“Car art” is always a contentious subject for me, there’s alot of cartoonish colored pencil stuff out there that Road & Track likes to pass off as “fine art”. If there’s one thing i’ve tried to showcase in my livery posts, it’s that the geometric body of the car itself makes for a great canvas.
Earlier last week, fellow car porn addict (although he gets paid for his addiction) Jim Lau sent me the innocuous “you’ve seen this, right?” message. Above are some examples of Ricardo Santos’ work, and I think they’re absolutely fantastic. You’ll notice some farmilar ‘faces’ from alot of the car posts I’ve done here on the blog, needless to say I’ve solved the problem of hanging up pictures of cars on my wall without looking pubescent.
These prints all come in a variety of sizes & formats, the stretched canvas is barking at me and the moths futzing outside my window will soon find a nice warm home in my wallet. You can find all of Ricardo’s works seen above over on his Society 6 page.
Here we are, probably my favorite livery from the heyday of Formula 1: John Player Special. As Lotus’s title sponsor for much of the 70’s and 80’s, these beautiful black and gold machines spent alot of time in the winners circle. Emerson Fittipaldi, Jochen Rindt, Mario Andretti, and Ayrton Senna, to name a few, all drove JPS sponsored Lotus machines.
JPS was also active in touring cars and motorcycle racing, the black & gold scheme so iconic that many manufacturer’s road-going variants usually had a complimentary paint option – albiet without the lucrative cigarette advertisements.
The colors have proved so nostalgic that Lotus has donned them once again (without any association to the extinct cigarette brand) in their Formula 1 and Le Mans prototype cars, and I must say that it’s a hero’s return for most.
What I’m really looking forward to is checking out the Historic GP at this year’s inaugural F1 race in Austin, a little birdie told me that Mario’s old Lotus 79 will be buzzing around the new track.
The effect that Dekotora has on the senses is profound. Imagine for a moment that you’re walking home late at night through a less trafficked, industrial area. Out of nowhere a garage door springs to life and the seismic presence of a 12 cylinder diesel barks to life. The next thing you know, a 10 ton monstrosity, cobbled together with jukeboxes, arcade machines and laser guided disco lights, is quickly bearing down on you. Such was my introduction to the relatively nonexistent presence of decorative commercial trucks operating in the greater New York City area.
A rare sight in most corners of the world, Dekotora is the Japanese discipline of decorating industrial and commercial vehicles with anything that reflects, glows, or flashes. It’s inspiration is drawn heavily from Gundam & arcade culture, something that much of the neon-marinated citzens of Tokyo can relate to.
Surprisingly, these are not “art cars” – they are fully functional and go about their daily tasks just as you see them here. Alot of these vehicles can be seen during business hours, backing up to loading docks, stopping for weigh stations or filling up at diesel pumps. Granted, some of the trucks above may be for shows only but from what I’ve read a lot of drivers do it to liven up their job and set their truck apart from the rest.
I really love the amount of detail that goes into these, I hope someday I’m able to get a closer look, I feel like I could spend a whole day looking at all the little bits and pieces. Yellow Magic Orchestra never reached the audience they deserved in the US so hey guys, here’s our chance to make up for past mistakes, you know that broken Bally machine in your aunt’s rec room? Or that Wurlitzer collecting dust in your garage? Throw a copy of Solid State Survivor in there and glue that shit to your truck man.
Fiat (Italian Automobile Factory of Turin) released the 131 to little fanfare in 1974. It was aimed at the family demographic, offering sedan, avant, and coupe layout. They were modestly powered and featured nothing truly ground breaking. So why bother featuring it? In all honesty, I think the 131 was one of the better looking economy cars of the day. It nearly stole the 3-series’ thunder, with a very evolved and elegant design for a mid-seventies car. Its proportions are pleasing, it has geometric, minimal shapes between the pillars, and anything with fog lights framed in a boxy fascia, I’m a fanb0i of.
While a lot of the cars I feature in my posts have some sort of tie-in with rally racing, I’m more a fan of european car design from the 70’s and 80’s in general, and in those days the WRC was a cost effective way for carmakers to achieve a global presence in motorsport. BMW has M Sport, Mercedes-Daimlers has AMG, Nissan has NISMO; Fiat’s tuning division was called Abarth. And in 1976, Abarth turned this mellow grocery-getter into one of the last great carbureted, rear-wheel driven rally cars. It took the World Rally Championship 3 times in ’77, ’78, and after a 2 year drought again in 1980, with a total of 18 victories over 5 years.
