Beautiful color prints by Tom Hingston Studio for Danish mobile phone brand Æsir. Working at Edition Copenhagen during a two week residency, Hingston produced 100 copies each of these lithographic prints for potential customers. Creative Review has a detailed write-up of the entire process:
Lithographic printing dates back to 1796 when Alois Senefelder discovered a way of printing from stone. Lithographic ink is applied directly to polished stone from where it is transferred to the paper. Each colour requires a new stone, so the process is both slow and very expensive but does produce incredibly vibrant colours.
I really wish I could see these in person. I’ve done some screen printing and letterpress for my projects and have been pretty happy with the results, but I’ve never tried lithography. Anybody with lithographic experience care to share their thoughts?
via Creative Review
Just about as good as it gets.
Quadradão via Grainedit
The second issue of Eureka — a new science supplement to The Times — is out and it’s looking like a design classic in the making. Matt Curtis (art direction), Matt Swift (information graphics), and David Loewe (design) comprise the design team for the new publication. Going to have to track down a copy for myself.
Browse the full issue here
Magculture via Things To Look At
As many times as I’ve listened to Tame Impala’s Innerspeaker and thought how perfectly the cover suited the music, for some reason it never occurred to me to fin out who designed it. Luckily today I stumbled across the answer. Leif Podhajsky, the artist behind the Tame Impala packaging, is a Melbourne based artist and creative director. Really beautiful, psychedelic stuff in there. Loving how he blurs the lines between the found art and the post work, all very fluid. I believe he also works with And Melbourne who have some equally stellar work in their portfolio.
Leif Podhajsky via But Does It Float
Work by Rolf Harder; this may be some of the most inspiring stuff I’ve seen in a while. More info from Harder’s bio at Roch and Harder:
Rolf Harder was born in Hamburg, Germany in 1929 and studied design at the Hamburg Academy of Fine Arts. In 1959 he moved to Montreal and established Rolf Harder Design. In 1965 he founded Design Collaborative—a graphic design and industrial company with offices in Toronto and Montreal—with Ernst Roch, Anthony Mann and Al Faux. Together they produced catalogues and booklets, trade marks and symbols, bearing “visual clarity and direct, effective communication”. The style of their design work “combines constructivism with a leaning to playful experiment”.
More of Harder’s work can be found at the MOMA archive. Interesting to see the progression of his work all the way up through the ’90s. It seems like right around end of the 1980′s the style of his work (at least what is represented at the MOMA site) sort of got watered down. No doubt a reaction to the times and the needs of the client. I wonder if, looking back, a designer like Harder would prefer any era of their work over another. I guess for me it’s obvious what I like most, but I wonder if Harder himself would say those Esprit covers, for instance, were better than his earlier work.
Rolf Harder via Matthew Lyons
Really refreshing illustration work from Kilian Eng. I’m really getting an Avant Garde Magazine / 70′s-80′s illustration vibe from all this. Love the use of texture, it all feels so authentic.
More of Eng’s work and inspiration can be found at His Tumblr. (thanks Francisco)
Kilian Eng via BDIF
Unbelievably unbelievable Flickr set going on over here. Can’t get enough, that Sony stuff in particular is amazing. Want prints…
Insect54 via Matthew Lyons
I’d like to introduce everyone to the new ISO50 intern, Jon Wong. Like Alex before him, Jon is a student at The Academy of Art, San Francisco. When I first met Jon I was pretty much floored by the quality of his work. Nothing he showed me gave any indication that he was still a student so I can’t imagine where he’s going to take things as he progresses and refines his style.
Above are a few examples of his work from various school projects. All of these came in book form and were masterfully executed. It took some real scrutiny to reveal that these weren’t real, published books. He even pulled off a very convincing aged paper vignette effect on the pages of his Explorers of Tomorrow hardcover. More projects should be going up soon, Jon just started photographing his work and got his Behance page up (I think he’s putting together a Cargo page right now too).
So please give a warm welcome to Jon, he will be sharing with us his inspirations and experiences as a student over the coming months.
More at Jon Wong on Behance