Pelican Parts has a fairly sizable collection of Porsche Racing posters and have kindly posted high-res scans on their site. There are several eras represented, each with their own distinct style. Really shows off how classic the Porsche logo is, it seems to work pretty much anywhere you put it. Note the various 917’s in there.
I remember seeing some similar posters up on Grain Edit a while back with a link to VP Racing where you could buy some. I always meant to pick one up, but I just checked back and pretty much all the ones I wanted are gone. Someone really needs to reprint these.
There’s an article over at the Porsche site about Eric Strenger, who designed a lot of the Porsche racing posters during these periods. Looking through his work it’s amazing how much range he had as an artist. I would never have guessed some of these were by the same person.
Source Pelican Collection via a time to get
You may remember Paul Tebbott from this post a while back. I recently checked back in on his portfolio and was glad to see some beautiful new work up. He seems to have refined his style a bit, these compositions seem a little more restrained than the earlier stuff, if only a little. I really like what I’m seeing, his use of color is excellent. But I must admit, I kind miss type treatments like this. I’d like to see the bottom three mocked up with some type included.
You can check out more of Paul’s work at his portfolio
Stumbled upon a handful of really great posters by Ross Gunter, a London based designer. The posters were designed for Bridging the Gap, a club night and blog in London. My favorites of this set were the 1st and 3rd because of the clear showcase of grid as well as the sheer visual stimulation in each.
Images via Behance.
ISO50 Studio Edition #008, Madrone, is now available through the ISO50 Shop. This print features updated artwork from the original poster for the Madrone show in San Francisco. Four limited edition formats are available: 14×24″, 18×30″, 24×40″, and 36×60″. All are printed on Hahnemühle German Etching 310 gsm (120# cover, 100% alpha-Cellulose white mould-made) using the Epson 9900 10 color UltraChrome HDR™ pigment-based ink system.
You can view the Madrone print here and view other Studio Editions here.
I was really taken by this poster by Jason Hill. All of the elements are appealing to me; the type, the illustration style, and even the words chosen. I would imagine anything held at the “MonOrchid gallery” must be kind of awesome to live up to such a sexy name. I wasn’t familiar with Jason’s work previously, but he has some really interesting pieces in his portfolio. His Dreamscape series is pretty rad.
Qubik Design is a graphic studio based in Leeds UK. I like everything about these pieces except the color. The layout and type compositions I find very interesting; personally I just don’t prefer the chosen hues of green, blue or gold. Otherwise I think this work is fantastic. Especially that first one! I also like how clean and organized their site is. I’m starting to appreciate this much more now as a writer; recently I’ve come upon a number of sites that are so poorly laid out I give up researching, even if the work is amazing.
I met Christopher and Edward from The Silent Giants at a show a while back where they gave me this beautiful The National poster along with a couple even beautiful-er hand-screened business cards. Being firmly planted in the digital world, I’m always fascinated by artists going the traditional route. The Giants are all about screen printing and their work is oozing with hands-on goodness. I especially like their packaging work.
Check out their portfolio and blog for more (the blog is highly recommended for some nice process shots)
I am very excited about the work of Sulki & Min. I saw these on but does it float this morning and they jump-started my mind. I’ve been in a bit of a creative funk recently and these posters were just what I needed to get excited about design again. I’m not exactly sure what specifically it was, though I suspect the type lockup in the top right quadrant of the 2nd poster down may have had something to do with it.
I also love the subtle details in the first poster — the line weight of the circle around the D, the differences between the two fours — simple yes, but boring no. (I’m sure some may disagree with me on this, but I can’t help but admire the restraint/confidence it takes to call a poster like this finished.)
Sulki and Min are Korean designers who both got their MFA in design from Yale. They have an astonishing body of work and have been exhibited many times. I am also a big fan of a few of their typefaces designs.