work. I grew up focusing on the media as a sort of physical manifestation of the art that it contained. Perhaps it was just my childhood fascination with all things printed and ephemeral, but I do feel a definite disconnect now between myself and my –all digital– music collection. I personally like the idea of a physical object to represents an otherwise unsee-able art form.
I realize that we are marching inexorably towards a physical media-free future (and for most of us, we’re already there), but I’d love to see more ideas like IDEO’s C60 Redux concept; an RFID music system that plays on the strengths of physical and digital media. A system like this might not always be as practical as purely digital music, but I for one would love to experience music at home this way.
