Create Digital Music has posted an excellent interview with Paul Frindle. Frindle was one of the people at the center of the digital revolution in audio recording; he worked on SSL G-Series Console, was “part of the team that broke the “damnable black art” of digital conversion”, founded Oxford Digital (whose EQ plugin I still use extensively), and developed the application the Sony OXF-R3 Console. It’s a pretty technical article but it highlights how creativity and genius can combine to fundamentally change an art form.
Some producers and musicians these days lament the shift to digital saying that analog will always be better than digital. I tend to agree with that statement — particularly when it comes to synthesis — but the move to digital has made the process of production so much more efficient and accessible that it’s hard to argue against it. Digital audio has opened the doors of the music industry to anyone with a computer and made artists of people who might not have had access otherwise. Although I have spent many years trying to shift my process into the analog domain, I certainly wouldn’t have been able to get a start in music if it weren’t for the ability to record digitally.
So here’s to Paul Frindle and everyone like him who paved the way for a revolution in music, because whether we’re making music or enjoying it, we all owe these pioneers a debt of gratitude.
Late last year I had to pleasure of interviewing Danny, Marieke and Erwin of Experimental Jetset. Founded in 1997 and based in Amsterdam, Experimental Jetset is one of the most exciting and highly regarded studios working today. They create exceptionally beautiful work; immediately recognizable for its top notch quality and unique remixing of modernist principles and stylings. Their global renown continues to soar– most recently thanks to their part in Helvetica and the extreme popularity of their (now re-released) John&Paul&Ringo&George shirts.
A quick perusal of their website can easily turn into hours as you browse through their catalog of work and read their comprehensive descriptions of each project. In these descriptions, and especially in interviews, the depth of their reflection is astounding. They take great care to consider every perspective — whether it be a report of one of their own projects, or an answer to a seemingly basic interview prompt — their ability to discuss Design and work is as remarkable as it is fascinating. What follows is our discussion from November 2009. Enjoy!
I did an interview for the excellent Grain Edit blog recently and they’ve posted it up today. We covered a lot of ground from coffee shops and design to music production. There’s also a couple bonus shots of the studio in there. Check it out at the link below.
I did an interview with Norway National Radio while I was there last week. It’s brief and you’ll have to speak Norwegian to understand most of it. They seemed to focus in on the political aspects of our conversation, most of the questions centered around the role of graphic design in American politics in the wake of the 2008 elections. Also, I had a cold so that’s why I sound like I just inhaled 3 packs of Camels.
Non-Format is one of the most exciting studios working today. Comprised of Kjell Ekhorn (Norwegian) and Jon Forss (British), Non-Format is known for an exceptionally innovative approach to typography and a fresh, boundary-smashing graphic style. Clients such as Nike, Coca Cola and The New York Times have all tapped the studio’s award winning and internationally acclaimed design talent. Operating on two continents, Non-Format is based in Oslo, Norway and Minneapolis, USA.
One of my first assignments at design school was to bring in some books that I found inspiring. As I had just started the program, I didn’t really have much to show for myself, and I distinctly remember arriving that day to see that around 3/4 of the class had all brought the same book: Non-Format’s Love Song. The extent of their influence on the field of design became immediately clear to me. Since then I’ve kept a close watch on the studio and am always excited to see what they’ve been working on. Recently I had the privilege of interviewing Jon and Kjell and our exchange is after the jump.
Dave (of the fantastic Grain Edit) spoke to Katie and Joel for Part II of our Hatch interview series. They talk in detail about the JAQK design process and look at a lot of early visual directions for the brand. Further proof of the innovative work the crew over at Hatch is doing. Check out Parts I and II of the interview.
Hatch is a San Francisco design firm founded by Joel Templin and Katie Jain. Since its inception in 2007, Hatch has developed innovative campaigns for some of the world’s biggest brands, including Coca-Cola, Apple, and Target. They are known not only for their exceptional work, but also their distinctive business model, which allows them to be a launch pad for their own products. Most recently, Hatch was at the World Series of Poker promoting their first “hatchling”, JAQK Cellars.
I had the chance to sit down with Joel and Katie last week to discuss their work, process, and the recent goings on over at Hatch. With the launch of their new website and the success of JAQK, and they have their hands full! Check out the interview after the jump.
Be sure to check out Part Two of this interview over on Grain Edit!
I’ve always loved the artist series over at Hillman Curtis. Very well produced and put together films; my only complaint is that they are so few and far between. Scott’s recent post reminded me to go back and watch this one on Milton Glaser. I love hearing design heavyweights like him talk about the big issues in design. As far as I know, he still teaches at SVA occasionally—how fascinating it must be to have him as a teacher!