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ISO50 Exclusive – Slow Hands Mix

Posted by Jakub

iso50-Slow Hands mix
Recently I posted a debut track by Slow Hands which is coming out on Brooklyn’s Wolf+Lamb label, you may know Ryan from New York’s DJ duo Worst Friends which our Tom Croose is the other half of. I asked Ryan to focus on something eclectic and something for designers and creatives to listen to while working instead of something a little more dance driven and Ryan really delivered by using everything from Slum Village to The Steve Miller Band to DFA’s Woolfy.

Once you get to the Project Sandro track you’ll end up in a slow and steady groove — it slays actually — I’ve been waiting for something like this for awhile and the ending movie sample is pretty sweet.
Look for the next couple of mixes to be non-genre specific and melodic and hopefully something that exposes the diversity in electronic/rock/etc music.

The iPhone photo was taken while Ryan was asleep and then Scott came in and made it proper.

TRACKLIST
Alice In Wonderland (Soundtrack) – The Garden & All In The Golden Afternoon
Slum Village – Fourth and Back
Sade – Sweetest Taboo (Slow Hands edit)
The Steve Miller Band – Fly Like An Eagle
Soulphiction – Prison Song (Feat. Marcin Oz)
Aldo del Lago, Tolousse y Alain Junot – La Isla Bonita
Ab Orchestra – La Isla Bonita
David Bowie – Magic Dance
Project Sandro – Blazer
Woolfy vs. Projections – Isabella
Trus’me – Drilling
Wareika – Belonging (Vocal)
Tensnake – Holding Back (My Love)
Slow Hands – Fast Tongue
Chateau Flight – Instand Replay
Talking Heads – Sax And Violins
Dan Auerbac – When The Night Comes
Princess Outro

DOWNLOAD IT HERE

Slow Hands – “Afternoon To-Night” Mix

[audio:slowhands_mix.mp3]

Branca+Addled+Simon+The Sea and Cake

Posted by Jakub

Glenn Branca
My friend Danny passed on a Glenn Branca EP to me tonight, one that I didn’t have and we started talking about him. Glenn Branca seems to be the poster boy for all the experimental guitar bands that want to do something new these days but they don’t understand that they can’t repeat the past and pretend like their doing something groundbreaking. I don’t think anyone these days would be able to put out music similar to what Glenn Branca did during the time he was doing it, you’d only be doing it for the wrong reasons. This new wave of bands in the past 8 years or so are enjoyable but in my opinion just come off as “I need attention but don’t actually look at what i’m doing because i’m actually not creative at all”. Sadly these musicians today can buy their way into sounding and mainly looking like they have some talent. Walking up and down the streets of Brooklyn you can almost smell and see the fake talent, at first you can fall for it but then talking to more and more people you end up finding out they aren’t offering up anything pure or willing to potentially going mental to perfect their technic and sound. I just want people like Glenn Branca to get more credit because listing him off as an influence only is almost saying that your similar to him but you aren’t you actually have to take any of the time that you’re getting any attention and use it thank the originator.

Addled is half of Worst Friends and he loves his Boston Red Sox, sharing what great good house/techno records come out on Tuesdays, and most importantly making a variety of music. Recently he’s worked on music that was used in a Prada video and in the past he made some of the music for The New York Times. His first EP as Addled is one that follows the footsteps of James Holden and Paul Kalkbrenner but touches a new level of listening since its less clubby than both and is more on the deeper side and melodic side.

I feel like I post a lot of Paul Simon but really I don’t actually if anything I don’t post enough Paul Simon.

I always thought I liked Sam Prekop more than The Sea and Cake but then I listened to some more Sea and Cake and realized I was thinking crazy things. Whenever I have to deal with the rock guy that thinks electronic music is too repetitive than I just have to share with him The Sea and Cake and say Its not that you don’t like repetitiveness because obviously this is amazing, it’s just that the person doesn’t care for unique sounds or can fathom the idea a synth playing more parts than their are people on stage and that just ticks him right off.

Glenn Branca – Lesson No. 1 for Electric Guitar

[audio:lesson1.mp3]

Addled – Heartbreachno

[audio:heartbreachno.mp3]

Paul Simon – The Coast

[audio:thecoast.mp3]

The Sea and Cake – Weekend

[audio:weekend.mp3]