Unless you are way into audio production (read: geek) you don’t have any good reason to care what the EMI TG console was (it was essentially a giant mixer for recording music and several were installed at Abbey Road Studios and used on the Beatles album of the same name). Regardless, I’ve posted these images since these consoles have always intrigued me from an aesthetic point of view as well. I really enjoy the industrial design they put into this old equipment, such functional design and usually built to military spec.
It has always been a dream to have a Neve, API, EMI, or SSL console in my studio but they run around $50,000 – $100,000+ so it’s going to keep being a dream until I find a bag of money at the park like in that one after-school special about being honest minus the honesty part. A company called Chandler now makes clones of these things and they look almost as good. My friend who does the post production work on my music uses a couple Chandler pre-amps and swears by them, but they’re pretty damned expensive too. I currently use a set of Neve clones, but it’s only 2 channels so still not coming anywhere near these massive old consoles.
Cover of Design Magazine 232; pretty damned clever. I’ve been planning on experimenting with printing then photographing certain elements for projects then recompositing them back into an image. This makes me realize I need to start working on that sooner than later.
My last computer just wasn’t cutting it anymore performance-wise so I’ve spent the weekend building a new one. As a result, not much bloggery going down, but I’ll be back on it tomorrow. So for now, here’s a random picture of some sort of bad-ass record player. I’ll do a post on Photoshop / Media Production performance as it relates to hardware configurations once I’m done with the new machine.
Another one from the Dream Chimney "Sleevery" archive. Loving the type, I would call that Avant Garde if it weren’t for the rotated ‘e’. Can anyone identify this or is it a custom job? Let us all know…
Not sure what’s going on in this photo, but it’s incredible and the colors are just about perfect. Wish I had some more background on this piece but perhaps someone can fill in the blanks.
My friend and yours, Dusty Brown, recently covered Elliott Smith’s "Can’t Make a Sound" for a tribute album and it turned out incredible, dare I say, better than the original. You be the judge, have a listen below.
Dusty Brown – Can’t Make a Sound (Elliott Smith Cover) Available on the album Hope You’re Happy
Incidentally, the last two images above are of the wall in Los Angeles that was used by photographer Autumn de Wilde as the backdrop for the Figure 8 album cover. Since Smith’s death it has become a sort of memorial for fans.