Kind of similar sounding to the Skalpel song posted a couple weeks ago, Triosk and Jan Jelinek come together for a wonderful collab. I love this song for its tempo, the expanding and contracting feeling, and how the ending leaves you. It might sound repetitive but if you listen closely on how each part comes in and out and how the parts start appearing even louder thru the song as it climbs towards the end, it adds soo much to listeners experience. I couldn’t even imagine it live, it gives me goosebumps just thinking about it.
Triosk Meets Jan Jelinek – On The Lake
Also, found a picture of Jan Jelinek’s studio:
This 2001 remix of Bomb The Bass & Lali Puna’s Clear Cut comes from the oft overlooked German IDM genius Uwe Zahn, better known as Arovane. If you haven’t heard of him, get Atol Scrap and enjoy the some of the finest electronic this side of the millennium.
Bomb The Bass & Lali Puna – Clear Cut (Arovane’s Mix)
The album covers pictured above have absolutely nothing to do with the song other than the fact that they are Lali Puna albums and since I probably won’t ever post any Lali Puna music here I figured this was my only shot at getting these nice designs up.
Thanks to Jared who identified the font in the last post as Hellenic Wide. Check out the comments in the original post for some modern digital reproductions.
You see this typeface a lot in the concert poster world but it was also very popular with mid-century designers as illustrated by this Blue Note cover from the Vanguard Archive. Bonus: Name the modern day variants. Comment on this post
Here are some more covers from that great Blue Note Cover Archive that Amy Stoddard sent in a while back. Scanning through the archive you’ll find some periods of absolute greatness; these four were culled from the mid-60’s period when modernism was in full swing and someone over at the Blue Note design dept. seriously knew what they were doing. I selected these particular covers to illustrate the sort of continuity that seemed to pervade this period of releases. I really appreciate that from record labels, it’s not always the best policy, but there are times when I would sacrifice variety for a continuous visual message that flows through a series of records.
The other thing that really stands out to me about these is something that the original designer(s) probably didn’t intend: the lack of true white. Something about the off-white / cream in the place of white always makes an image feel more human to me, more tangible. That’s why white hasn’t been included in any of my design work since some of my earliest stuff from around 2001. I am not saying it doesn’t have it’s place in design or that it can’t be used effectively, I just don’t prefer it.
The minimalist color ethic in these pieces is employed successfully to such a degree that only a maximalist could truly appreciate. These images are literally exploding off the page, it almost hurts to look at them, yet they’re only two colors and relatively empty, full of negative space. True, a couple of them have leveraged photography to provide some depth, but try to imagine them without the photos; they would still stand on their own and that’s a testament to not only the designer but the power of typography itself. Note that aside from the oval and rectangle of the Blue Note logo the only shapes and lines are formed solely by type. To me that’s the ultimate expression of design, the information is the image, or, as a sort of anagram of Marshall McLuhan’s famous quote; the message is the medium.
What also strikes me about these is how timeless they are. This is not nostalgia, this is graphic design at its apex. If you compare these to the visually entertaining, yet decidedly dated, selections in my last Blue Note post, you might see how comparatively well these designs have stood up compared to say, this. The later Blue Note covers scream "late 60’s-70’s", the Carson stuff screams "1990’s", while these simply scream "DESIGN". Just as many have proclaimed Helvetica to be the purest expression of modernism through typography (which is an interesting concept in and of itself), I sometimes think that design as a whole reached some sort of zenith somewhere around the middle of the 20th century. That’s not to say there isn’t more to be done, new paths to be forged; but I feel like perhaps the perfect balance was struck during that era and all we can do now is explore all of the not-so-perfect alternatives. I know many will disagree with me, they’ll invoke Sagmeister and his ilk, but I’ve never been a fan of post-modernism, I think it is flawed. It is sometimes beautiful, thought provoking, and can be used to great effect, but at the end of the day it doesn’t go as far to accomplish the goals of communication and graphic design. True, graphic design is an ever-evolving form that mirrors the society it is employed to convey it’s message to, but the basic set of requirements that govern the neccessary function of that conveyance do not change…..That is, until we all mutate and read with thought waves and our eyes remain only as vestigial lumps mounted on the front of some sort of hyper-evolved super-brain. But that’s besides the point.
So that’s the long and the very long of it, my opinion only. As I’ve betrayed many times before, I am a lowly uneducated philistine so please set me straight, I would love to hear your opinions and the masochist in me eagerly anticipates the verbal thrashing I am sure to receive from the collective rebuttal superpower that is: The Innernette.
This track is off the Erlend Oye’s DJ Kicks compilation it’s a Royksopp track that Erlend Oye sang Smith lyric’s over and the group Silicon Soul did a remix of it, kinda crazy right? but i guess when everyone is all on electronic music making program’s things like this can happen overnight by just sharing files so that everyone can get to the parts of the song. The end of the song is the starting of another song, i can’t find the song by itself, i think it was exclusive to the CD, hope you enjoy.
Royksopp & Erlend Oye – Poor Leno (Silicon Soul Hypno House Dub)
A very nice collection of alternative Saul Bass works is up at Citrinitas. I say "alternative" because every time I try to find new images by him, all the same old stuff comes up but there are a few here that I hadn’t previously seen as well as that large version of the Saint Joan poster which I wasn’t able to find until now. One thing’s for certain, the man knew how to use orange. Via DMOGHI from a very nice feature on inspirational poster designs.
The new Tycho single "Adrift / From Home" is now available direct from the MP3 shop in DRM-Free 320Kbps MP3 format. It was previously available exclusively through iTunes but can now be purchased at the new Tychomusic Shop and all other major digital music retailers. You can also purchase all the other Tycho releases at the Shop.
If you had previously purchased MP3s direct through the old system you may know that it was far from perfect. The new shop has been rebuilt from the ground up and functions far better than the previous system with instant downloads and full user account control.
In case you missed it the first time around, below are some clips of the songs from the new single. You can hear the full version of Adrift at the Tycho Myspace page.
Tycho – Adrift (clip)
Tycho – From Home (clip)