Situated in the Atacama Desert, northern Chile, at 2,635m above sea level exists the Paranal Observatory. Operated by the European Southern Observatory (ESO), the site contains mankind’s most advanced optical instrument, the Very Large Telescope (VLT), as well as a number of other state-of-the-art auxiliary and survey telescopes – most notably the VLT Survey Telescope and VISTA.
The VLT itself is comprised of four unit telescopes, which in 2011 gained the ability to work together to create the VLT Interferometer; an instrument that allows astronomers to see details up to 25 times greater than the individual telescopes can alone. Needless to say, the results offer a staggeringly beautiful view of our cosmos.
You can view many more Paranal Observatory and ESO images on the ESO website. A short film comprised of time lapses from the Paranal Observatory was also released last year. This is embedded below. Fullscreen that mother.
If you know me personally i’m a huge sports fans, i’ve always wanted to bring design and music fans together with sports fans anyway I can. If I had a dream job it would be hopping around in-between all the major sports teams and redesigning uniforms and logos. Nike did a great job here BUT… there’s a problem, a HUGE problem in my opinion, this doesn’t seem like what a passionate design would design, i’m in love with the fabrics, Nike always nails that department out of the park. The issue is that everything is completely evolving from the early 1990′s expansion boom, that gooey round 3D look or the Sin City “we’re the bad guys” thing. Both of these new logos suffer from that influence and thats the big bummer and the color scheme the designers have to work with. Also, i’m not going to lets simple designs get away with it either, look at the Minnesota Wild logo, you would think ISO50 might like it but no way, look at those trees, what a horrible effort.
To end on a positive note, I love what Nike did for the Oregon Ducks. I hope some of you comment in the comment section because i’d love to have a conversation about all of this.
Polish born Karezoid Michal Karcz stepped away from the paintbrush and canvas years ago and focused on photography, only until recently has he started painting again but digitally this time, here’s some of the photos he’s taken further into fantasy using his altered technique.
02 Reach for the Dead
03 White Cyclosa
04 Jacquard Causeway
06 Cold Earth
07 Transmisiones Ferox
08 Sick Times
10 Palace Posy
11 Split Your Infinites
13 Nothing Is Real
15 New Seeds
16 Come to Dust
17 Semena Mertvykh
Over the last few months I (Shelby) have been working on a number of large updates to Designspiration. The first of these updates is the job board. The goal of the job board is to help creatives find career opportunities at great companies.
There were a number of challenging aspects of building this site addition, but the main one was how to handle mobile. It’s not something I’ve done a whole lot of and just to complicate things, a new grid needed to be developed for the updates to follow. The restructuring of the grid took just about as much time to figure out as it did to build the job board itself. I’ll follow up this post after the next updates to talk more about making Designspiration fast on mobile (hint, hint).
Check it out: http://ds.pn/jobs
via Leif Podhajsky