FITC just released the highlight reel from this year’s festival in Toronto. The video was done by Stock Archive and features the most recent Tycho single, Coastal Brake as the soundtrack. I’m pretty sure the whole thing was shot with the Canon 5D MK2. I did an interview for the Stock Archive guys and they had a couple setups, one of which was the 5D on one of those body-mounted steady cam rigs. It was insane; the guy looked like a robot. Some of the panning shots definitely look like they were using it.
I’m really impressed with the editing, I’m not sure what I was expecting but this certainly exceeded it. I think as the quality of the 5D becomes ubiquitous people will stop being so blown away by the visual aspects alone and elements like editing and narrative will become much more important. Right now I feel like you could record a dumpster for 30 minutes with the 5D and it would be watchable.
On a side note, I will be speaking at FITC San Francisco this summer. I’ll be posting more on that next week, but just a heads up if you want to score some tickets before they go up in price (May 28th I believe).
Today I have some fresh picks, starting off with the very buzzworthy Baths who recently signed to Anticon. We need more Baths in the beat world so that the point of shows isn’t just all about playing the most hype track but more into the pleasure of hearing the artist perform their music, Baths definitely has some potential to help push this along if he hits the road hard, HIGHLY RECOMMENDED.
I’ve heard Lorn’s name thrown around a bit by Mux Mool, this track Cherry Moon reminds me of a more mellowed out Ratatat track with strings, spot on production.
Bronze was recommended to listeners by DFA‘s Free Energy, their giving away their EP on bandcamp for free.
This last track is the video below, I love how the director did so much with a still piece, which brings me back to the point of it doesn’t matter the size of your budget you just need the right creatives.
Sonar and Gravité by Renaud Hallee. Both are ridiculously awesome. Make sure to watch Sonar until at least 1:17, that’s my favorite part. Mega simple ideas like these are endlessly satisfying to me (especially when executed this well). I want to see more from Renaud! Both of these are almost a year old now, would love to see what he’s been up to recently.
Last year I invented an aeronautical research company called Aeolas International. Their sole purpose was to take my Youtube personality hostage and post videos of their scientific findings. Ideally people would think that this was actually happening and I would eventually become mega famous. This didn’t happen exactly as planned, but the process of diving deep into a self initiated project was terrific and something I would highly recommend. I’m excited now to get a chance to further explain the project; the motivations behind it, the process, and what eventually unfolded.
Some of you may know that I am also a musician. Most of the work I have online is design related, but I also maintain a Youtube page where I mainly post covers of my favorite songs. I’ve been posting over there for about 2 years now and some videos have done quite well (150K + views). Most chill somewhere around 15K. Overall it’s been a great way to get my musical side out there and generate a fan base. An example of a “normal” pre-Aeolas video is below.
At the end of last year I decided it was time to switch it up. I was enjoying my periodic recording sessions, but I wasn’t nearly as into it as I was when I started. The market had become significantly more saturated with cover artists and I felt like I was just one of thousands of people doing exactly the same thing. Initially, I felt like I was distinguishing myself with higher quality recording techniques, but even this became relatively commonplace. After an intense brainstorming session, I decided it would be best to invent an old aeronautical research company called Aeolas International that would take me hostage. I didn’t really have much of a plan beyond that when I started.
I’m still wrapping my head around how cool those videos were that Jakub posted yesterday. In a similar (but stylistically divergent) vein, these clips by Russian artist Maxim Zhestkov are stunning. He’s got a few videos on his Vimeo page, the rest you have the see on his site. If you click the thumbnails above, they will link to their corrosponding video. They all remind me of the Minus the Bear “Planet of Ice” album cover, if everything went completely crazy.
After seeing these videos I know now that if Charles Bergquist is doing visuals for a musician in Brooklyn then i’m there. It’s hard to find good visuals these days at a show, a ton of it seems like bland web archive footage and is always an after thought, i’m really liking the subject matter that Chris chooses and the select and simple effects done that fit the music.
The Young Friends are teens from Arizona, teens!!! like 17 and 18 years old! making surf / 50’s pop, that blows my mind. Okay now that i’m over that and feel like an old man i’m more than happy to have heard them since its the first record that oozes youth and summer flings like having a gusher for the first time. If you like it stream the LP here with a free MP3 and check them out in the video below.
Going from one young band to another The Depreciation Guild are on the other side of teen feelings, the more sentimental teens. The guitars sound like your favorite early 90s dream pop band that you thought might finally fill that void of Slowdive being done.
Ann Arbor, MI / Brooklyn’s Laurel Halo I think made a song that people might of wished what the new Knife album should have sounded like. With her vocals set in the background while she plays dreamy keys (she plays that part live! I saw it, very impressive) I can put this song on repeat day after day.
M.I.A. went for it, her new video is relentless, shocking and NSFW but that doesn’t make me stop loving this track, should be a huge summer hit at the rowdy outdoor rock parties.