Radere put together a beautiful 2 track release that came out today. The sound can be explained by maybe what you’d hear if you started to daydream away while casually holding your hand out the window of a car during a long beautiful road trip, that complete relaxation that we all look for when were working away and forgetting about what might be one of the best feelings we can experience.
Hopefully many of you are figuring out my huge crush for Peter Broderick’s music, he gives minimalism warmth and reason. When he teams up with Machinefabriek then its an ultimate piece, enjoy.
On a lighter noter, can we talk about Jam Skating? this was my whole life in middle school and it completely disappeared, anyone have any good stories or more links to only older footage?
Above is some (poorly shot on a phone, sorry) test footage from the new visuals set for the Tycho live show (next one is this Thursday, 4/7 in SF). The song is from the forthcoming album. It’s not all completely tightened up yet but you get the idea. I recently stripped down the entire live set — audio and video — and started from scratch. With the new album pretty much wrapped up I decided to rework the visuals to go with all the new material and to have everything work better with the new live band. What you’re seeing is VDMX effecting / compositing video in real-time on a Macbook Pro. Everything is being triggered / synced by another machine via MIDI over IP running Reaper which is handling all the audio duties.
I’ve been using VDMX for years now but just recently switched to Reaper as my DAW for recording and decided to use it for the live shows as well (Was never happy with Ableton. It’s a great app but it just didn’t fit my specific needs / workflow). It’s been a very freeing experience to say the least. Being able to use the same software in the studio and on stage has helped immeasurably and opened up some possibilities that didn’t exist before. Here’s hoping it all works as smoothly on Thursday (the first Tycho show to feature the new album and visuals) as it has been during rehearsals.
I also wanted to take this time to give a bit of a progress report on the new Tycho album. It feels like forever since I started, but everything has finally come together. Things took a lot of twists and turns; a lot has changed and some songs have been shelved while new ones have taken their place. But I think the album is now — finally — what I envisioned it to be when I started this process some two years ago. All that is left to do now is tie up some loose ends and complete the mixing / mastering phase and things should be ready to go. With label schedules and all that I’d imagine a release date sometime after this summer.
Thanks to everyone for your patience and support over this past couple years. You have afforded me the ability to focus on my work in a way I was never able to before, and for that I am extremely grateful.
You may remember the lust-worthy Arc Encoder that I recently posted on. Well apparently there’s an Arc4 (four encoders) and Stretta has created a beautiful video of an Arc4 performance. I was already loving the Arc after seeing the stills, but seeing it in motion takes it to another level. I love the movement of the LEDs, very reminiscent of reel-to-reel tape. Makes you feel all warm and analog-ey inside.
Just installed the new Vimeo app for iPhone (iPad and Android versions are apparently in development). Very impressive stuff, I have a feeling this will have me doing more video work on my iPhone. Of course, that wouldn’t be hard considering I never use the video functionality. It’s strange, when I bought the phone I justified it to some degree by telling myself “you’ll have an HD video camera in you pocket”. I then proceeded to never use it.
How much do you use your phone for video? Ever done any creative projects with it?
This is the video for Matta’s “Release the Freq“. The incredible cinematography and design is by Kim Holm. I really like how the visual complexity builds subtly over the course of the video. And of course it maps to the music nicely, though I’m not really a huge fan of the song. The color grading on this is terrific — I’m tempted to go off into the woods searching for domesticated deers to photograph.
These beautifully executed commercials for EF International Language Centers were created by designer Albin Holmqvist (who did the type) and director Gustav Johansson. The typography is simply incredible; many of these frames would be suitable as posters. There are four commercials in all, the rest can be found at Albin Holmqvist’s Vimeo.
Some pretty incredible footage from the Phantom Flex high-speed digital camera shot at 2,564 fps. While this is impressive, it starts to be a little bit less so when you consider the price: around $150,000. Hopefully this kind of performance starts to trickle down sooner than later.