You may know Tellier from the Lost In Translation soundtrack or his CD being the only album available to purchase at every American Apparel retailer which probably are the 2 best ways(soundtracks and lifestyle shops) to get a record heard these days. If you haven’t already take a moment and at least listen to La Ritournelle, the first half is early Coldplay-ish but the second half when he starts singing i think of it being one of the best licensable tracks out there if edited right to video.
Last night I was working on a poster for the upcoming Terrabyte 3 show (L.A. Sept. 14). I had the MP3s on shuffle and Ladytron’s Mu-Tron came up. It prompted me to go back and play the rest of their 2001 release 604 in it’s entirety. It’s not that I really forgot about Ladytron, I guess I just forgot how good they are. Maybe I played them out back when Light and Magic was in full swing. They have a new album out entitled Velocifero which is in the vein of their previous record Witching Hour. Both albums are a departure from the 80’s inspired electro sound of 604 and Light And Magic. It’s good that they evolved (the two latest albums are superb in their own rights), it’s just sad that we won’t be getting any more gems along these lines:
The new French Kicks album Swimming has been out for a couple months now and I’ve had a chance to give it some proper listening time. I thought Songs From 2000 set the bar pretty high so anything coming after that would need to be pretty good to surpass it. While Swimming is a great collection of songs, I don’t think it really lives up to the previous release. Although being subdued is sort of the Kicks’ hallmark, this offering just seems a bit overly subdued for my taste.
The band apparently recorded and mixed this record themselves, which is a pretty commendable feat; it really does sound great and the overall vibe is pretty unique. From a technical perspective the record is interesting, most of the parts sound like they are room recordings, big and airy with a lot of ambience. The album opens with what I think is the strongest track, you can really hear the recording style shine here with the big boomy bass, it almost sounds like a really good live take.
I am not sure what’s going on with this album cover. I’m definitely not a fan of the style or execution; just seems rather boring. Looks like some stock art from an Ikea wall hanging or something.