Lately i’ve looking for a good illustrator to animate the Moodgadget logo and put it in natural environment for a short video and came across Masha Krasnova-Shabaeva who has such a great imagination and strong ideas for different drawing series that I had to share it with you guys.
I’ve seen Deru play a few shows with Tycho, he always gets a crowd going with what some people might call IDM but it can’t be you know why because girls dance to Deru and girls don’t dance to IDM. This is definitely for fans of older Lusine but with a bit more noise, damage and darkness.
Osborne’s Afrika is a classic on Spectral Sound, I couldn’t imagine anyone wanting to take on a remix of it since its such a killer track originally. Recently though Bullion stepped up the challenge with luscious results.
Everyone probably has this Jose Gonzalez cover of The Knife’s Heartbeats, I just felt like the blog would be naked without it archived somewhere.
Animal Collective’s Panda Bear collabing with anyone seems like a good idea but after hearing him over a flat 4/4 it kind of makes me think not, I love both Panda Bear and Pantha Du Prince but this remix is just a wee bit off but the video has a nice treatment and is pretty entertaining.
The always excellent Watsonian — who also brought you the Super 8 packaging — have posted these beautiful examples of vintage Kodak film packaging. Every time I see something like this the first thing that pops into my head is “Why doesn’t more commercial packaging look like this anymore?”. I then tell myself “If more commercial packaging looked like this you wouldn’t find it as interesting.” I think that point could be argued but you can’t argue that strictly from a design standpoint, these are just plain better than this crap.
I guess the next question though is whether some kid in 30 years will think the more recent example is better, but I seriously doubt it. I really feel like more attention was paid to the quality of design before the age of computers, I guess the practitioners were just more skilled given the level of training required. Now it’s “have Photoshop will travel”, which obviously cuts both ways. What do you think?
Local San Francisco studio Lab Partners is Ryan Meis and Sarah Labieniec. I recognize a lot of their work from Monocle (a magazine with a real knack for sourcing mega talented illustrators). Lab Partners’ work is great because of how well movement is conveyed. You can really sense the hustle bustle in each scene. Just look at Monsieur Boudin (the stylish dachshund)! He is cruising on that Vespa. Of course the color is great too — not to mention a bit unusual — I don’t usually post yellows, purples, and oranges all in the same post.
Sometimes I like to make sure some of you haven’t missed underground classics in the synth world and also edits. This is my favorite track by Giorgio Moroder by far, I always wanted a 9 min version of To The Bridge and I thought that person should of been Pilooski. As for this edit of Del Shannon, Pilooski kills it with this stomping reinterpretation which will go down as one of the best edits in my mind, I couldn’t imagine a dance floor that wouldn’t enjoy it.
I haven’t heard new production from Hercules And Love Affair in a while now, I saw a mix recently but thats about it, I went back and noticed I really wore that LP down, I loved listening to it. Here’s a remix they did and here’s something that might just leave me alone in the dark but i’ll try and see any of you agree, did anyone play Streets Of Rage 2 on the Sega Genesis? well there is this swamp level and the boss for that level I swear sounds like the sample at the beginning of this song, anyone hear it? no biggie if you don’t hah
I like to check Pitchfork daily no matter how much right or wrong that people might think they do they definitely are very up to the minute and have their fingers in everything. Today they gave this unique Floating Points house track an 8 out of 10! it was soo nice to see, an 8 for something that i’d never think that they’d post about, it just made me happy that’s all.
Beautiful shot of the RCA Spectra 70 computer (1965). They need to start making ATX cases that look like this and the DEC PDP-8; people would start putting their computers in the middle of the room.
These are the same guys who later brought you this (unrelated but awesome commercials — including Superman Peanut Butter — follow):
Also, apparently “pause” was once known as “stop action” and qualified as a “special effect”. Wait’ll Quigley sees this!
I loved Perry Bible Fellowship, a while back i’d check it everyday that I knew that a new comic was coming in, I just went back to it hoping the illustrator started back up but no luck. I wish we could start a petition to get him to do more, does anyone know what he does now?