Posted by Scott

I just got home from Terrabyte after a nice drive today; LA > Sacto > SF, needless to say I am exhausted so I’ll keep it short. Terrabyte was amazing as usual; thanks to everyone who came out and made it a success and thanks to the Arboretum and Kyle and Ryan from Subtractive for making it all happen. I also want to apologize for the delay getting started, as some of you noted, we had some technical difficulties starting out, but things smoothed out once things got rolling. I was pretty busy most of the time so didn’t get many good photos this time around, some of the few I got are below. Bijan has also posted some photos from the show here.

Steve workin’ it at the booth.
ISO50 Booth

Dusty Brown!

Zac Brown! (Guitars, Dusty Brown)

Somewhere in the middle of the central California valley.

I found some early videos from the show on YouTube, below is a shot of some of the visuals. I didn’t realize this girl (video below) had been dancing in the visuals until after the show was over, pretty cool to see this now. There is also a video of the new single being played; the audio is really bad and you can’t see much, but it’s a small taste at least: link. There are a couple more from the same person up here as well.

Marco Zanuso

Posted by Jakub

Marco Zanuso
Lately, i’ve been getting back into going into the modern furniture shop again, you know more then just window shopping. I took a break awhile because i just felt like i wouldn’t find any original pieces to gawk at and then slowly make my way to the price tag to find out how much money something is that i’ll never be able to afford. Recently though my newest fascination again are simple mod plastic phones, portable TVs, and alarm clocks. This one by Marco Zanuso really caught my eye.

Stock sleeves & consistent design Part. I

Posted by Jakub

Kompakt Total covers
Rekids album covers
Since there are 1,000’s of 12″ electronic vinyl still coming out every week to record shops a lot of the labels have taken design more seriously to catch the record buyers attention by keeping a consistent layout and font for their stock sleeve jackets that hold the vinyl. I collect alot of these stock sleeves, i thought this would be a good way to post some vinyl versions of songs too and show you some of the record sleeves that don’t make to the people that only buy CDs and MP3’s. These first 2 are Kompakt’s TOTAL series and REKIDS regular stock jacket that usually changes up alot but they keep the same font and usually keep it centered.

UPDATE: One other thing is that a lot of vinyl doesn’t make it to CD unless the musician does an album with the same label and CD’s are pressed or if it gets licensed to a DJ mix CD or podcast.

DJ Koze – Zou Zou

Radio Slave – Screaming Hands (Cosmo Vitelli’s Radioaktivitat remix)


Posted by Scott

Got the Prius washed up, gassed and loaded to make the drive down to L.A. tomorrow for Terrabyte 3. Some stretches of I5 are rather scenic so I’ll try to get some shots on the way down, although at this time of the year it might be a bit bland with all the greenery long since turned brown.

I did a test mixdown tonight of the a new single which I’ll be debuting along with some new video work during the set. Hope to see everyone out at the show, there will be an ISO50 booth with shirts, vinyl, CDs, and prints so stop by and say hello.

Photos from last year’s Terrabyte show by Studio JFISH

Justice: Stress

Posted by Scott

Update: as many pointed out in the comments, this is set in France, not sure where I got that UK reference. I guess I had Cunningham’s work stuck in my head while I was writin.

I was debating whether or not to post Justice’s new Romain-Gavras directed video for Stress just because it’s so damned violent. Like out of control, completely senseless violent. But I decided it would be a nice counterpoint to Justice’s last video so I decided to put it up. The video follows a gang of youths around the city as they cause mayhem and beat the hell out of people. It’s set against the familiar dreary backdrop of urban UK streets reminiscent of Chris Cunningham’s Come To Daddy video for Aphex Twin (which is equally disturbing, but at least no one gets a bottle smashed over their face in that one). I’d be interested to hear what everyone’s take on this one is; right now it feels intense but I’m having trouble finding any deep meaning beyond that initial visceral reaction. But perhaps that’s the point.