Here’s an incredible video of Elliott Smith apparently recording Angeles live in a living room. Amazing that they’re getting such great sound from one mic picking up both the guitar and the vocals. I use 3 mics just to capture one acoustic guitar, which might be overkill. I have been experimenting with mic’ing drums using just one condenser room mic placed at a good distance and a dynamic on the bottom of the snare only with decent results. (thanks to Dusty Brown for that technique)
I’m not sure "liveblogging" is even a word but I’m posting this from the booth at OFFF Lisbon so I suppose it’s fitting (the WiFi actually works this year!). All the above images are from today’s festivities, it’s about 3pm right now so we’ve a bit to go still. The beer is flowing and the sun is shining so come out; even if you don’t have a ticket you can hang out in the main area where there’s lots of people, food, and drink. So far Lisbon has been great, judging by the things I saw out the window on the cab ride from the hotel to the event I have a lot of walking around to do once I have a spare minute.
We just got into Lisbon, already amazed. We had the good fortune of sharing a bus with the KDU on the way to the hotel, good people. I’m traveling with my youngest brother this time around, that’s him up there in the pics. This place definitely looks like a great town for photography so I’ll be doing my best to bring home some good shots. We’re here for the OFFF which starts tomorrow, we’ll be at the ISO50 booth all day so stop by and say hello if you’re in the area.
Chris clark, to me, is like Boards Of Canada, Aphex Twin, and a bit of Autechre thrown in for good measure (no wonder he’s on Warp, right?) His album Clarence Park is pretty much solid wall to wall. This track is a stand-out if not only for it’s Aphex slant. Sorry for the small cover art, couldn’t find a proper sized version. Also, I’m at Newark airport having some beers with my brother so not all that concerned with Jpeg resolutions at the moment.
Headed out for Lisbon tomorrow morning for the OFFF. I’ll be bringing my camera and hopefully getting some good shots. I’ve never been to Portugal, just heard a lot of good things. If it’s anywhere near as great as Barcelona I’ll be happy.
There will be an ISO50 booth at the OFFF Festival complete with shirts, prints, CDs, etc. Stop by and say hello if you’re in the area, the Mercadillo is free admission. See you out there!
70′s prog-rock band Yes are really hit and miss for me. I enjoy a lot of their earlier work but they shifted gears later on and started making the sort of music we now mock when lamenting the cultural shortcomings of that polarizing age known as The 80′s. That aside, they have contributed some amazing work over the years; their eponymous first album is largely considered to be the first Progressive Rock album and it’s certainly a classic. One of my all time favorite songs is the track Survival from that very same album. The production and musicianship on these earlier songs is, to me, perfection. It’s these sort of songs that really make me miss the hot summers of my home. It’s funny how the context of your first experience with a song colors your perception of it from that point forward. Although it is an incredibly beautiful song, hearing Survival usually gets me a little down, I start missing home and getting all nostalgic. The first minute is something altogether transcendent. Being an electronic musician who doesn’t use traditional vocals, the instrumental parts of songs like this are great reference points for building emotion into a song without the need for vocals.
Yes – Survival
Yes was also a visually interesting band. The top five images are paintings by Roger Dean, some of which were used as Yes album covers. The second image is some random shot I found on Flickr while searching for Yes covers. This guy came prepared for whatever he’s about to get into: Portable tape recorder, box of tapes, joint, football, paper towels and of course, a Yes T-Shirt. The final image is from a series of Yes logos also by Dean.