Everything you see in these stills and videos by Alex Roman is 100% computer generated. This is certainly the best CGI I’ve ever seen; I would normally say “virtually” indistinguishable from reality, but in this case the “virtually” doesn’t belong. The videos were created using 3dsmax, Vray, After Effects, and Premier. But what amazes me here isn’t just the execution, Roman crafts truly beautiful images with impeccable taste, something often missing from highly technical productions such as this. The man perfectly rendered a Mies van Der Rohe and an Eames, give him a medal! Maybe I can get some VR googles and map his work to the interior of my house and pretend to live in some modernist paradise.
I thought I had a bad workload trying to finish this new album, I can’t even imagine the man hours that went into just one minute of these videos. More videos at Roman’s Vimeo page and lot’s of stills and info at his portfolio site.
This looks more promising than what I was picturing it in my head to be and its gets me excited again to see something twisted and dark by Tim Burton who has fallen down my favorite directors list over the years. What doesn’t look good is the new Robin Hood trailer, yikes!
This is an old video but it’s amazing and I had to post it. I was blasting around the web looking at various inforgraphics and I came upon the fantastic indexed again. The video above, Le Grand Content, was inspired by the site, and is a similarly excellent collection of random and insightful anecdotes (this time in motion) about nothing in particular. Any time you have a graph with time on one axis and “the adventures you’ve taken” on the other, I am going to be intrigued. The voice over by Andre Tschinder is my favorite part — the delivery is oddly perfect (…”but speaking of forever, it’s obvious that this takes some time”.)
Le Grand Content examines the omnipresent Powerpoint-culture in search for its philosophical potential. Intersections and diagrams are assembled to form a grand ‘association-chain-massacre’. which challenges itself to answer all questions of the universe and some more. Of course, it totally fails this assignment, but in its failure it still manages to produce some magical nuance and shades between the great topics death, cable tv, emotions and hamsters. by Clemens Kogler
By the way, can you believe this guy is still around? He’s the true definition of a living legend. That’s one of the coolest things about graphic design, our heroes don’t overdose on heroin at 27. They seem to live long, healthy lives, maintaining productivity well into later life. Must be all the sitting, or maybe all the designer reading glasses.
Grizzly Bear’s last album, Veckatimest, has been on constant rotation over here for a while now but I had somehow missed this Patrick Daughters directed video for “Two Weeks”. It’s been haunting me ever since, I can’t stop watching it. At first it’s seems a little strange, but it’s just so beautifully shot and somehow very fitting for the vibe of this song. I love effects like these (the big eyes, etc) where you can’t really tell what’s going on for a while, it’s so clean and subtle. Warp has a full HD version posted up on Youtube here that really highlights the attention to detail. I love seeing such simple compositions that are so moving. This is all essentially one shot and it’s got me glued to the screen. The rest of Daughters’ videography reads like a who’s who of indie music, with work for bands like The Shins, Feist, Snow Patrol, and Interpol among many others.
This is mind numbing (in the very best sense of the word) next level presentation of club music with the added installation element. Tour dates listed here, hope to see you at the New York one, LA and San Francisco dates this week.