I’ve sort of had my head down for the past couple months really digging into the recording of my next album so I thought I’d post up some shots from various sessions. Recently, guitarist Zac Brown (of Dusty Brown and DoomBird) has been coming in and contributing parts to some songs. It’s one of the first times I’ve collaborated with another musician and it’s been a great experience. It’s also been fun to wrap my head around recording guitar amps, something I had limited experience with before as most of my songs are written and recorded on my acoustic guitar with the keyboard and drum parts added later. It’s always exciting to find a new sonic texture to work with and it’s definitely an inspiring process to see your vision for a song expanded on by someone else.
If you’ve been following along with the album’s progress, you might have noticed the somewhat protracted nature of the whole thing. It’s been a test to say the least trying to keep on track with music while staying on top of the ISO50 side of things. There was definitely a long period where all I wanted to do was write new songs but not finish them, which is the hardest part for me. The good news is that because of this I now have a few albums of solid material, but the bad news is that it delayed the process of this one getting out. But that’s all behind me now and the past couple months have been the most productive of my musical life. The only problem is that I now have this self-imposed feeling that I’m behind and when I’m feeling that way I can sometimes forget to relax and enjoy the process of creating. It’s funny how much design and music differ in this way for me. While I see the processes of creating both as very similar, I don’t feel I can really sit down and just get music done in the same way as my visual work. It’s easy to say I’m going to devote three nights to a poster and be pretty confident it will get done and I’ll be happy with it. With music it’s always a much longer and drawn out process with more intangible milestones along the way.
The beauty of this entire process and the time devoted to it is that I’ve been allowed the luxury of perspective, something that’s very hard for me when I have to be neck-deep in a project from beginning to end with no breaks. The time has allowed me to continually reevaluate what the work is supposed to be and how best to do the material justice. Most of my songs start out as very small sketches, usually a guitar part and a keyboard part recorded quickly. I then set it aside and move on to something else. When I finally come back to an idea to develop it into a full composition my biggest fear is that I will somehow lose the meaning or the soul of it in the process. The problem is that as I’m adding new parts I start to go on tangents and the song can become something completely different. Sometimes this can be a good thing, but in other cases it takes time to be able to look back and realize that the original idea has been muddled in some way by the initial excitement of discovery. Problems like this tend to disappear when I allow myself to revisit work over time.
Overall, I feel close to wrapping up the production/arrangement phase but then comes mixing and mastering which can be time consuming. My goal is to have things sewn up by, at the very latest, end of summer. But putting time-lines on things doesn’t exactly serve the artistic process, at least not mine anyways, so I’m trying my best to pretend that goal doesn’t exist.
I’ll try to post some more pics / videos as things progress. And on a related note, Yourstru.ly has been filming a piece on the making of the album so there should be some interesting stuff by the time that’s done.
Ghostly International has a new compilation coming out next week called Horizon Line which is a collection of classics and ten new, forthcoming, and unreleased songs. The tracklist includes these 2 FREE songs from Tycho and Mux Mool which Ghostly is giving away here. This will also be available in a 2xCD format inserted into a DVD-style case in May 2010, so enjoy the digital but the CD will definitely be a nice piece to have.
As for the Morning Strut remix by Shigeto, it was offered today in the Ghostly newsletter which also included this great 1 minute video of Mux Mool being interviewed, I love the part about them asking if he has health insurance, I wish more musicians did shorts like these.
Just wanted to say thanks to everyone who came out for the SEMF show in Sacramento last night, you guys were awesome and the energy was great. I always love playing in Sacto and it was nice to see that the electronic scene there is alive and better than ever. Thanks to Adam and everyone from SEMF for putting together three straight days of incredible music; I hope this becomes and annual event.
Just a reminder that tomorrow (Sat, Jan.30, 2010) I’ll be playing at the Sacramento Electronica Festival along with Dusty Brown and many others. I should go on around 12:30am and Dusty will be up right after. We’ll be playing some songs together and I’ll have all the visuals set up so it should be a fun night. Hope to see you out.
I’m very pleased to announce that I’ll be playing at this year’s Sacramento Electronica Music Festival. I’m shouldn’t really be playing shows right now as the album’s due date is rapidly approaching, but I can never pass up an opportunity to play a show in my home town. There are lots of great names on the bill including Dusty Brown, who I’ll be playing some songs with. All in all it’s shaping up to be quite an experience: three days of great music for $10, I’m pretty sure you can’t beat that. And if you’re from the bay area, try to make the drive, it’s only 90 minutes and as you’ll see there’s something about live shows in Sacramento you don’t often get out here.
And for those who know their Sacramento electronic music history, you might notice that this is a partial Command Collective reunion of sorts. With the exception of Chachi Jones, all the original members will be playing during the festival: Dusty Brown, Tha Fruitbat, Lifeliner (aka Park Avenue), and myself.
Tycho: Saturday, Jan. 30th, 2010 – 11:30 PM
Festival: January 28, 2010 9:00 PM – Jan. 31, 2010 2:00 AM
On a related note, after their Forkcast post last week, Pitckfork did a full review of the track this week. Check it out here.
For those of you who already ordered the vinyl, those began shipping yesterday (some orders going out from Merchline). You should have received a download code with instructions for getting the digital files as well. If you bought the vinyl at a show prior to the official release, email talk (AT) ISO50 with the UPC code from the back of the cover and we’ll send you a download coupon.