Another one from the Dream Chimney "Sleevery" archive. Loving the type, I would call that Avant Garde if it weren’t for the rotated ‘e’. Can anyone identify this or is it a custom job? Let us all know…
Not sure what’s going on in this photo, but it’s incredible and the colors are just about perfect. Wish I had some more background on this piece but perhaps someone can fill in the blanks.
At least someone is getting packaging design right these days. These shots are from the 100% Chocolate Cafe in Tokyo. I somehow missed this while I was there, would have been nice to bring some home.
Came across the blog of Sarah France today, really liking how she keeps it old school with the hand drawn concepts. Long live Pen & Ink! She also has some cool photos along with a really clean page layout.
I really wish I spent more time with the pencil, I have become pretty lazy over the years. It’s come to the point where writing a full page of text makes my hand hurt so bad that I have to stop. Pretty sad, but I guess with computers there’s less and less need for handwriting.
Some really nice modernist book covers featured over at Defunkt. I love this style of illustration, Mike Mills took a similar tact for the Beastie Boys Stereo Speaker poster. And of course, you really can’t lose with Trade Gothic.
When will it end? Apparently never. I think it’s time I just give in and nominate the Canadians as completely owning the mid-late 70′s. The more I look at this sort of design, the more I realize how much it has influenced my own style. It’s funny because I don’t remember really being aware of design when I was younger and I certainly wasn’t fortunate enough to be alive (much less conscious) during the ’76 games. I guess these sorts of things just kind of seep in to your consciousness over the years through random, passing exposure without you completely realizing or understanding it’s impact.
At any rate, I envision my dream space as a large, concrete floored, open room with 3 story ceilings, all white, with these printed massive banner size hanging all along one side. I think the other side would be wood paneled in a light walnut with a flush installed Bang & Olufsen circa 1976 Beo system right in the center. Sprinkle in a healthy dose of vintage Hermann Miller, some Dieter Rams-designed Braun appliances here and there and things would be starting to look right. Maybe a wax figurine of Jakub in his ATMSPHR promo photo get-up and Jarvis Cocker glasses would be encased in a Perspex cylinder somewhere, perhaps animatronics would be involved, budget permitting.
I’m sitting at SFO waiting to take off for Chicago (thanks Kiyoka), brought 3 jackets, hopefully that’s enough. The MOMI show with Jonah Sharp is tomorrow at Millennium Park, but unfortunately it’s sold out. I’m doing a set later that night as well, not sure on the details just yet but will post as they become available.
The image above features Chicago’s Marina Towers which were designed in 1959 by Bauhaus alum Bertrand Goldberg. I created the illustration (sans towers) originally as an album cover for Tha Fruitbat and then later adapted it into poster form which is available at The ISO50 Shop.
Collectively, the Swiss are, of course, de facto print design gods and they’re no slouches in the stamp department. These great examples are from AceJet’s Flickr, would love to have poster versions of all them. Particularly that very top one, simply amazing. If I ever got an envelope with a stamp even half-way resembling that I would frame it and never open it.
This is infinitely rad. It’s like my dream shower / bath on acid in another solar system. When I first saw this I thought it was some 70′s cover, but it’s brand new, came out this year. Nice work whoever did this, anyone know the designer / photographer? It looks to me like a collage of old photos, but not quite sure. I don’t know how they made bathroom tile and some random landscape look so sinister, but way to go, something really dark going on here. The type choice is perfect too; I always try to hate on serif fonts and then I see one used well like in this example and realize I need to use them more often.
Update via James in the comments:
"It was designed by Jeremy Schmidt, the keyboardist for Black Mountain. Here is an excerpt from an article in Exclaim magazine:
Schmidt has a long history in visual art and previously designed covers for Black Mountain singles, as well as those for his own projects. “For Black Mountain, the cover was intrinsic to making the record,” says Schmidt, who through cutting and pasting images, eventually came up with the design of a Rubik’s-type cube embedded into chilly, rust-coloured terrain. “It’s meant to very much look and feel like a classic album cover, in the sense of a gatefold LP. I wanted to make something that was kind of epic but not typically psych looking — something a bit more austere than that, a little more modern, but a little old looking as well. So that’s how I arrived at that geometric alien landscape sort of thing.”