Just got back from Toronto today, thanks to everyone who made it out last night, I had a lot of fun playing the Drake. While waiting at the airport I caught this great clip via Create Digital Motion. “As visualists, the sad truth is we have a poorer sense of the history of our medium than musicians. Part of this is simply a lack of access. YouTube is a weak substitute, but it’s a start.” Very true, it’s sad to think how many great works in video (and design for that matter) have been lost to time and obscurity. Hopefully more work like Matrix III slowly make their way into the digital domain. Via Create Digital Motion
Moby’s got a new album coming and this is the first single. Whether or not you think Moby’s still relevant, he’s probably the only electronic musician who can get David Lynch to direct his video. At any rate, much better than what I heard from him last year and the video is great.
The official music video for Moby’s “Shot in the Back of the Head” directed by David Lynch. From Moby’s forthcoming album “Wait for Me” (out June 30 on Mute).
In 1956, György Ligeti composed an amazing electronic piece called “Artikulation”.
In 1970’s, Rainer Wehinger created a visual map to the recordings. Some awesome guy out there scanned the images and synced them with the audio. Thanks, guy!
When I was down in LA for the Ghostly show, Jakub, Sam and I were talking and this Schaefer’s Beer ad came up. It’s one of those things that’s so great you want to wait to post it for as long as possible. Well, it’s been years since I first saw it and I guess now is as good a time as any.
This is Ed Kalehoff performing a jingle he wrote on the Moog Modular System for Schaefer’s beer. Even if you don’t know of him, you know his work; he did most of the music and cues for The Price is Right. Nothing tops this though, nothing. How great it would have been to live in a time when a beer slogan like that could fly. Also, was he scratching on that 2″ reel? Awesome.
Tim Heidecker & Eric Wareheim are comic geniuses and their show on Adult Swim is the best thing on Television or the Innernette. It’s basically a free-form public-access-VHS style collection of sketches with what seems to be a loose focus on late-eighties to mid-nineties culture. Beyond the immediate, viscerally comic aspects of their work there’s a deeper commentary going on and for me, that’s what makes the show so enjoyable time and time again.
Unfortunately, no one I know besides Jakub, Dusty, and Sam agree with me and over the past few years I’ve come to realize that Tim & Eric are rather polarizing figures; you either love them or you hate them. I’ve refrained from posting on them in the past just because it’s a little off topic for this blog and I doubt most of you come here looking for hilarious shows to watch. But today I came across Daniel Murphy’s Esquire article about the series of ads Tim & Eric and Zach Galifianakis created for Absolut Vodka and I thought it was an interesting look at how they approached the project from an advertising perspective. The three spots — which I consider to be some of Tim & Eric’s best work — came out last year as part of the Absolut World campaign. The vodka maker basically gave them an open ended commission; they could make whatever they wanted as long as they mentioned the product. I’ve never worked directly in advertising, but I’d have to imagine this would be a dream gig for anyone in the industry.
“It’s the incense, it’s the ferns.”
You may have seen Ryan Jeffery’s name on the blog before, he did the Benoit Pioulard video about a year ago. I first met Ryan when he did live visuals for Adelaide, he floored me, not only was the band amazing but the visuals that Ryan put together couldn’t of been done more perfectly. Ryan is the real deal, he would have about 3 mic stands around him and would have the top bar sitting horizontal that held about 80+ looped pieces of 8mm film each taped together separately making it look like he was surround by 80+ fastened thin belts. He then had 2 vintage projectors that sat side by side and pointed in the same spot on the screen that sat behind the band. What set him apart from any visual show was that he layered the 2 projections and would slowly fade in and out live and did his damnedest to sync his visuals with the music while changing the 8mm film live like a mad man. It was pure genius and I still to this day couldn’t believe his dedication to the minute by minute work he put in for every show. To explain how breathe taking the show was I one time saw Adelaide play in Lansing, MI a few years back and they played a show that had 9 bands playing that night but all of them were hardcore bands besides Adelaide, I stood their with the band and most of us had some kind of western shirt on or a plain tee but every single other person I swear had a black hoodie waiting to mosh and once Adelaide started and Ryan had the visuals going each and every kid sat down in that building indian style like 1st graders and watched them play each song, I couldn’t believe it.
I really had to dig for these videos and figure out how to convert them so I hope you enjoy them as much as I do, I hope Ryan doesn’t mind that I grabbed them off a DVD that he gave years ago, maybe if enough of us fall in love with them he’ll let us keep them up.
Adelaide – Bombadiers
Adelaide – Entrance
I’ve posted about Bibio plenty on here it feels like but with a new LP out now I had to share something different since i’ve already posted a song from Vignetting The Compost. I found these videos he did for a few new songs, enjoy.
Bibio – Mr. & Mrs. Compost
Bibio – Top Soil
Bibio – Torn Under The Window Light
This is completely insane and almost creepy the first time you see it. Now I just need to get my printer working to try it.