It’s been a while since I wrote about my most cherished 5DMKII. I drove down to Santa Barbara this weekend to catch a Neon Tree’s concert and brought the 5D for the trip back up the coast. Was hoping to get some sexy landscape shots (inspired by Mr. Navis and his multiple Big Sur adventures).
Overall I was very impressed with the camera’s performance. I continue to think that I have absolutely nothing to with any “good” pictures the camera takes. It is an incredible piece of equipment. On my Japan trip I felt like I could hand the camera to a 5 year old, instruct them to run around in circles taking pictures, and get it back with pure gold on the memory card. With the 50mm locked in it seems like it can do no wrong.
All that said, I wasn’t really in love with anything I shot on the drive up. I was trying to time the light with my journey so I would be at the most epic locations around 4pm. A fair plan, but Nepenthe (very tasty) took 1 hour longer than I expected and my dreams of sun-drenched cliffs were thwarted. I was happy with the above shots though — the first one reminds me of a painting.
Getting the rig into the concert wasn’t super easy (neither was shooting amongst hundreds of bouncing UCSB students…). Next time I’m saying I’m a member of the press (because I am right? Sort of?).
…the science fiction realities of the earth’s ends
Indeed. Swiss photographer Dan Holdsworth makes the somewhat normal look absolutely surreal. I chose to focus on the icy project above because it vaguely reminded me of a Minus the Bear album cover I love. Be sure to check out the rest of Dan’s portfolio as there are many other projects of equal quality but drastically different subject matter.
A few weeks ago I had symptoms of what I’m calling Leica love—it seems like a feverish desire more than anything. Stumbling upon these photos of a special edition M8 only intensified it. Check out how clear and sexy these product shots are.
While the camera is amazing, you’re dropping $8,500 on it and I would think that the packaging should be extend further rather than just the typical cardbox box with inserts. Perhaps a red velvet/suede lining in a completely metal case or something along those lines would be the way to go.
Just checked in on Matthias Heiderich (who we covered a while back) and he’s got some beautiful new work up. I love how he blurs the lines between photography and design.
Here’s some serious power on the cheap for your next photography outing. Gizmodo details how to sync your DSLR and iOS device up for wireless shooting and image transfer. I’ve been wanting a system like this but assumed it was insanely expensive, this method will run you about $75 (assuming you already own an iOS device). My only potential issue with it would be transfer speed; notice how there is never a continuous shot of the photo being taken and the image arriving at the iPhone. The remote shutter functionality is enough for me though.
I just got back in from Toronto which was the last stop on the short Tycho tour we just did (I was joined by Dusty Brown and Zac Brown for the live sets). I just wanted to thank everyone so much for having us, we had a great time playing for you and couldn’t have asked for a better vibe. Our very own contributing writer Shelby White was on hand at the Seattle show to shoot with his 1D MK2. As you can see (above) the results were beautiful, he really captured the feel of the lighting that night. And that last one of Dusty is amazing!
I’m going to take a break from shows for a little bit here while I tie up some loose ends on the music front, but we’ll be hitting the road again — and making it to a lot more cities — once the album comes out and we have time for a proper tour.
You may remember Josef Schulz’s series Sign Out from a while back. I was a big fan of that series, but these photographs, that focus on the subtle details of architecture, are much more intriguing to me. It’s all about the lines and the color. I am reminded of the work of Philipp Schaerer — that or video game architecture, where environmental details are obscured just enough to allow you to focus on the bad guys (or reduce processor load).
Using digital image processing, the analogue picture produced is then “cleansed” of the few remaining hints pointing to age, location or environment of the buildings. All details that might possibly allow conclusions concerning the actual size, users, time or place of the buildings are completely removed. The physical reality of the buildings is changed in such a way that they seem to become virtual blueprints designed to perfection.
— Excerpt from an essay by Thomas Ruff.
So after years of being goaded by my friends I finally took the plunge and went to Burning Man. I figured it would be a good idea to bring a camera but I had heard that the dust could wreak havoc on the delicate inner-workings of a DSLR so I decided to leave the D80 at home and bring my little SD780 Elph. It ended up working out great, that little thing surprised me every time I used it. But this being my first time, I wanted to focus more on the experience and not be worrying about getting shots the whole time. Consequently, I didn’t come home with a whole lot of material, but I was really happy with what I did manage to get. Next year I am definitely going to bring the D80 (or whatever I’m shooting with at that time) and focus more on shooting, the place is a photographer’s dream.
Above are some examples of the shots I did get; all have been post-processed and most are multiple-exposures. As you can see, the place was downright otherworldly in terms of aesthetics; the beauty of the desert (a place I’ve spent very little time in my life) was absolutely breathtaking. The texture of the sand (which was extremely fine, almost like talcum powder) seemed like what I’d imagine the moon to be like. As the images above will attest, I was somewhat preoccupied with the sun, but you’ll have to forgive me as the sunrises and sunsets were some of the most beautiful I’ve ever witnessed. Some of the photos are available for purchase as prints at the ISO50 Photographic site.
As for the experience itself, I could go on and on but I’ll spare you the details and just say that is was without question a high point for me. The music, people, and artwork were all incredible. I brought with me a lot of preconceived notions about what Burning Man is and the kind of people who go there, but within the first hour or so of being out there in the desert with 50,000 people, every one of those notions were proven to be completely wrong. Try to make it out there if you have the opportunity, it’s really something special to be a part of.
Edit: I’ve discussed the process of creating these images a little in the comments.
Edit: ZX asked in the comments if I could post an unprocessed image, the example below is the raw output from the camera. After processing it became the top-most image above (this one). I really had a great time working with these images and I think I am closer than ever to becoming a Canon convert with my next DSLR purchase.
