Albin Holmqvist, Gustav Johansson and Niklas Johansson are really killing it with these new EF Live the Language videos for EF International Language Centers. If you saw the first few, you’ll notice that they’ve really gone above and beyond with this new set. The new locations include Sydney, Australia; Vancouver, Canada; and Los Angeles, California.
Just came across William Eggelston’s photography work tonight (I know, very late to this party). I’m completely blown away. A lot of these almost feel like realist oil paintings.
Does anyone do work like this anymore? I’ve never really seen tone and definition like this in anyone’s work. I have to imagine most kids starting out in photography these days are purely digital; sad to think we’ll be seeing less and less film output as the years go on.
Last week I wrote a quick post about the Nosh Promo video I made. Today I wanted to go into the production and describe all that went into its creation. Basically it was insane 25 hours from when we started, until the next morning when I exported the final video and the power went out in my apartment building (literally AS I hit export). Above you’ll see the composite I put together to show how each step of the post-process contributed to the final video. View the final video here or at the bottom of this post. I’ll describe each step in detail after the jump.
Terrence Malick’s The Tree of Life opens across the US tomorrow, and these stills for the film look amazing. I’ve purposely been avoiding any news on it so I wouldn’t build up any expectations, but I couldn’t help but look at these images. I rarely go out to watch movies anymore thanks to Netflix, but this looks like something that would really benefit from a trip to the theater.
In the past we’ve talked about shooting underwater photos and wanting to experiment with it. These photos are from photographer Steven Taylor with musician Devan DuBois as the pictured subject. These images are a testament to the cool things that can result from experimenting with underwater photography.
I still would love to rent a housing for my Canon 1dmkII or even a cheap film camera and go for a dive into the ocean or a lake.
Can anyone recommend a decent waterproof film camera?
Awesome behind the scenes segment on the making of the 1980’s HBO intro. Every time I get frustrated with work I’ll think of this and remember how lucky we as creatives are to have modern tools. Although compare this to the digitally generated DVNO video. +1 for analog, again. I don’t know what amazes me more, that they achieved these effects with such limited technology, or that HBO was willing to go to such expense for an intro sequence.
I’ve been wanting to see Werner Herzog’s Encounters at the End of the World for some time and finally got a chance to see it tonight. After seeing Fitzcarraldo and The Bad Lieutenant: Port of Call – New Orleans (which is so incredibly bad that it’s certainly some sort of elaborate joke he’s playing) in rapid succession, I was excited to check out his take on the Documentary format. Based on the trailer I was somewhat looking forward to the imagery in Encounters — I was expecting the majority of the film to be shot underwater like Wild Blue Yonder but was pleasantly surprised to find it was more about what was going on up top. The people, landscapes, buildings, and machines around McMurdo Station make for some beautiful shots. As Herzog narrates in the film “..on this planet, McMurdo comes closest to what a future space settlement would look like.” We even get treated to some vintage celluloid from a 1970’s-era expedition. Definitely a must-see.
Do yourself a favor and watch this video right now. It’s filled to the brim with absolutely breathtaking shots — so many that I can’t believe they were taken all by the same team. The Planet Earth folks need to hire this guy RIGHT away. Honestly I’m speechless. This is an amazing piece of film. An amazing piece of art. Congratulations to Mickey Smith and Allan Wilson for making such a brilliant piece. And all for Relentless Energy — who knew.
I should also mention that I love this video because I LOVE the ocean. I am terrified by the sea, but I love it. Of course I like the way it looks, but I also am constantly taken by its incomprehensible size and power. I am not a surfer (you should have seen me try in New Zealand), but I have always felt the same connection to the sea that I often hear the surfer describe. I like to sit in it, lay there, do nothing. My favorite thing in the world is getting tossed, turned and pummeled by waves — salt water filling my head every which way — then rolling up on shore and lying in the sun where the sea meets the sand.