Our 5th installment of the ISO50 Colorcast Mix Series has been carefully put together by a kind northerner by the name of Tyler Derosier. We got a 2 hour boy this time around, just look at the tracklist below:
1. Dresvn – A2
2. Kyle Hall – Mysterious Lake
3. Warren Raww – Ross
4. 2 Bit Crew – Hoop Dreams
5. Terrence Pearce – Stroker
6. SVN & Porn Sword Tobacco – Fresh II
7. Moomin – Time Circle
8. Dorisburg – Irrbloss
9. D. Tiffany – Orange Crush (Plush Managements Mix)
10. Jupiter Jax – Armed for Peace
11. Royer – Window Sun
12. Jonas Palzer – Solid Liquid
13. Alvin Aronson – Mat
14. Royer – Facts
15. Studio OST – Bent Light
16. Chaos in the CBD – Digital Harmony
17. Heathered Pearls – Interior Architecture Software
18. Nas1 – Exit 12, 13
19. Frank & Tony – The Gales
20. Deep88 & Melchior Sultana – Days Go By
21. Jordan Blacksmith – Naja
001 Benoît Pioulard by Iso50 on Mixcloud
Couldn’t think of a better person to kick things off for us. Here is the first installment of the IS050 Colorcast Mix series.
Tracklist
01, Assembler/Responder, Palmer Station, Bishop & Clerk
02, Alex G, Serpent is Lord, DSU
03, Duane Pitre, Section III, Feel Free
04, Bibio, Dinghy, Green
05, Ricky Eat Acid, In my dreams we’re almost touching, Three Love Songs
06, Dirty Beaches, Pacific Ocean, Stateless
07, Carl Hultgren, I Walked Alone [Instrumental], Tomorrow
08, Cepia, Me and My Gin, Cepia
09, Foxes in Fiction, Glow (v079), Ontario Gothic
10, Jib Kidder, Yesterday’s Gone [Robitussin Ramble by Benoît Pioulard], Steal Guitars: Fencing Partners
Last month Seattle’s Benoît Pioulard released another gorgeous LP to the world called “Sonnet” you can pick up the digital, cd, and vinyl on his bandcamp.
SUPPORT: SIGNED CD & VINYL
“The basis of the album was a series of field recordings of tones and unintentional harmonies that I made in the summer & fall of 2013 – whistling industrial air conditioners, bird songs, locust drones, washing machines – that I mimicked or interpreted on the guitar, making loops that developed into fuller compositions.
Several of the pieces are recreations of harmony loops that I heard in a series of extraordinarily vivid dreams, and then woke up and recorded.
A few pieces had lyrics and vocal parts that I ultimately removed; at a certain point the album became an exercise in restraint, so I strove to leave only what I felt absolutely essential.
Unlike most of my previous recordings, there are no digital / software after-effects on the album; all sounds are from analog tape and / or my few guitar pedals.” Thomas Meluch (Benoit Pioulard)
The sound of the fifth Benoit Pioulard full length is lush and verdant, a temperate rain forest of ear ecstasy that reflects the environment surrounding the artist. A mostly instrumental work, it is an adept melding of song and sound, melody and texture, the intangible and the palpable, that in an abstract sense recalls the more fractured and loose end of the 70’s krautrock movement.
