I’ve always loved the artist series over at Hillman Curtis. Very well produced and put together films; my only complaint is that they are so few and far between. Scott’s recent post reminded me to go back and watch this one on Milton Glaser. I love hearing design heavyweights like him talk about the big issues in design. As far as I know, he still teaches at SVA occasionally—how fascinating it must be to have him as a teacher!
While they’re not quite as good as their big screen counterparts, some TV title sequences are starting to look a lot like what you’d expect from a feature film. Smashing Magazine has an article entitled “20 Brilliant TV Show Titles” featuring some of the better examples out there. My personal favorite has to be TrueBlood; the colors are incredible. Although none of them come close to beating Catch Me If you Can (although Mad Men tries valiantly), there certainly are some nice ones in the list. Link
The Knife is back but only half back and without Olof. Before I get into this video, how was the name The Knife not taken by a hair metal band in the 80s? Well if you want to see darkness then look no further than this video. The one part when all you see is a bed of bodies in the empty pool outside of the mansion will not get out of my head, the shots are wonderful all the way thru. Congrats to Mute on putting a budget together in a crazy time during early 2009 and delivering a wonderful piece like this.
I’ll be posting more about 800beloved very soon but to just give you a taste here is the video for “Go”. Sean Lynch has one of the best voices you’ll hear debut in 2009. Think who sings colder and more distant than what you hear, its like his voice is the boldest grey, you can’t even compare it Joy Division or The Cure.
The beautifully shot “White As Diamond” video by Ryan Jeffery gave me goosebumps the first time I saw it, part of me was happy that I didn’t rely on the shots color which is what usually gets me but more of the cold northern woodsy landscapes are what grabbed me.
Here’s another nice example of some time-lapse tilt-shift by Keith Loutit. This one is so good it’s hard to believe that it’s real, it just looks like a big stop-action Hot Wheels diorama. The crowd shots are the hilight for me though; I’m loving those seat colors.
Spike Jonze is about to make the movie of a lifetime in my opinion. The music/movie director will be releasing my(maybe everyone’s) favorite childhood book Where the Wild Things Are onto the big screen. Just look at these shots, they’re golden, and I just want to see more. Rumors around the web say that there will be no effects just large puppets, I think as a fan I couldn’t of asked for more.
There has been so many Best of 2008 lists popping up everywhere and Scott and I are working on our own but probably won’t be finished them until the end of the month because its not the end of the year yet. So, I put together just the most inspiring videos i’ve ever seen, hope you enjoy:
Speaking of Detroit, my friend Alex sent me this video tonight. I couldn’t find the song on Beatport so I’m posting this YouTube clip for the time being. Although not a big fan of vocals with this type of music, the sounds on this track more than make up for it. Wish I could get an instrumental edit of this, something here really reminds me of late-century Full Cycle stuff, sounds appropriately post-DnB. There’s more over at Theo Parrish’s Last.fm Page.
HIGH TECH SOUL is the first documentary to tackle the deep roots of techno music alongside the cultural history of Detroit, its birthplace. From the race riots of 1967 to the underground party scene of the late 1980s, Detroit’s economic downturn didn’t stop the invention of a new kind of music that brought international attention to its producers and their hometown.