Assorted work by designer Olle Eksell to kick off your Tuesday right. What great typography! (It’s all late 40’s, early 50’s work.) All of the above are scanned from a book I picked up in Tokyo. I thought I had stumbled upon the secret of all secrets when I found it, but you can buy it on Amazon just as well.
Kelpe might have made of my favorite 1+ minute intros to a song with the beginning of Cut It Upwards. It has hints of Four Tet and early Manitoba(aka Caribou) to the point that I think he was almost trying to replicate their sound, either way the track came out great with quality samples.
Tom Croose comes out with his first remix of one of his own songs as Worst Friends, the song will be out today on an EP with additional remixes by Shigeto and Bostro Pasopeo. Tom will be djing in San Francisco this Tuesday, you should definitely swing by and say hello if you’re in the area.
I’m sure Der Zyklus gets plenty of comparisons to Kraftwerk, I swear i’ve heard this with an Erlend Oye acapella over it years ago but I could be dreaming that up. Such a gentle track, if Tron ever made a snow globe as a promo item this song should be the midi song that plays while neon and black glitter swirled around.
Fred Falke doesn’t do many remixes that aren’t nearly perfect for playing out on the weekend, this remix for Hot Chip could be one of the best remixes they will ever get.
Kelpe – Cut It Upwards
Worst Friends – AG (Tom Croose Innerspace Ski Boot Mix)
Der Zyklus – Mathematische modelle
Hot Chip – Colours (Remixed By Fred Falke)
I had to use the word vanish today since I saw the movie Prestige last night for the first time and loved it. I was thinking what if my hacked iPhone(that Scott hooked me up with, thanks Scott) vanished and I had to buy a new phone. I couldn’t handle another Blackberry Pearl or that Gphone that friends have and lets pretend those weren’t even around anymore, I’d probably just want to go back to something simple that worked like the Ericsson T610 that I had in 2004 or maybe that clunky Bang and Olufsen? Anyone have something that they love i’m not thinking of? just Skype maybe? either way i’d probably shell out for another iPhone, its just too powerful of a tool that fits in my pocket and gets me out of many jams.
Linda Aldredge is a graphic designer and the creative mind behind LuLu Organics. Also, SHE LIVES IN A FACKING TREE FORT. This is so amazing I can’t even put it into words, the pictures will have to fill in the blanks. Judging by the interior shots I’m pretty sure I would have a hard time coping with the rather spartan accommodations. But, of course, living in a treehouse would probably more than make up for any lack of modern accouterments. The best part is that the whole thing cost like $12,000 or something and runs entirely on solar. I really love the modern design of the exterior; it looks like it belongs right where it is. The house — situated in upstate New York — was designed by Kursten Bracchi and built by her and some friends. The images above are from an InHabitat article about the house which delves a bit deeper into the whys and hows of the whole situation. There’s also an in-depth look at the build process at DominoMag.
Seeing stuff like this makes me realize I’m going to wake up one day when I’m 60 and realize I never really did anything all that adventurous in my life. Maybe on that day I will decide to go into the forest and build a tree house, but I seriously doubt it and I also doubt that solar panels could provide the 200 jigawatts required to power my studio, even in 2037. Of course, all of this is likely moot as by that time we will have been enslaved by some sort of robot overlords and/or the Illuminati or whatever. But not Linda Aldredge, she’ll still be kicking it in the woods all off-the-grid style with her solar panels and iPod like that old couple in Children of Men. What? Anyways, point is, it would be cool to live in a treehouse.
Read Between the Leading is a design podcast started by SCAD students Aaron Heth and Matt McInerney. They release just about one show per week and discuss a diverse range of design topics; everything from the Tropicana fiasco to a new name for the @ symbol. They usually have one guest per show, and they’ve already had Mark Simonson, Antonio from AisleOne, and the Grain Edit team on so far. You can listen on their website or subscribe in iTunes.
I never listen to the radio, and have never been able to incorporate podcasts into my routine, but I’ve been trying to keep up with RBTL. I love geeking out over design, and I don’t find many opportunities to do so outside of school. I also continue to be fascinated by differences between design programs across the country, and it’s great to hear the perspectives of students from schools like SCAD. Aaron and Matt do a good job compiling relevant and interesting issues to talk about; their passion for design is definitely contagious. They are still working out some kinks, but I could see the show really blowing up as they hit their stride. Anyone else had a chance to listen? I’d be interested to hear what you all think of the show.
You may see Alex/HeadUp once in a while commenting on the blog, he put together a wonderful ambient mix from various albums from the Moodgadget catalog. His Quiet Storm like narration complements the ambient electronic like a missing NPR show, it’s definitely a nice collection of songs to play in the background while you work or sleep, hope you enjoy it.
1 Entsounds – The Winding Sun (Arc Edit) – Growth EP
2 Praveen – Tour Around This House – Expanse At Low Levels
3 Shigeto – May – New Crossings
4 Calmer – Open Source – Past Is Present
5 A Setting Sun – Views From The Real World – No New Enemies Vol. 1
6 Viul – Wound Cotton Wound (Exerpt) – Summer’s Wet Work is Done
7 Tstewart – What’s This Color? – No New Enemies Vol. 1
8 A Setting Sun & Shigeto – Polaroid Romance – Table For Two
9 Kyle Bobby Dunn – Mobiles (There is No End) (Exerpt) – Fervency
10 Tokyo Bloodworm – Found Memories of Nature – The Rorschach Suite
11 Entsounds – Dormancy – The Growth EP
Moodcast – Ambient Edition
I miss Polaroid! I’ve been stockpiling some old film, but I’m always afraid to use it and run out for good. It looks like the Instant Back attachment for the Diana+ Lomo camera might serve as an able replacement. The Instant Back attaches to the Diana+ and provides you with instant (90sec) print outs, just like Polaroid. It looks like it will do until the Impossible Project begins manufacturing their new film for the old cameras.
Of course, after Scott’s post below, a purchase of any other type of camera besides the 5D seems pointless. I have to start saving now!
So I stumbled onto the deleteyourself blog the other day (same guy who runs Photololz) and in turn found his Flickr. There were some nice shots up there but what really struck me in particular was the vivid clarity and tone of the photos. So I took a look at the EXIF data and sure enough, they were all shot with a Canon 5D MKII. As you may well know, I have been trying to decide whether to stick with Nikon for my next camera or make the leap to Canon. I think that decision is becoming much clearer now; after seeing what Tim Navis did with the EOS 30D and now this, Canon is way out in front for me. Of course, he’s also using the $1500 Canon EF 16-35mm, but I suppose a camera like the 5D deserves only the best. At any rate, these shots drive home how good the 5D is at transforming otherwise mundane scenes into exquisitely detailed compositions of incredible depth and tonal range.
On a side note, that second pic looks like it was taken right around the same place I took this one, flying into Phuket Airport. I effected the hell out of mine, so it’s hard to compare the two, but I assure you that even in it’s raw form, mine was never anywhere near this detailed and dynamic. I’m not sure how much post processing he is doing with these, I’d love to know how much Photoshop had to do with the end results. Whatever the case may be, Photoshop can’t just synthesize out of thin air the kind of clarity and depth found in these shots; I would bet there’s just some simple color balancing going on. I’m also really liking the vignetting in a lot of these, can anyone out there with a similar rig testify as to whether that is a natural artifact of that particular lens or something he did in post?