The amazing work of Australian artist and creative director Leif Podhajsky has been posted about here on the blog before, but I thought I would feature him again, this time as the subject of this week’s Weekend Inspiration. I have found myself revisiting his portfolio frequently over the past few weeks, In particular for his amazing album covers, as I’m working on a few myself.
He also launched the Melt Blog and has been experimenting with video and visuals.
Invisible Creature is a Seattle based design studio comprised by brothers Don and Ryan Clark. From music packaging and band posters, to logos and identity, these guys do it all and they do it well, to the point of even being nominated for 4 Grammy awards for their music packaging.
Really enjoy their great use of textures and clean vectors.
They are also behind the Sasquatch Music Festival identity, which Tycho will be playing at the end of this month, along acts such as Beck, Apparat, Purity Ring, Gardens & Villa, Com Truise, Star Slinger, Active Child, Lord Huron, to name a few.
The Swedish National Bank had a competition for designers to redesign the Swedish banknote. The Stockholm Design Lab, was among the 46 competitors and was even among the top 8. Unfortunately they did not win, but their design was promising. I really enjoyed their banknote design because of the simplicity and type.
We’ve talked about currency design before but I’m still rather curious if there is a list somewhere out there that can detail all of the finer points that a new design for currency has to be upheld to. View the full PDF for SDL’s design process.
Classic branding and packaging design by Barcelona-based firm Marnich Associtates. The stuff for Noguera & Vintro is incredible. Interestingly enough — and despite that excellent branding — they’re apparently the “exclusive distributor of Hello Kitty in Spain”. Good thing you have this incredible, minimalist branding, because we all know Hello Kitty retailers and very concerned with modernist graphic design.
All joking aside, this seems like a very strange choice of branding considering the product / market. It also just plain looks weird on the site with all that garish Hello Kitty stuff going on in the middle. Do you think the client asked for this seemingly incongruous style of branding or was it foisted upon them by an overzealous design shop? Judging from a lot of the playful work on Marnich’s site, I’d bet on the former as I could see them treating this right. Odd.
These came out beautiful, i’m eyeing the Adonis one, anyone have one of these up at their place?
“A series of informative posters detailing how some of the most notable drum sequences were programmed using the Roland TR-808 Drum Machine. Each sequence has been analyzed and represented as to allow users to re-programme each sequence, key for key.”
You may recall the post I did a while back on Daily Book Graphics. Well apparently I misidentified several of those images as vintage covers when in fact they were modern works by designer Julian Montague who is part of the Buffalo based design duo Frazer / Montague.
The 1960s had some of the most interesting design. The typography and photography really pushed design in a beautiful direction. These 1960s Life Science book covers and graphics bring on such a wave of nostalgia. The typeface used in these was perfect.