Director Brian Levi Bowman has released a new short film entitled Meridian which features the Tycho track Daydream. I think it came out beautifully, those particle effects are amazing. They simply licensed the track for this so I had no input on the project; in a situation like this it’s always interesting as a musician to see what directors will do with your work. The finished product rarely reflects the meaning you originally had for the song, but it’s always nice to see a different take on things.
There are a few viewing options below, I recommend the Quicktime if you got it, the quality is much higher.
Here are who i think might be the best indie hip hop producers at the moment when it comes down forward thinking, more on the electronic end and catchy. Its great to see that a few went the extra mile and got a proper designer for album covers like Dabrye’s WK Interact artwork and Eliot’s someoddpilot artwork.
Here are a couple old DEC ads, one for the PDP-8/I and one for the PDP-8/S. The 8/I would make a wonderful piece of furniture or a nice synthesizer stand. Unfortunately you rarely see these in good shape; here’s a banged up 8e on the bay.
I know, I know, flash mobs are so last year. But I hadn’t seen this one yet and thought it was a good example of the concept as art. This must have been a pretty surreal scene to randomly stumble into, although I would have to think that most New Yorkers are pretty jaded to these sorts of stunts by now. The real trick would have been to do this in the 1930’s or 40’s. It would have caused a city-wide panic, people would think it was the rapture or something.
I’ve never seen one of these in person, but here in San Francisco I’ve witnessed Critical Mass a few times. It’s a pretty amazing sight to behold except for the part where I can’t walk across Valencia to get a falafel.
I’m sitting in a friend’s studio and he asks me what would you love to hear really loud since he has an amazing setup and my first reaction is wanting to hear the guitar’s right after the intro of where Slowdive’s Souvlaki Space Station drops in. I’ve always wanted to hear this song live over anything in my life.
After that, i wanted to compare that sound to The Verve’s spaced out Gravity Grave so i can compare in my opinion the 2 ultimate shoegaze tracks. It was lovely, almost as good as it being live in a few parts.
Then, to really take it to a dark and heavy side we put on The Reflecting Skin’s (who is pictured above) Year of the Knife which is an absolute monster. You look at movie trailer’s these days and they end up using some weak heavy metal track or some bad sped up Orbital rip off electronic track from the mid 90’s, why not something with more of an emotional connection that people won’t forget? The latest trailer for the movie Watchmen was perfect, i think it sounded like Billy Corgan from The Smashing Pumpkins, it couldn’t of been a better pick for the footage shown, I still remember it now perfectly clear.
As for the last track, it’s an edit that Addled did for M83’s You Appearing, i felt like i couldn’t of posted these songs without an M83 track but needed a song that was exclusive for you guys, you can download the song on Addled’s myspace. The original is very similar to this but he added the perfect touch to the rhythm section so its a little more driving.
The new French Kicks album Swimming has been out for a couple months now and I’ve had a chance to give it some proper listening time. I thought Songs From 2000 set the bar pretty high so anything coming after that would need to be pretty good to surpass it. While Swimming is a great collection of songs, I don’t think it really lives up to the previous release. Although being subdued is sort of the Kicks’ hallmark, this offering just seems a bit overly subdued for my taste.
The band apparently recorded and mixed this record themselves, which is a pretty commendable feat; it really does sound great and the overall vibe is pretty unique. From a technical perspective the record is interesting, most of the parts sound like they are room recordings, big and airy with a lot of ambience. The album opens with what I think is the strongest track, you can really hear the recording style shine here with the big boomy bass, it almost sounds like a really good live take.
I am not sure what’s going on with this album cover. I’m definitely not a fan of the style or execution; just seems rather boring. Looks like some stock art from an Ikea wall hanging or something.