Speaking of Detroit, my friend Alex sent me this video tonight. I couldn’t find the song on Beatport so I’m posting this YouTube clip for the time being. Although not a big fan of vocals with this type of music, the sounds on this track more than make up for it. Wish I could get an instrumental edit of this, something here really reminds me of late-century Full Cycle stuff, sounds appropriately post-DnB. There’s more over at Theo Parrish’s Last.fm Page.
HIGH TECH SOUL is the first documentary to tackle the deep roots of techno music alongside the cultural history of Detroit, its birthplace. From the race riots of 1967 to the underground party scene of the late 1980s, Detroit’s economic downturn didn’t stop the invention of a new kind of music that brought international attention to its producers and their hometown.
High Tech Soul – The Creation of Techno Music
You may remember Fujiya & Miyagi’s phenomenal animated dice video for “Ankle Injuries” from last year (view it below). Well they’re back with more bodily harm in the form of the Wade Shotter directed “Sore Thumb” video. Can anyone remember what game they based this on? They had it in the arcade by my house, you looked through a periscope type thing and fought wireframe tanks. Anyways, very cool video, although not feeling this song quite as much as Ankle Injuries. I heard these guys spent almost the entire marketing budget for the Ankle Injuries album making the video (below) in the hopes that it would go viral and blow everything up. I wonder how that worked out.
It seems tilt-shift photography is getting rather popular of late, it’s been popping up everywhere. Keith Loutit has created these striking time-lapse movies using the tilt-shift effect. And if you just can’t get enough tilt-shift, now you can fake your way to T-S glory without having to rig up a bellows by following TUAW’s Photoshop lens blur guide (or you could just rig up a bellows).
Videos via Gizmodo
A mysterious and compelling video for a song from the mysterious and compelling Benoît Pioulard (the recording project of Thomas Meluch– we had his “Brown Bess” here on ISO50 blog earlier). “Ragged Tint” as a song hints a certain desperation beneath Meluch’s velvety purr of a voice, with its rapidly plucked chords and steady forward movement, and the video picks up on the underlying anxiety. A figure wanders through fields, comes upon a strange house, and unearths a magical box of some sort. Director Ryan Jeffery knows how to set the scene. – Pitchfork Media
Lusine went on after my set in Seattle last Saturday and he had some amazing visuals going on during the show (his set was incredible by the way). I went upstairs to check out the source of the amazing imagery and found the guy you see above, Scott Sunn AKA Tracer Visuals, literally DJ’ing a pair of 8mm reel to reel projectors. He was winding the reels and alternately covering the lenses with his hands to produce effects and transitions. It was pretty amazing to behold; I’ve never even heard of this concept much less seen it in action. I was lucky enough to be able to talk to Scott after the set and what I learned about his method and sources was even more incredible than watching him work. Apparently he had access to a job site where a school district building was being demolished. The building being demo’ed housed a library of vintage reel-to-reel educational films and he was able to take away six truckloads of film, his truck bottoming out on a couple of the runs. I can’t even begin to imagine how exciting this would be. I think it would rank up there with finding a couple suitcases full of money buried in the woods. He now uses these films in his VJ sets and the results are amazing.
I was too busy enjoying the set to get many good shots of the action, but you can see a few rather blurry stills above and a video from another show below. The top image is, of course, the man himself at work. For the photography geeks out there, it’s a multiple exposure set with a fill flash and slow shutter speed to capture some motion after the initial exposure. I snagged it with the D80 which ended up performing rather well that night given the low light conditions present at the venue. Might have to rethink that upgrade…
You can find more info on Tracer Visuals at his site or his Myspace page. He apparently also worked on the Radiohead tour. Below is a video of Scott VJ’ing a Lusine show back in April of this year. Forrest, I’d have to imagine your head has nearly exploded at this point. Time to hit the swap meet.
"Mindblowing Full HD" was how Gizmodo yesterday described the newly announced Canon 5D Mark II’s video capabilities. Vincent Laforet, who calls the 5D "the best camera ever", was one of the first to take the new camera for a spin and the results are undeniably striking. The stills you see above are from video he shot using the $2700 body and $25,000 in lenses (a list of the lenses he used are at the Gizmodo post). The video, while still not official available, has leaked onto YouTube giving us at least a glimpse of the quality we can expect from the final (view video below).
Gizmodo had this to say about Laforet’s experience creating the video:
"That and a $2700 DSLR body. A testament to its ease of use is that Laforet is a photographer; he has no professional film experience and had never used the 5D Mark II before, yet was able to storyboard, cast, shoot and edit the clip in just two days, with less than 12 hours notice. In particular he noted that dumping the MPEG-4 video takes way less time than it would with an actual HD camera. The only issue that would stop a person from shooting a TV pilot solely with this camera is sound matching, he says. If that’s covered, you’re gold."
I think that’s the most compelling aspect of the 5D: it’s accessibility. Such a powerful tool which yields such amazing results will empower scores of artists looking to break into motion work. I realize that at $2700 the 5D sits at a price threshold a little beyond the grasp of a lot of us, but high-end video of this caliber has never come this cheap and when you take into account the fact that the 5D also more than covers your DSLR needs the whole package starts to look like a sound investment for photographer and videographer alike.
I don’t know about you guys, but the argument for 5D supremacy is becoming more and more convincing as Canon slowly reveals what it’s capable of. I am still holding out for a head-to-head versus the D700 which, although lacking in video capability, is apparently a low light performer. Whatever the case may be, such a versatile tool as the 5D would make a welcome addition to any graphic designer’s kit.
How about you guys, have you started saving up?