A year ago, I wrote about a video I made for our Nosh 404 page. Shortly after the success of that video, we set out to film a sequel. The idea behind the followup centered around the same fictional Special Forces team we used to handle that very dangerous and exciting 404 mission. This new video is sort of like a highlight reel of all the skills and tactics they can offer in the “web services” realm.
It’s been a while since I’ve written a process post here, so I figured this would be a good project to start back up again with. It’s pretty far afield from some of the typical design writing I’ve done, but it was a really fun project and an interesting case-study in non-traditional marketing for startups.
Final video above as well as a quick breakdown showing the original footage and the eventual effected final output. Follow me on Twitter here.
Reverse Of Volume was an installation by artist Yatsuaki Onishi commissioned by Rice Gallery, which ran from April 13 – July 27 2012. The suspended fabricated mountainscape is formed from two materials; plastic sheeting and black colored hot-glue. Onishi shaped the floating sculpture within the gallery space by first draping the expansive plastic piece over stacked cardboard boxes, then removing the piled components following the white sheet having been attached to the ceiling by the quick-drying adhesive. This creative process or method is known to Yasuaki Onishi as ‘casting the invisible’ and aids in his artistic meditation on the reality of negative space.
Japanese artist Yamamoto Motoi was born in Hiroshima, Japan in 1966 and worked in a dockyard until he was 22, when he decided to focus on art full-time. Six years later, in 1994, his younger sister died from complications due to brain cancer and Yamamoto immediately began to memorialize her in his labyrinthine installations of poured salt. The patterns formed from the salt are actually quite literal in that Yamamoto first created a three-dimensional brain as an exploration of his sister’s condition and subsequently wondered what would happen if the patterns and channels of the brain were then flattened.
Although he creates basic guidelines and conditions for each piece, the works are almost entirely improvised with mistakes and imperfections often left intact during hundreds of hours of meticulous pouring. After each piece has been on view for several weeks, the public is invited to communally destroy each work and help package the salt into bags and jars, after which it is thrown back into the ocean.
Incase isn’t just the brand that you know for their backpacks, headphones, casings, and other attractive accessories, they offer some of the most interactive and cared for ways to collab with other creatives. Room 205 is on the top of my list of going above and beyond in their efforts:
Working in collaboration with visiting musicians and a revolving cast of filmmakers, set designers, audio engineers and friends, Room 205 exists to share our collective passion for art and music and showcase the people that inspire us.
I mean to take the time and rebuild a space for each musician to perform in a space that is imagined up then documenting it is a dream for any musician with a vision, for me its like telling an 8 year old that Disney World is coming to your room, be ready. Take a second and check out their site and all the musicians that have came thru, its one of the most ideal ways to experience music in my opinion.
Kansas City’s Denys Parker has just released a 30 track album under the alias 18 Carat Affair. The album is called Pure Gold and he has a limited of a 100 CDs available here and it comes with the digital download, its a no brainer. I asked him to donate his time and put together a video playlist for the ISO50 readers and he nailed it. I guess the best way to describe it is by taking his definitions and making my own so enjoy this Slow Televised Funk playlist that veers in a few different and excellent directions.
Le Révélateur and Sabrina Ratté are my favorite audio and visual collaborators since we first saw them on the blog via Beamer. The proper way to see this though is live, they played in Brooklyn and I still wish I brought my camera with me to videotape it and share it with you. Data Daze is forthcoming on cassette on NNA Tapes via the Horizon Fears EP.
Michael Cina and Matthew Dear team up to show some amazing ways to introduce art and an upcoming album to their audience. You just have to watch it yourself.
TEEN on Carpark Records is a 5 piece girl band that has the outlook of bringing back where Stereolab left off with more of a pop sense.
I have no information about this video, absolutely none, and that’s completely fine with me.
If you haven’t seen any Nardwuar interviews then i’d suggest having a few hours to watch a handful, its great seeing the musician reactions to the gifts he gives them.
I’ve been a fan of the work of London based motion studio Man Vs. Machine for a while. They always seem to create colorful and slightly other worldly work. Assembled is a selection of my favorite work, especially the new 4 Idents.
In 2005, I remember switching over to the Panasonic HVX200 camera and feeling like it was the coolest thing ever. It was really the first “affordable” camera that shot HD and was able to shoot slow motion, digitally, up to 60 fps in 1280 x 720p. This was when we were still squashing output to 720 x 480, 4:3, there wasn’t a Vimeo (really), internet video was slowly starting to ramp up and no HD options online. So, that’s the backstory.
Here’s where I’m going with this, the P2 cards that we used to store data on for the HVX were almost 1/3 the price of the camera, $1,200.00 for 8GB in 2007, thanks to a friend sending me a receipt. We’re now using 16GB SD cards in our 1080p DSLRs for something like $18.00.
Yesterday, RED dropped something that made me think, a 512GB SSD card that runs “Turbo”, which means low compression when shooting larger resolutions, such as 5K at 120fps. Red also states that it has faster offload times. This card price tag weighs in at $3,900.00 and it quite literally the size of an iPhone. My first thought was, this is incredibly expensive! Then I went back and looked at what we were paying in 2005/2006 for P2 cards. Relatively speaking, this isn’t that crazy for being on the “bleeding edge”. I’m not sure what they’re running inside the cards, but it’s definitely not an off the shelf SSD configuration inside there with the data rates the camera is capable of getting, sustained.
Of course cameras like the C300 and 5D Mark III shoot CF cards that are under 100 bucks a pop for 32GB, however they’re shooting 1080p. Which for a lot of stuff is enough and looks great, but they still don’t get high frame rates above 30fps at 1080p.
Just thought this was an interesting subject and something to think about regarding the future. What do you think? Are we going to be shooting on 2TB SSD cards in a couple years? Are those cards going to be getting fed an 8K resolution and are we going to be paying $4,000.00 again for those?
Also, I just checked on the Sony solid state cards, and they’re doing 1TB for $5,700.00. So I’m guessing it’s safe to say we’ll be using higher capacity, flash media in the near future. Always interested on hearing other people’s experiences and ideas about this sort of stuff.