Just wanted to say thanks to everyone who came out for the SEMF show in Sacramento last night, you guys were awesome and the energy was great. I always love playing in Sacto and it was nice to see that the electronic scene there is alive and better than ever. Thanks to Adam and everyone from SEMF for putting together three straight days of incredible music; I hope this becomes and annual event.
Just a reminder that tomorrow (Sat, Jan.30, 2010) I’ll be playing at the Sacramento Electronica Festival along with Dusty Brown and many others. I should go on around 12:30am and Dusty will be up right after. We’ll be playing some songs together and I’ll have all the visuals set up so it should be a fun night. Hope to see you out.
I’m very pleased to announce that I’ll be playing at this year’s Sacramento Electronica Music Festival. I’m shouldn’t really be playing shows right now as the album’s due date is rapidly approaching, but I can never pass up an opportunity to play a show in my home town. There are lots of great names on the bill including Dusty Brown, who I’ll be playing some songs with. All in all it’s shaping up to be quite an experience: three days of great music for $10, I’m pretty sure you can’t beat that. And if you’re from the bay area, try to make the drive, it’s only 90 minutes and as you’ll see there’s something about live shows in Sacramento you don’t often get out here.
And for those who know their Sacramento electronic music history, you might notice that this is a partial Command Collective reunion of sorts. With the exception of Chachi Jones, all the original members will be playing during the festival: Dusty Brown, Tha Fruitbat, Lifeliner (aka Park Avenue), and myself.
Tycho: Saturday, Jan. 30th, 2010 – 11:30 PM
Festival: January 28, 2010 9:00 PM – Jan. 31, 2010 2:00 AM
1517 21st Street
We’re giving away 2 tickets to tomorrow night’s show at Le Poisson Rouge in NYC. The first two people to answer the following question correctly will each get a free ticket:
Name the B-Side of Casino Versus Japan’s 2001 10″ release on Wobblyhead.
Enter your answer in the comments of this post along with your email in the address field (email is not publicly visible). Please enter only if you actually intend to come to the show.
Good luck, see you tomorrow night… (set time is 10:30)
A Sunny Day in Glasgow, Casino Versus Japan, Tycho, Shigeto
Live @ Le Poisson Rouge – 158 Bleecker St. NYC
The new Tycho 12″ EP, “Coastal Brake” is officially out in physical (12″ Vinyl+Digital) and Digital (MP3+WAV) formats. You can get it directly from The ISO50 Shop, iTunes, or your favorite online retailer. There are very few copies of the limited edition 12″ vinyl (which includes the digital edition MP3+WAV) left, those can be had here.
On a related note, after their Forkcast post last week, Pitckfork did a full review of the track this week. Check it out here.
For those of you who already ordered the vinyl, those began shipping yesterday (some orders going out from Merchline). You should have received a download code with instructions for getting the digital files as well. If you bought the vinyl at a show prior to the official release, email talk (AT) ISO50 with the UPC code from the back of the cover and we’ll send you a download coupon.
Pitchfork posted the new Tycho single today. As far as I know this is the first time the full length track has been available anywhere. You can have a listen here.
I’ll be playing a show in Portland, OR next Friday (Dec. 4, 2009) at The Crown Room. I’ll be playing some new music and visuals on the new system I used in Toronto last week. Fellow San Franciscan Welder (aka Eskmo) will be playing as well so it should be an interesting night. Hope to see you out, all the info is here.
On a technical note, I switched from a Native Instruments Audio Kontrol1 interface to my MOTU 828MKII for live work and it’s made a huge difference. The NI box had all sorts of latency and drop-out issues, which can obviously be a nightmare in a live setting. I had tracked down most of the bugs and things were running relatively smoothly, but the specter of a crash looming over you during the whole set can put a damper on things. The MOTU is so smooth I’ve stopped even considering the possibility that something could go wrong and it’s cleared things up so I can concentrate on the set. Unfortunately it’s a beast made for a 19″ rack. It just fits in my flight case though so it’s ok for now, just a bit wasteful on the weight side. I’m going to get a MOTU Ultralight MK3 which is basically the same thing but, at less than half the size, it’s a more practical form factor for live applications. Luckily I had the 828MK2 laying around because I switched it out of studio duty for an RME Fireface800 a while back. I had meant to sell it but I’m glad I gave this setup a shot first.
Friday, December 4, 2009 – Portland, OR
TYCHO Live A/V Set (Ghostly International SF)
WELDER (Ancestor Media, Surefire SF)
Dj Devon (Abstract Earth PDX)
Coyote Beat (Feat. PlumbLyne & Ana G PDX)
The Crown Room
205 NW 4th Ave
It was a pleasure as always to visit Toronto, I really appreciate everyone who came out to the Function 13 gallery and the show afterward at Nocturne, I had a great time at both. Unfortunately I didn’t bring my camera (it’s a long story, but some last minute baggage issues didn’t leave room) so I don’t have many pics from the night. Luckily, Sean Pollock from The Buzzout Room (a great radio station by the way, you can stream it here) brought along his Canon 5D MK2 and got a couple shots of the gallery (shown above).
A couple others brought out their cameras — among them Bram Timmer who also has a 5D MK2, I was pretty jealous — so I’ll try to get some shots from them and post up a full set of the gallery. If anyone has some decent shots let me know.
As you can see I went with the bulldog clips for mounting the prints. Thanks to everyone for the great suggestions in the original gallery post. I experimented with neodymium magnets but had some issues with grip, the posters kept slipping from between them. I ended up spray painting bulldog clips white and hanging them over long, thin nails so that the piece stood off the wall a little. There is a strip of 2″ tall foamcore that runs the width of the print clipped behind each at the top and bottom. This helped straighten everything out and give a “mounted” feel without the need to damage the back print. I was really pleased with the results, under the gallery lighting the whole thing really came off dramatic. The lack of a frame and the inch between the wall and the print really made the piece feel more accessible and hilighted the texture and feel of the Hahnemühle German Etching paper. Thanks again to the guys from Function 13 for helping out with everything.
If you missed the gallery opening night you can still catch the show, it will be up until mid-January at Function 13 Gallery, 156 Augusta Ave Toronto. If you were there and missed out on getting a piece before it sold, some of the designs can be had at the ISO50 Studio Shop or the ISO50 Merchline Shop.
Thanks again, see you all again in April at FITC Toronto.