I’ve been working on a new poster over the past week and it’s very near completion. It’s a limited edition for the August Ghostly 10 Year show Chicago installment. If you follow me on Twitter you’ve probably seen a sneak preview of the poster (the image above is a cropped snippet). The one up on the Ghostly site is a very early draft though, we just needed to get something up as a placeholder while I worked out the final version. There will be two versions: one with the artist names and one without. Bot will be available in large format offset and Giclee in the coming weeks. I’m hoping to post up the finals very soon here, could be as early as tomorrow but might hold off until Monday to make sure everything is dialed in.
I’ve been focusing a lot on music lately so this has been a nice chance to get back into design for a little bit. It’s definitely been a challenge wrapping it up though. I feel like the older I get the harder it is to decide when a project is complete; I just want to keep going through every possible permutation and variation until the finished product presents itself to me. For this particular poster I’ve been finding success in bouncing the different versions off of friends to see how they react. I’m still not sure if that’s the best idea, but it seemed to work this time around and it probably cut down a lot of the time I would have spent second guessing myself. Stay tuned for the final versions…
So we’re finally in Toronto for the final Ghostly show tomorrow. The Drake Hotel has put us up in the Artist Apartments next door which actually have internet, which has been a rare commodity on this trip. Sam and I were sitting here looking through his favorite saved images and he pulled up the Peter Saville designed New Order poster above. So nice, I looked it up and found this other FAC88 poster — reminds me a lot of this. The top one is all you Alex.
Poster Cabaret’s collection of prints is a great resource if you’re looking for inspiration or just something nice for the wall. Sign me up for every Jason Munn print. I really do like the style, but I feel like most shops like this cater too exclusively to the indie rock concert poster thing. I’d like to see more sites like Blanka Supersize with the modernist, purist design stuff going on.
Big Ant International created these posters for the Global Coalition for Peace. The series has garnered significant recognition of late, including a Silver Pencil at the One Show Awards, and nominations for both the D&AD and CLIO Awards 2009. The posters are wrapped around street poles and achieve that ever so illusive “aha” moment when viewed in this circular manner.
I would imagine a poster series depicting soldiers essentially pointing guns at themselves is bound to be met with some controversy, but it seems clear to me that the “target” of the campaign is the US foreign policy and not the soldiers themselves. The metaphor is clear. Hopefully as the work competes for further acclaim, opinions about the message won’t get in the way of recognizing the work as a successful piece of graphic design. The series is a great example of a simple and brilliant concept executed very effectively.
See the rest of the campaign here.
A couple pieces from the wonderful Astrid Stavro. The top image was the poster for Maria Canals International Piano Competition in 2007, and the bottom is from the Forum Laus Europe in 2006. I’ve seen some of her other work circulating on the blogs recently, but I prefer these older posters for their refined typography.
I also enjoyed this quote they have up on their website: “Small design companies produce good work, large ones produce shit work.” (Jonathan Barnbrook). Not sure if I agree completely (because I just don’t know, not because I have evidence to the contrary), but the work coming out of Astrid’s studio certainly validates the claim.
Been meaning to post this one for a while. It’s a poster from the federal WPA (Work Projects Administration) Art Project and is included in the Library of Congress’ collection. The WPA was part of FDR’s “New Deal” and it’s poster program produced some classic images. More posters can be found here
I just came across this recently and was convinced it was a hoax, but apparently this poster was actually posted around London bus routes around October, 2002 in the civil-liberties crushing wake of 9/11. The imagery is shocking to say the least; shocking mostly for the fact that someone, somewhere actually thought this was a good idea. I would love to have been in on the design discussion during the production of this Orwellian gem. Who actually creates this stuff? Did anyone see it when it was up? More info
Apparently we have our very own version of this stateside.
I always love finding new poster designers and Aisleone just turned me on to a great one. Berlin-based Double Standards produce some very nice poster work and posses some incredible typography skills. Check them out here.