Both spawned from the “New Class”, the 2002 and E9/CSL models were critical to establishing BMW as not only an international brand, but as a serious contender in automotive racing. The styling of these two cars are as good as it gets for me, on both ends of the spectrum: The 2002 is minimal, sleek, and small- while the 3.0 CSL employed much more radical styling, especially the race-bred models, making extensive use of garish aerodynamic bodywork. Both were hugely influential and paved the way for the best selling BMW in history: the ubiquitous 3-Series.
I’ve never had the priveledge of driving a CSL, but my grandmother had an imported 2002tii in lime green when I was a kid, I have awesome memories of drives through Dutchess County in that baseball glove leather interior.
Until the semi-recent ban of alcohol & tobacco advertising in motorsports, cigarette manufacturers spent heavily in racing sponsorships. Marlboro was no exception, in fact they probably spent more than every other brand combined.
They are probably best known for their involvement in Formula 1, starting with BRM in the early 70′s, moving to Mclaren in the 80′s, and finding an eventual home with Ferrari, whom they still sponsor today (some say subliminally…). Phillip Morris is a hugely profitable company and it is no coincidence that their endorsement of a team has historically resulted in a winning car.
Their bold red, white, and black branding is visually synonymous with many iconic race cars, and as evidenced in the pictures, they had their hands in nearly every reach of the sport. I understand the need to limit mass advertising of a deadly product, but I do miss their colors in racing. I’ve always loved the Marlboro logo, the type is perfectly balanced with the simple geometry above it and it always looks great on the front of a badass car.
Building a fast car is expensive. Title sponsors pay large sums in sponsorship fees to display their brand prominently on a race car, and their brand esthetic usually dictates the color scheme applied to the rest of the vehicle. Some people lamented the arrival of decal-infested machines, but I’ve always been fascinated with how a creative paint job can make a some of these objects much more memorable.
In this first series, I’ve featured one of motorsport’s oldest title sponsors, Martini & Rossi.
Only maybe 2 people on this whole blog could probably do this successfully and know their records while nailing tricks but it would be a great time just fooling around with it. What i’m more interested in is ambient type music with this and adding delay and reverb.
Allan de la Plante was a photographer during one of motorsports heavily transitional eras, at a time when F1, CAN-AM, and Indy Car chassis builders were just starting to grasp what they could do with these fiberglass tubs in the way of aerodynamics. A close personal friend of the late great Gilles Villeneuve, Allan captured alot of beautiful images that turned me onto racing to begin with, he always focused on getting a different perspective from the hundreds of other photographers attending any given race.
In sports car racing, there is a wonderful thing called ‘homologation’. Manufacturers hate it, car collectors love it. It means that in order to enter a car in sanctioned sports car races, it has to be based on a production model. Without going into a lengthy explanation, just appreciate the fact that it has brought the world some of it’s most prized street-legal race cars. The 300SL is undeniably one of the most iconic. In 1952, Mercedes Benz was feeling ambitious and decided they wanted to win alot of races. So they built an incredibly streamlined, lightweight, and reliable race car using some of the most exotic materials at the time – the homologated street version that was sold to the public a complete afterthought. It was then entered it into many of the most prestigious, and difficult, endurance races of the day. They succeeded, taking 1-2 victories at the 24 Hours of Le Mans and the Carrera Panamericana to name a few. Above are a few photos of the 300SL in action at the aforementioned races (the 2nd of which is the variant used in the trans-mexican rally, where the windshield had to be reinforced with wrought iron bars due to ‘buzzard collisions’). The second group of photos are of the oldest 300SL in existence, serial number zwei. It never saw any racing, rather it was used as a training car for the very capable Hermann Lang & Fritz Reiss (along with the rest of the Silver Arrows) who went on to take many checkered flags. Dragged out of the broom closet by Mercedes, it underwent an extensive 9 month restoration for it’s 60th birthday, and in celebration of the new SLS AMG. What a timeless example of German design – both in form & function.
When I first saw the Icon 4×4 CJ series a while back I was temped to post but never got around to it. Seeing their new 1964 Bronco reproduction tipped the balance though and I had to get these up here. Icon create idealized versions of a few of the great 4×4 of yore (Bronco, CJ, and FJ) with a modern slant and an eye for detail. Don’t ask how much they cost unless you’re reading this on the front deck of a yacht or all your emails end with “Sent from a horse”. Nike was somehow involved. Also, you get a free shoe with one of them apparently.
More pics and some insight into the process of designing the Bronco can be found here
CollectSpace gives us one last look at the now defunct Shuttle Atlantis. Incredible detail in these interiors, I can’t even imagine the level of engineering and testing that went into even the smallest components on this spacecraft. More images here.