As I mentioned earlier, I’m guest blogging over at Adobe’s Inspire Blog this week. Today I talked about the work and process of one of my favorite photographers, Kalle Gustafsson. Read the entire article at Adobe Inspire
By the way, Kalle has a great new portfolio up with loads of new work to look at. You can check it out at www.kallegustafsson.com
Via 80 Magazine
I stumbled onto James P. Morse’s work via the Deastro Video and I’m really enjoying the style. I’d seen his Dabrye portraits before but never knew who was behind them. Very cool stuff, his whole portfolio is certainly worth checking out.
So I’m back home after my nice little break, it feels good. Luckily the weather here in San Francisco today is sunny so it’s not such a huge change from Tulum (although it’s about 20°F cooler). I had a great time and got some good shots with the little Canon Elf but I did miss having my D80 along. It was nice to not have to lug around a big DSLR, but the handheld just didn’t cut it for a lot of the shots. I’ll try posting up some of the better ones this week. Now it’s time to start sifting through the email and get back into work mode…
Whenever I see images like the ones below by Drew Gardner, I always ask myself how the hell they do it. Apparently they do it with $36,000 cameras. That’s not to say it’s all about the equipment, but 39 mega pixels doesn’t hurt. The Phase One camera system seems pretty incredible: a medium format, full-frame sensor that can produce “Noise-free exposures of up to an hour”. Crazy…
Artistically Gardner’s work (examples below) isn’t really my style, but technically it always amazes me that people can create images like this. The Strobist recently mentioned Gardner and his Phase One Masterclass. At $2,850 I won’t be attending anytime soon, but it would be great to see the process of someone who has mastered photography on this level.
Here’s a peek at Gardner’s process in his “Epic Location Photography” trailer:
I’m all about lonely and melancholic photography this week — though more importantly — I’m really into the effective implementation of a deceptively simple concept as seen above. Like Nobody is there, this series by J Bennett Fitts steers clear of any human subject; this time with a slightly more ominous tone. The focus of No Lifeguard on Duty is the abandoned swimming pools found throughout the country, usually alongside a similarly neglected hotel/motel from the 60’s. Just in time for summer! (At least in San Francisco…elsewhere in the country a more appropriate summer image might have the pool filled with water and people frolicking about. Here, summer means cold and foggy.)
Swimming pools are signs of spiritual optimism, economic prosperity and the hedonistic good life, so the image of a pool dried up and cracked or half full of dirty water becomes a symbol of disappointed hopes and dreams. A sign on the wall by a pool that was filled in with grassy sod says, ”No lifeguard on duty,” which is funny at first, and then starts to sound like an ominous judgment about modern American life. Ken Johnson
Photographer Tim Navis is participating in The Mongol Rally, a drive from the UK to Mongolia. You can follow along at Tim’s Rubik Crew page. Seems like an incredible adventure, I imagine he’ll be coming back with some amazing shots, can’t wait to see them. And in case you haven’t checked in on Tim since we last featured him, here are a few of his recent shots to refresh your memory: