When I look back into my childhood I try and figure out why I have such a intense passion for certain layouts, design and unique printing. I’m sure some of it just stems from trying to revive nostalgia, though sometimes I think it all comes back to my obsession with collecting sport cards, I think I was at 40k+ cards at one point and every Beckett Pricing Magazine imaginable. I’m only showing the tip of this iceberg so i’ll make it a series, we’ll start with some classic O-Pee-Chee and Fleer and once we get into the deep cuts i’ll share some real favorites but pretty much that Cam Neely one is a favorite.
I still do my best to be a hockey fan these days but i’m kind of over it for the most part but I was an insane collector of NHL(mainly Vancouver Canucks and Pavel Bure) memorabilia when I was a little kid though. I saw these posted on facebook and I had to share since some of the layouts, pretty unbeatable compared to whats out there these days.
Paul Ibou was a great Belgian graphic designer who studied at the Royal Academy in Antwerp. In 1961, at age 23, he began working as a freelance designer under the pseudonym Ibou. The term Ibou meant “inventive book designer and publisher”. Also, in French Ibou also meant “owl” which initiated the beginnings of his large collection of owl symbols.
The Computer History Museum has a great collection of vintage computer brochures from the 1950s to the early 1980s. I love the bold type, colors, and shapes working in these designs. You might recognize the IBM System/360 name from previous posts.
The Ghostly Store just released an exclusive interview and series of prints from Andy Gilmore, below is the beginning of the interview and here’s a link to check out the rest of the designs.
GI: Tell us about your first memory.
AG: Drawing is at the center of a lot of my childhood memories, the most profound of which is watching my father draw. I remember being astonished in watching his lines take form into realistic depictions of horses
GI: So you were into skateboarding, how did that affect you?
AG: Yes, I starting skateboarding in 1987 or so, in the era of H-street. Skateboarding has introduced me to a lot of great and talented people that have guided me on my personal and professional path.
In 2002, an old friend from skateboarding offered me a job resizing print ads for C1rca footwear and Forum snowboards in Southern California. Fourstar was the beginning of working with the computer for me and I will always be indebted to the wildly talented creative staff that I learned so much from.
GI: How do you feel about music, in regards to your artistic life?
AG: Music is at the center of my artistic life. As a musician I have always been fascinated by the harmony and the physics of sound in a sense defining music as waveforms, waveforms whose properties and proportions define our scales, from which we write our melodies, in which we weave our emotions and memories into songs.
In addition to music as an experience I have been very interested in the theories, methods and language of music ”serialism, minimalism, spectralism, indeterminacy, improvisation, tonality/atonality, silence/noise, raga and rhythm these have always informed the language that I applied to design and ultimately shaped my work.
Beautiful color prints by Tom Hingston Studio for Danish mobile phone brand Æsir. Working at Edition Copenhagen during a two week residency, Hingston produced 100 copies each of these lithographic prints for potential customers. Creative Review has a detailed write-up of the entire process:
Lithographic printing dates back to 1796 when Alois Senefelder discovered a way of printing from stone. Lithographic ink is applied directly to polished stone from where it is transferred to the paper. Each colour requires a new stone, so the process is both slow and very expensive but does produce incredibly vibrant colours.
I really wish I could see these in person. I’ve done some screen printing and letterpress for my projects and have been pretty happy with the results, but I’ve never tried lithography. Anybody with lithographic experience care to share their thoughts?
via Creative Review