You may remember Paul Tebbott from this post a while back. I recently checked back in on his portfolio and was glad to see some beautiful new work up. He seems to have refined his style a bit, these compositions seem a little more restrained than the earlier stuff, if only a little. I really like what I’m seeing, his use of color is excellent. But I must admit, I kind miss type treatments like this. I’d like to see the bottom three mocked up with some type included.
You can check out more of Paul’s work at his portfolio
Stumbled upon a handful of really great posters by Ross Gunter, a London based designer. The posters were designed for Bridging the Gap, a club night and blog in London. My favorites of this set were the 1st and 3rd because of the clear showcase of grid as well as the sheer visual stimulation in each.
Images via Behance.
ISO50 Studio Edition #008, Madrone, is now available through the ISO50 Shop. This print features updated artwork from the original poster for the Madrone show in San Francisco. Four limited edition formats are available: 14×24″, 18×30″, 24×40″, and 36×60″. All are printed on Hahnemühle German Etching 310 gsm (120# cover, 100% alpha-Cellulose white mould-made) using the Epson 9900 10 color UltraChrome HDR™ pigment-based ink system.
You can view the Madrone print here and view other Studio Editions here.
I was really taken by this poster by Jason Hill. All of the elements are appealing to me; the type, the illustration style, and even the words chosen. I would imagine anything held at the “MonOrchid gallery” must be kind of awesome to live up to such a sexy name. I wasn’t familiar with Jason’s work previously, but he has some really interesting pieces in his portfolio. His Dreamscape series is pretty rad.
Qubik Design is a graphic studio based in Leeds UK. I like everything about these pieces except the color. The layout and type compositions I find very interesting; personally I just don’t prefer the chosen hues of green, blue or gold. Otherwise I think this work is fantastic. Especially that first one! I also like how clean and organized their site is. I’m starting to appreciate this much more now as a writer; recently I’ve come upon a number of sites that are so poorly laid out I give up researching, even if the work is amazing.
I met Christopher and Edward from The Silent Giants at a show a while back where they gave me this beautiful The National poster along with a couple even beautiful-er hand-screened business cards. Being firmly planted in the digital world, I’m always fascinated by artists going the traditional route. The Giants are all about screen printing and their work is oozing with hands-on goodness. I especially like their packaging work.
Check out their portfolio and blog for more (the blog is highly recommended for some nice process shots)
I am very excited about the work of Sulki & Min. I saw these on but does it float this morning and they jump-started my mind. I’ve been in a bit of a creative funk recently and these posters were just what I needed to get excited about design again. I’m not exactly sure what specifically it was, though I suspect the type lockup in the top right quadrant of the 2nd poster down may have had something to do with it.
I also love the subtle details in the first poster — the line weight of the circle around the D, the differences between the two fours — simple yes, but boring no. (I’m sure some may disagree with me on this, but I can’t help but admire the restraint/confidence it takes to call a poster like this finished.)
Sulki and Min are Korean designers who both got their MFA in design from Yale. They have an astonishing body of work and have been exhibited many times. I am also a big fan of a few of their typefaces designs.
Over the past year I’ve been going through the process of scaling some of my posters for large format (e.g. the Knitting print: Old | New). Most of these were originally designed for 12×18″ format so they had to be re-created from scratch. It’s been a painstaking process at times, but it has also allowed me a chance to approach some of the designs from a fresh perspective. Something about stripping a design down to nothing and building it back up again gives you a clearer view of the essential nature of the piece allowing for more objectivity when making design decisions.
The latest print to be scaled up is the poster for the Terrabyte music festival (pictured above — view original). As you can see, I’ve made some changes and cleaned a few things up. I’ll be posting a process piece detailing the various earlier versions of the print and the transition from small to large format next week. The print is currently available as a giclee from the ISO50 Shop.
On a side note, if you’re partial to any of the older designs in the small formats now would be the time to grab some, they will not be reprinted. They can be viewed in the prints section at the shop.
ISO50 Studio Edition #007: Terrabyte