As good as the road-going model was, the Abarth 131 is truly a work of purpose-built art, everything from the bespoke brake ducts and flared wheel wells to the subtle spoiler lip added to the boot lid puts this particular variant in my top 10 list of best looking cars ever produced. Whenever I look at an E30 M3, I can’t help but think it looks a little sterile compared to the Abarth.
Originally an Italian coach builder and manufacturer, Gruppo Bertone ultimately became renowned for their progressive automotive design. Starting with the legendary Lamborghini Miura in the late 1960’s, Bertone’s designers were commissioned by many Italian carmakers of the day for both concept and production based cars. The late 70’s and early 80’s brought critical success and some of what I feel were their best designs, known for their distinct wedge profile and futuristic accents. Pictured above are some examples of work they did for Lancia, Fiat, Ferrari, Lamborghini, Volvo, Alfa Romeo, Maserati, and BMW.
There was once a time in motorsports when race tracks were not hermetically sealed 3.5 mile circles. Many of them were run on complex strings of open roads including the likes of Spa, the Targa Florio, Le Mans, & Hockenheim. The word “run off area” hadn’t been invented yet, the cars were insanely powerful, had very little grip, crashed often (usually going 150+mph) and drivers died frequently along with spectators.
For over 50 years, the pinnacle of viewing this ludicrous display of carnage was a track hidden away in Germany called the Nurburgring Nordschleife. It is a 14 mile, 160 turn beast of a road built as a test track in the late 20’s by German auto manufacturers in order to test the extremes of their vehicles. And oddly enough, it’s open to the public.
Trying to describe the experience is fairly pointless, to drive around it quickly is to wrestle for your life at every corner. Most of the turns are blind, off camber, and the radius decreases as you get further in, with all three of these characteristics having uphill and downhill variants on constantly changing surfaces. The track is so large that it is often raining on one sector and completely dry on the rest, making tire choice that much more of a gamble. Most drivers who have set lap records seem to agree: it was the scariest 7-10 minutes of their lives.
Two particular sectors within the circuit [pictured above] used to produce a fair amount of drama, Quiddlebacher Hohe and Pflanzgarten. The first is a short downhill/uphill straightaway that used to crest so abruptly, most cars would get all 4 wheels off of the ground (especially in qualifying) in an effort to maintain speed through the long sweepers ahead. The latter is a truly frightening downhill heart-stopper with a steep dip that drops the car about 6 feet in less than a second, if you’re not careful you’ll damage your suspension and body work. Both were gradually leveled off over the years, and since Formula 1 moved across the fence it has been less of an issue. Needless to say, I still laid up the rental a bit approaching both.
Both spawned from the “New Class”, the 2002 and E9/CSL models were critical to establishing BMW as not only an international brand, but as a serious contender in automotive racing. The styling of these two cars are as good as it gets for me, on both ends of the spectrum: The 2002 is minimal, sleek, and small- while the 3.0 CSL employed much more radical styling, especially the race-bred models, making extensive use of garish aerodynamic bodywork. Both were hugely influential and paved the way for the best selling BMW in history: the ubiquitous 3-Series.
I’ve never had the priveledge of driving a CSL, but my grandmother had an imported 2002tii in lime green when I was a kid, I have awesome memories of drives through Dutchess County in that baseball glove leather interior.
Until the semi-recent ban of alcohol & tobacco advertising in motorsports, cigarette manufacturers spent heavily in racing sponsorships. Marlboro was no exception, in fact they probably spent more than every other brand combined.
They are probably best known for their involvement in Formula 1, starting with BRM in the early 70’s, moving to Mclaren in the 80’s, and finding an eventual home with Ferrari, whom they still sponsor today (some say subliminally…). Phillip Morris is a hugely profitable company and it is no coincidence that their endorsement of a team has historically resulted in a winning car.
Their bold red, white, and black branding is visually synonymous with many iconic race cars, and as evidenced in the pictures, they had their hands in nearly every reach of the sport. I understand the need to limit mass advertising of a deadly product, but I do miss their colors in racing. I’ve always loved the Marlboro logo, the type is perfectly balanced with the simple geometry above it and it always looks great on the front of a badass car.
