There seems to be a never-ending supply of kindly book collectors who are nice enough to share their finds with us. This latest 70’s-era set is from Gridula’s Flickr. Particularly enjoying the last two infographics from Sound and Hearing. Unfortunately they’re a little on the small side so it’s hard to make out the detail; but loving the color and style nonetheless.
You may remember Paul Tebbott from this post a while back. I recently checked back in on his portfolio and was glad to see some beautiful new work up. He seems to have refined his style a bit, these compositions seem a little more restrained than the earlier stuff, if only a little. I really like what I’m seeing, his use of color is excellent. But I must admit, I kind miss type treatments like this. I’d like to see the bottom three mocked up with some type included.
You can check out more of Paul’s work at his portfolio
Brent Couchman has some great design/illustration work over at his portfolio. Love the style and his color palette is perfect.
More work over at his Flickr (thanks Matt for the link)
I’m always a sucker for letterpress. You could almost use any design and I’ll love it if it’s on the right paper and embossed like this. Perky Bros., aka Jefferson Perky, is producing some beautiful work out of his studio in Nashville, TN. You can check out the rest of his portfolio here.
I forgot when I heard this, but this girl with a letterpress was explaining how in the old days it was actually frowned upon to de-boss the paper. The more skilled the letterpress operator, the lighter the impression the type would make when it printed to the paper. She went on to explain how in recent times artists have begun to purposefully de-boss the paper when printing as an effect. It’s always interesting to see how people take equipment that’s been painstakingly designed to produce a certain effect and turn it on it’s head to do something new and creative. It sort of reminds me of a lot of recording techniques where you’re taking something designed to produce the most pristine possible sound and abusing the process to create effects and distortions.
Via Graphic ExchanGE
I just wrapped up the poster for the upcoming Tycho show in Toronto (shown above) which can also be purchased at the ISO50 Studio shop. I’m doing a solo art exhibition at Function 13 Gallery and then a live Tycho performance afterward at Nocturne on Friday, November 20th, 2009. I’ll be posting the gallery show poster tomorrow with all the info, for now you can find all the details for the Tycho (music) show here and details for the Function 13 Gallery Show here.
This poster is sort of an alternate take on the gallery show poster (which will be released tomorrow), they are both based on the same subject but have very different aesthetics. This is the first time I’ve worked directly with a live model for a project — I shot her against a light bouncer with a flood light coming from the back to get the silhouette. Although rather time consuming, it was a pretty fun process and I learned a lot. You may notice that this piece in similar to the Coastal Brake cover in it’s use of negative space. I’ve employed this concept in various ways throughout my career (the Past is Prologue cover [2004-2005], for example) but have only recently found the time to truly explore it to the extent that I have with these recent pieces as compositions in this style are the most time intensive of all my work. When creating these, I treat the process more like painting than graphic design and so things can become much more complex. This particular piece is not quite as complex as some of the others, it’s a composite of about 20 image layers overlayed using various blending modes and masked by the silhouette image, the negative space was then filled with photographed paper which was colored using color balance. It will be on display at the Function 13 ISO50 Gallery show on the 20th.
Tycho Show Details
ISO50 Toronto Art Show After Party
TYCHO (Live Audio / Visual Performance)
With Guest DJ’s
Aarnio (Ghostly/Moodgadget, New York)
Noah Pred (Thoughtless Music, Toronto)
Nocturne
550 Queen Street West Toronto
ON MSV 285
$10 Advance / $15 Door
Doors: 9PM
Werk
Re-Magazine
Mark
Our aim with this event is not to yearn for the magazines of yesteryear but rather to look upon those magazines extant in the world today, and in doing so, understand the culture and tastes of our time, reaffirm our awareness of paper’s function, and confirm the intelligence and ingenuity of humanity as seen in magazines.
Related Reading
– An Overview of Design Related Magazines
– Can Design Save The Newspaper?
– NYT Magazine ‘T’ Covers
Maybe it was my last post, or Scott’s recent travel adventures, but something has reinvigorated my desire to go back to Japan. I guess I’ve always wanted to go back, the feeling is just very acute right now. As Jon and Kjell mentioned in the Non-Format interview, Tokyo is a rather hard city to beat. Personally I can’t imagine a more inspiring place.
Anyway the poster above is by Yasuhiro Sawada and I’m sorry to say, I don’t know too much more about it. I’ve always loved it for the simple shapes and unusual layout. It also took me repeated viewings to see that there was a message in the shapes — felt pretty oblivious after that. The image comes from GD in Japan, where you can find many other excellent works like this.
These spreads from Newwork Magazine are exceptionally awesome. At first I wasn’t sure why I was so taken by them, but I think it’s a combination of the following factors: sole use of (mostly) black and white, implementation of a strict grid, lots of little type details throughout, and a sophisticated and effective use of negative space. Newwork Magazine (ink on paper / 32″ x 23″) is put out by Studio Newwork.
