The above are part of Richard Misrach’s On The Beach, a series of large scale (six by ten feet) photographs of swimmers and sunbathers in Hawaii. You can pick still pick up the book (though it looks like it’s become quite expensive), or if you find yourself on the East Coast, you can see the exhibition in person. It was recently on display the National Gallery and is scheduled to be in Atlanta until August of this year. I highly recommend seeing these in person; they are absolutely massive and are truly awe-inspiring viewed full size.
The last image is my favorite photograph of all time. When I first saw it, it affected me like no photograph ever had. I was left speechless, and am still not able to really explain what it is I find so powerful about it. It’s hard to tell on screen, but the little dot in the water is two people embracing. I like that you can’t see the shore; for all we know, they could be floating out in the middle of nowhere. Of course, all of the photographs were taken out of Misrach’s hotel room window, so they can’t be too far out there, but it’s easy to forget when all shoreline indicators are absent. Perhaps it’s this sense of remoteness and potential danger, combined with the serenity of the overall scene, that gets to me. I feel worried and calm at the same time. I would almost fly to Atlanta just to see it again; it’s like a drug.
Navis has been a long time commenter on this blog but I just recently stumbled onto his photography and was very impressed. The colors are just perfect; such a nice tone, feels modern yet still authentic. From the Flickr EXIF data it looks like he’s using a Canon EOS 30D. Tim, perhaps you’d like to elaborate on your equipment (lenses etc.) and methods in the comments?
You can find more of Navis’ work at his Flickr and his portfolio.
Pop Up Storefront Los Angeles showcased some great photos from Frederic Chaubin, the Cambodian born French-Spanish editor of Citizen K magazine. The show, entitled “CCCP: Cosmic Communist Constructions Photographed”, focused on Chaubin’s fascination with the sort of futurist architecture that came out of Soviet Russia’s Cold-War era. I’ve always been quite impressed by Soviet architecture like this; they somehow built real versions of all those artist’s renderings of future societies that people were cranking out in the 50′s and 60′s. I’ve never seen it represented quite so faithfully; Chaubin’s photos really capture that whole utopian society vibe.
PingMag Interview With Caubin
NYT coverage of the show
I’ve become seriously addicted to Dropular recently, and it seemed (at least up until their servers went down yesterday) that just about every other dropped image was one of Kim Høltermand’s stunning photographs. His work gets a lot of love in the blog community, and it’s great to see a talented photographer getting the recognition he deserves. I love his compositional style, subject choice, and I find his color palette sophisticated and appropriate. His images are imbued with a profound and mysterious tranquility which, given his urban subject matter, is a remarkable feat. There is a difference between solitude and loneliness—his photographs convey the former.
Plastolux posted up these wonderful shots by Matthew Donaldson of various Dieter Rams artifacts in their natural habitats. Unfortunately though, if placed in my house — being the cluttered mess that it is — most of these poor creatures would wither and die in a matter of days. There just aren’t enough clean lines and pristine spaces to support their minimalist German sensibilities. Someday… Although seriously, can anyone get anything done in an environment like this? I’d love to see Jonathan Ive’s work space, I would bet it doesn’t exactly mirror his design aesthetics.
Todd Hido’s photography grabbed me right from the first image I saw, it first reminded me of Nadav Kander and also Gregory Crewdson who shot that Yo La Tengo cover awhile back.
One of the most important non musical to do’s for a musician/designer is getting a proper press photo in my opinion. This is your chance to show a ton of your personality and a big step in getting writers on board for a feature or helping them to understand your musical direction at that time. This doesn’t mean you have to show your face, take for example the fact that we never saw Burial’s face for more than a year — we just had that drawing of him — but it set the mood I thought. If you’re a musician or even graphic designer, I think brainstorming out some ideas first is well worth your time when doing a press shot. We’ve all worn out the standing in a urban landscape, the blurry shot at a live show, or standing still like a mannequin with a white background. So from 2009 and on i’d love to see photographers really grabbing the personality out of their subjects (Timothy Saccenti’s excellent work comes to mind). This kind of effort in a press photo could make or break you chances with bloggers or writers many times prompting them to use your photo above a couple other things they’re writing about that day. At any rate, a good shot definitely increases your chances of being written about.
Above are a few of my favorites [from top to bottom: Kraftwerk, Boys Noize, Erlend Oye, Jimmy Edgar, Jarvis Cocker]
Blog reader Christopher Edwards has some interesting Polaroid-related projects over at his flickr page. There’s a mock Polaroid annual report with a very nice cover graphic (above) and some packaging concepts too. Be sure to check out his other photography, he’s got some great time zero film examples in there.