The University of Brighton has a nifty website up displaying the work of their Spring 2009 design and illustration graduates. I’ve placed some of my favorite pieces above, but there is a lot of impressive work to be seen. I think it’s great that the school puts this together for the graduates. While each student seems to be very web-capable (at least in terms establishing an online presence), this kind of collective resource allows each student to benefit from the aggregate buzz of the project. This institution-sponsored online portfolio presentation is something I think we will be seeing more and more of (in conjunction with, or probably as a replacement for, the onsite end-of-semester shows).
The work of Tom Balchin stopped me in my Google Reader tracks this evening. His Pax Europa project was my initial favorite, for the bold simplicity and terrific layouts, but there is a ton of terrific work in his portfolio. I came across the phrase “talent turbine” in the NYT Magazine the other day and have been itching for an opportunity to use it, so here goes; Tom Balchin is a talent turbine.
Excellent project by Norwegian firm Snansen for Norwegian Outlet.
A new edition of the frustratingly infrequent +81 Voyage is out now. Billed as the ‘Magazine Creation and Bookstore Excursion’ issue, it rounds up some of the most exciting and innovative magazines out there today. From Newwork to Monocle, there are example spreads, designer interviews, and just about everything else a magazine lover would hope for. As stated in the introduction, the goal of the issue is to prove that, even in this day and age, the appeal of magazines is alive and well. As a die hard magazine consumer, you don’t have to tell me that, but if you need convincing, there is plenty of terrific and inspirational design to be found in this most recent issue. Above are a few of the magazines profiled.
Our aim with this event is not to yearn for the magazines of yesteryear but rather to look upon those magazines extant in the world today, and in doing so, understand the culture and tastes of our time, reaffirm our awareness of paper’s function, and confirm the intelligence and ingenuity of humanity as seen in magazines.
Awesome class project with process by Shelby White. I’m always a sucker for engraved wood. More pics and making of here.
These spreads from Newwork Magazine are exceptionally awesome. At first I wasn’t sure why I was so taken by them, but I think it’s a combination of the following factors: sole use of (mostly) black and white, implementation of a strict grid, lots of little type details throughout, and a sophisticated and effective use of negative space. Newwork Magazine (ink on paper / 32″ x 23″) is put out by Studio Newwork.
A few Decca record covers done by ISO50 favorite, Erik Nitsche. I was browsing Flickr for some or Nitsche’s work and I came across the massive assortment of images here, compiled by BustBright. I am in love with the type on these, especially the “Schlusnus sings” typeface. I’m not sure what it is but it amazing. And I always love Didot — if you browse the rest of the archive, you’ll see a lot of that.
I first noticed of Mark Brooks’s work when he designed a series of very distinct black and white posters for Barcelona based Santamonica Apparel. Tonight I noticed that he’s back with a stylistically similar, but conceptually unique new series for the same company. While the originals were great in their own right, this new series — based on a grid of stars made from the Santamonica logo — takes things to another level. Very clever stuff.