This Gold Panda LP is still making waves, now labelmate Fort Romeau smoothes the track out into a daydreaming stare that you don’t want to snap out of.
Machinedrum’s LP on Ninja Tune is looking to touch some surreal worlds, have a taste of the video below if you haven’t heard the single yet.
I will keep pushing Keep Shelly In Athens, every single and every LP, i’m a sucker for it.
I can’t believe this is Minks, what happened to the sugary hazy garage?
One of my all time favorite photographers, pilots, and a personal hero. You can find his blog here, or follow him on Instagram.
Here we have the first footage made public from Red’s new Dragon sensor. The new sensor is capable of 6K, which is 6144px x 3160px at a max of 100fps. That’s almost more than a 5D mark III which is 5760 x 3840, depending on how you look at the frame size. There was talk on the Epic previously that you could pull stills from the image, which I’ve done, but a 5D III looks much better. With the Dragon sensor this could actually be possible. Meaning any shot from a video pulled off at 21mp, that’s nuts.
There’s a lot going into this, it’s been hyped for a long time and delivery has been pushed back by over a year, but it does look to deliver on a few key things, like improved low light and better dynamic range. Then again, there’s spots that I see in the video where the image breaks apart and the low light looks not that great and the highlights have a less than desirable roll off. It’s a mixed bag at the moment, overall it looks like a big improvement over the previous outgoing Epic MX sensor, we’ll see how it shapes up against competitors like the Arri Alexa and Sony F65. I’d love to go into an analytic chat, but right now I’m going to hold off until I have one in my hand and get to push it around in the computer. 6K is a lot of image, so it’ll be interesting how user-friendly editing with it is. I got in line early for the Dragon sensor upgrade, so possibly some of the future Tycho video / visual stuff will be shot with it and I’ll do a full breakdown for everyone. Supposedly they’ll be doing the sensor swap upgrades in September, so sooner than later!
The notes on the images were baked in by the director, here’s some links to decode what’s going on in each.
Dynamic Range – It’s the amount of range between light and dark. Prior to this sensor, Arri’s Alexa and the Blackmagic cameras we’re at the top, it seems that the new Dragon sensor might be a little more than the Alexa. Then again it takes individual testing to see if that’s true.
ISO – Most digital camera sensors as of this year are native at around 800 ISO ( ASA Film ). The Canon C series of cameras can go all the way up to 16,000 ISO and still be usable. RED Epic used to be maxed out at around 1600 ISO and even then it’s questionable, they’re now trying to go beyond that and get into the DSLR range of ISO sensitivity.
Compression Ratios – Compression ratios on RED clips are the amount of data from RAW ( uncompressed ) it’s using. A clip that has a 4:1 ratio will be larger, but be very clean. A ratio of 18:1 will be smaller in file size, but also more compressed. Think of it as moving the the slider down on a jpeg when you save it for web, it might save file space, but you loose detail. I shoot between 5:1 and 8:1 on the Epic, any more and the image begins to look muddy in my opinion.
The director did a great job of pushing the image around in the short time he had the camera.
I don’t play guitar but i’m always eyeing the Orange amps, they catch my eye every time. Recently I saw someone post that Disco setup with the turntables and I had to dig up more, here’s some of the best images I found.
The man that gave some of us our favorite Royksopp song, Smiths cover, the face of Kings Of Convenience, and the soul of The Whitest Boy Alive, and pretty much my idol has a new single… and its in Italian. I have mixed feelings, I don’t dislike it, I really don’t want to listen to it again today because of the Olive Garden commercial guitar on it, maybe tomorrow.
Its hard, i’m not a Kings Of Convenience bandwagon fan, i’m a true Erlend fan and this just throws a few things off but not in a bad way. For the record, I enjoy how everything else meshes, that synth is actually refreshing, the flute with the bassline nails some classy early light disco that i’m a fan of. But the ukelele sounding thing when its up front, i’m just not feeling. What are your thoughts? and don’t say “why those shoes?” because I already said it.
Its hard to pick a favorite Paul Rudolph image, i’m just soo inspired every time I look his sketches, i’ve actually decided to get one tattooed on me.
Below is a Fact mix that i’ve been going back to, really solid and thought though, not just a bunch favorites slapped together, that seems to be the Dial way.
1. Raymond Scott – Country Fair (Instrumental)
2. Dj Sotofett – Asa Med
3. Anthony Shake Shakir – Frayed
4. Perception – Abandoned Building In Mono
5. Max/Ernst – 7Klick1
5. Steevio – Ty (Deep Mix)
6. Furthr – Enta (enypnion)
7. DJ Qu – Times Like This
8. Black Jazz Consortium – Be And Not Know Why (feat. Christina Wheeler)
9. STL – Paku Paku
10. Jason Fine – Conical
11. Delroy Edwards – 4 Club Use Only
12. Ra. H – Spacepops
13. Gherkin Jerks – Midi Beats
14. Vakula – 41600
15. Delano Smith – Invitation Only (Reconstructed by Tobias.)
16. M-Core – Be Gene
17. Parallel 9 – Dominus
18. Echoplex – Soleil
19. tvhosten – Swinger EP
20. Acid Jesus – Radium
21. Lucy – Finegan (Pariah Rmx)
22. MLZ – One State
23. Jeroen – Axis
24. D5 – Run
25. Mark Ambrose – Bellringers
26. Phuture – Rise From Your Grave
27. Dream 2 Science – Dream 2 Science
Perhaps I’m a little late on the Sebastião Salgado bandwagon but I’m really glad I jumped on. Sebastião Salgado is a veteran documentary / photojournalism photographer from Brazil. I believe most of the shots above were shot with a Leica M7 with mostly Kodak’s T-Max 400 film. I’ve also read that Mr. Salgado has switched to digital format in recent years. Either way, his photographs floored me. I was at Samy’s Camera here in Los Angeles and they had his book Genesis on display. I could have sat and viewed that book for days. Each image had me staring at it for a good length of time. Salgado’s work is the kind of work that makes me want to quit photography entirely because it’s just too good.
I could go on and on about his work but go ahead and do your own research on Sebastião Salgado.
Sebastião Salgado Wiki
Never write off Keep Shelly In Athens, its genre bending when it comes soft pop music with an 80s haze over yet fusing in electronics that makes me want to put the song on repeat.
Tim Sweeney is doing an amazing A+R job with Beats In Space. Gonno rides a mysterious line that takes him into a dark caribbean digital world comes out the other end into a colorful synthetic space.
Ariel Pink strips it down and experiments just outside the AM gold sound with Jorge Elbrecht.
Tri Angle grabs up another huge talent for their roster with the signing of Forest Swords. Composition wise he always keeps it interesting by sitting percussion in this distant muffled space that I love.