I wish I could say these were from when I was younger, but the closest I ever got to BMX was digging jumps and watching my friends careen off of them (I went off once with a road bike, crashed, and stayed grounded after that).
Anyway the above shots were taken by Cameron Muilenburg from Hidden Clothing. It looks like he and his friends were pretty good — not only at riding but also at capturing the experience with basic equipment (I assume Polaroid). I love the color and composition. The first one feels like a still from a film, paused at just the right moment to capture the most movement.
Mark E’s works 2005 -2009 selected tracks and edits is a must have in my mind, I only wish I had collected all these tracks on vinyl but here it is in an easy to swoop CD over at Phonica.
Mark E’s production is very groove based a slow burn if you will, its definitely for fans of Pilooski, Studio, Marvin Gaye, or Moodymann.This music for a dance floor that’s in it for the long haul and not looking to tire themselves out at some club. You might notice his edits touch on slow house and disco and classic soul, nothing in your face, to be honest I could put a song on repeat and have it going for 40 minutes+ and just keep trekkin’ along my work day completely enjoying doing anything while every once in a while dance in my chair.
Was reminded of Mercedes’ beautiful 1969 C111 gullwing design after their recent concept unveiling. Beautiful Pictures; I’ll go ahead and file this under “things you can’t have, ever”. I’ve always loved cars; I used to collect die-cast models when I was a kid. I guess I picked the wrong thing to be obsessed with though because it’s becoming increasingly apparent that a 1959 Testa Rossa just isn’t in the cards for me.
I suppose it’s for the best though; nice cars are so impractical and besides, this is the sort of thing that has me dreaming these days. ($8700 MSRP!!! why do you torture us?) I feel like we as designers sort of got a raw deal; we’ll never be able to afford what our taste dictates as acceptable to us (except for that one guy who redesigned the Louis Vuitton monogram maybe? He could probably buy the car and the guy driving it). And then you see MTV Cribs and these people’s houses look like they hired Scarface and the set designer from Full House to do their interiors.
These images are from photographer Cedric Delsaux’s Dark Lens series. The project has been around for a while but a new set of images was just released. World Famous Design Junkies has a great write up of the history of the project. They detail the three waves of content releases and go into a little more detail.
I’ll be speaking at this year’s FITC in Toronto (April 25-27, 2010). My talk should be on April 26th at 2:30pm, but seeing as it’s still a ways off this may be subject to change. I just got back from Last week’s FITC in Amsterdam (will try and post pics soon) and it really was an incredible event. Toronto should be even better, in my experience over the past couple years it’s a much larger event as it’s held in the home town of FITC. I will be posting more info as it becomes available, you can also check the events page.
Lately i’ve looking for a good illustrator to animate the Moodgadget logo and put it in natural environment for a short video and came across Masha Krasnova-Shabaeva who has such a great imagination and strong ideas for different drawing series that I had to share it with you guys.
I’ve seen Deru play a few shows with Tycho, he always gets a crowd going with what some people might call IDM but it can’t be you know why because girls dance to Deru and girls don’t dance to IDM. This is definitely for fans of older Lusine but with a bit more noise, damage and darkness.
Osborne’s Afrika is a classic on Spectral Sound, I couldn’t imagine anyone wanting to take on a remix of it since its such a killer track originally. Recently though Bullion stepped up the challenge with luscious results.
Everyone probably has this Jose Gonzalez cover of The Knife’sHeartbeats, I just felt like the blog would be naked without it archived somewhere.
Animal Collective’s Panda Bear collabing with anyone seems like a good idea but after hearing him over a flat 4/4 it kind of makes me think not, I love both Panda Bear and Pantha Du Prince but this remix is just a wee bit off but the video has a nice treatment and is pretty entertaining.
The always excellent Watsonian — who also brought you the Super 8 packaging — have posted these beautiful examples of vintage Kodak film packaging. Every time I see something like this the first thing that pops into my head is “Why doesn’t more commercial packaging look like this anymore?”. I then tell myself “If more commercial packaging looked like this you wouldn’t find it as interesting.” I think that point could be argued but you can’t argue that strictly from a design standpoint, these are just plain better than this crap.
I guess the next question though is whether some kid in 30 years will think the more recent example is better, but I seriously doubt it. I really feel like more attention was paid to the quality of design before the age of computers, I guess the practitioners were just more skilled given the level of training required. Now it’s “have Photoshop will travel”, which obviously cuts both ways. What do you think?
