Originally we posted the Sutra which is the vehicle above but digging deeper I find the typewriter workspace is just as fascinating.
I spent 30 minutes looking for a larger version of this cover but just had to give up and tile it, i hope i didn’t offend any of the graphic designers out there. This is what happens when Scott is out of town for a show but i just can’t pass up covers that are the color scheme of the Finnish or Quebec flag.
America – Ventura Highway
Joni Mitchell – Help Me
Carole King – So Far Away
Flying out to Seattle today for tomorrow night’s show. The show has sold out so I’ll see you all out there, and if you didn’t make it in this time I’ll be back up soon enough I’m sure. The doors open at 8pm and I’ve been informed I’ll be on around 11:15pm. I’ve worked out some new visuals and added some new effects and tweaks for this set so it should be fun trying it all out for the first time. I’ll also be playing a new unreleased song along with some of the old favorites.
I’ve got my D80 with me so hopefully I’ll get some good shots of the city while I’m up there. And for those of you who have been asking about video from the live sets: We taped the Toronto show at the Drake, it’s still in production but should be up in some form soon so stay tuned. See you tomorrow…
Seatac image (above) via Ramparts54
It is said that Leonardo Da Vinci lived by the principals of what is now called polyphasic sleep; basically meaning he followed a rigidly structured sleep schedule allowing for only 3-4 hours of sleep per day. Sounds pretty crazy, but it does net the faithful around 21 waking hours per day. Apparently you take several naps during the day as opposed to one big sleep at night and somehow your body adjusts to this and thrives. I must admit the concept is appealing, all that extra time each day. But judging from how I perform off even 6 hours of sleep I am pretty sure I’m out of the running as a candidate anything like Da Vinci’s system.
That doesn’t change the fact that I want this alarm clock. Designed by Marc Owens, the clock operates on a very simple system that makes adhering to the polyphasic cycle easier, and better looking. More info can be found at Yanko Design.
A contributor to this very blog swears by polyphasic sleep and seems to thrive on it. Anyone else getting by with this system? Do you get more work done? Let us know in the comments
Heading out tonight to ruin more of my hearing by seeing Carl Craig DJ after the My Bloody Valentine show the other night i’ll be deaf by Sunday. If any of you are in New York tomorrow Deaf Center from Norway are playing at Le Poisson Rouge, i’m super eager to see them live.
E-Dancer – World of Deep(Carl Craig Remix)
Mark E – Slave 1
Chris Clark – Springtime Epigram
Deaf Center – White Lake
As if you didn’t already know, Adobe today announced the latest iteration of it’s Creative Suite, CS4. There aren’t any real surprises and most of the updates fall squarely in incremental territory. I am excited about the intelligent image scaling and GPU acceleration in Photoshop. I was a beta tester for Photoshop so I’ve had a chance to see these features in action. I didn’t notice any huge performance gains with the GPU acceleration, but then again my workflow doesn’t really include a lot of the tasks the new feature is supposed to speed up. I also got a chance to get a 64-bit version of PS running on my Windows XP 64 install to test out the performance now that Photoshop can actually "see" all 8GB of memory in my system. Again, the performance gains weren’t really noticeable which was somewhat disappointing. I think the cause of this was file size though. I think once you’re dealing with files that occupy more space in memory than you have physically installed in your system, the scratch disks are the key. In other words, I don’t think Photoshop seeing and extra 6GB of memory is really all that important when the file you’re working with is taking up far more and still writing to scratch disks.
I’ll admit though, I just haven’t had the time to really put it through it’s paces and get any real figures, these were just my initial impressions from the limited experience I’ve had with the software. I guess I just always looked forward to the day Photoshop became 64-bit with GPU acceleration as the day I could effortlessly tear through an 18×26" poster @ 300dpi without so much as a screen refresh delay; sadly, I don’t think we’re there quite yet. All that aside, I’m always excited to have an update to my favorite software. All of the previous updates have added great features / functionality and this version is no different. Link
I’ll be playing a live Tycho show this weekend in Seattle (Sat. Sep. 27) as part of Decibel Festival. I’ll be doing full live ISO50 visuals along with the music. Here are the details, hope to see you all out.
GHOSTLY INTERNATIONAL LABEL SHOWCASE
Tycho (San Francisco) : Seattle Debut Live A/V Set – Ghostly International, Merck
Deru (Los Angeles) : Live – Ghostly International, Merck
Lusine (Seattle) : Live – Ghostly International, Hymen
The Sight Below (Seattle) : Debut Live A/V Set, Ghostly International
Venue: The Baltic Room – $12 presale / $15 at the door – Doors open Venue: 8pm / 21+
After seeing his work in the new Canon promo video I decided to check out Vincent Laforet’s portfolio. He has some pretty amazing stuff up there, including some incredible high altitude shots that really put his subjects in a unique perspective. I also found his work with tilt-shift (last three shots above) to be quite refreshing for that genre. Judging from these shots this guy seems to just float around in some sort of blimp all day taking pictures. You can find more of his work at vincentlaforet.com.