Last week I was wandering around Barnes & Nobles and in the section where they put painters and other artists of the likes, there was a book called Desert Air by George Steinmetz. The book had somehow had lost it’s way home from the Photography section a few aisles down. Stuck between Monet and Ruscha, the book was like “YO TIM. I KNOW YOU LOVE DESERTS AND STUFF SO PICK ME UP.”
George Steinmetz captures very intimate photos of landscapes. Most of these from this set are from his Desert Air collection. He achieves this intimacy via paramotoring which is a giant fan backpack with a throttle attached to a parachute. He’s able to fly both very high and low at slow speeds. All I know is that when I come back from my walk across America, I’m purchasing a paramotor, taking lessons and going straight to the Mojave.
View more of Mr. Steinmetz’s stunning, non filtered landscape photography: GEORGE STEINMETZ
A captivating set of journalistic style images from the East Side Access project as of February 12, 2013. These images serve not only as a historical record of the tunnel’s construction, but as a stunning example of how far high-end DSLR cameras have come in handling high ISO images. All these images were shot between ISO 3200 – 5000 on a Nikon D4, and – more notably – at sharp apertures and shutter speeds. Images this clean under those lighting conditions simply wouldn’t have been possible even a few years ago.
Oh yeah, the tunnel is pretty neat, too.
(Edit: was asked why ‘billy j mitchell’ was in the last frame. But of course, it was to illustrate how much detail and tone remains in Billy’s skin at high ISO and in dim lighting.)
Posted by: Owen Perry
If you are interested in mirroring on the iPhone at all and you haven’t heard of Mirrorgram you are missing out. It’s just about everything you could ask for in a mirroring app. You can snap a photo in the app or load one in, but the real beauty of it is once you are mirroring an image you can move it around to get the mirror just right. Above are a couple images I ran through Mirrorgram. The first one is a photo of a hanging light in my living room. I then mirrored it on a 45 degree angle to get the slit of light and then brought it back in to Mirrorgram again. The second one is a photo I took of a type poster and then ran it through PXL to get the jagged triangle pattern and then through Picfx to get the colour and the grain. I brought it into Mirrorgram to get the different patterns you see above.
Beautiful photos by Ward Roberts depicting various courts integrated into the urban landscape in near chameleon ways.
When living in Hong Kong I remember being amazed at how much area was offered up for court/pitch activities, given how short they are on space. Many of these are most likely far above street level, and while not necessarily “green areas,” they give back crucial space that was taken by construction.
Le Corbusier would be proud.
Via Freunde von Freunden.
One of my favorite people on this planet is Cameron Ballensky. I recently visited Cameron and… well… you know how some people hoard cats? Or hoard old papers? Cameron hoards Polaroids. Call it an obsession or whatever but his hoarding skills are starting to pay off. Recently he’s been learning to do double exposures with Polaroids which is a pretty cool and ingenious process. The last two are examples of his first attempts. I can only imagine that his skills at this process will only get better. Would love to have a wall dedicated to a bunch of his photos someday.
Cameron, perhaps you can share with us some of the equipment, film and processes you use in our comments?
Check out his website for mas pictures: CAMERON BALLENKSY
Love this guy’s work. Find more in his portfolio here: Alexandre Deschaumes
Here are the lesser-known photos from NASA’s Apollo program, too sun-burned or out-of-focus to make it to mainstream, uncovered after many hours of browsing the Apollo Archive.
For more NASA related inspiration, check out the NASA tag. As an added bonus, here’s Neil Armstrong serving you some cake:
I stumbled on Benoit Paillé the other day and was so totally captivated by his photography. Each photo tells a detailed story.
I think that photography doesn’t represent reality, but creates it.
In this series he used a plastic light square with 300 LED lights that were linked to a dimmer. He used fishing line to hang it from the trees. I’m not sure how he got it to hover over the dirt and rocks.
My approach towards landscape is to incorporate a poetical component that will trigger an emotional response linked to the form and the light. I wanted to create something that wasn’t really a landscape but rather something engineered, so as to move the viewer in a different way.
You can view the rest in this series here
and the rest of his portfolio here
Posted by: Seth Hardie | Instagram: @hallwood