Chris Borchert is a lucky guy. According to the Exif on these files he shoots a Canon 5D and he was at the Winter Olympics in Vancouver. I’m assuming the camera is an MK1 version based on the Exif and this shot (he also has great taste in clothing) but I’m Nikon so I can’t be sure. Perhaps Chris can fill in the blanks (I found his work through a comment he made on this blog so I’m guessing he might read this). These shots really have a beautiful tone to them and that second ski jumper is just begging to be a poster. So yeah, I’m definitely falling for Canon; especially after Alex’s recent acquisition.
I’ve pretty much made up my mind that — barring any major developments on the Nikon side (which I suppose are relatively likely) — my next camera will be a 5D MK2/3. But I’ve put photography aside for a while to focus on some other things so this is a ways off. It’s nice to see stuff like this in the meantime to tide me over.
P.S. I’m curious, how many of you have taken the plunge with the 5D MKII? I feel like I’ve been seeing them a lot lately which is pretty interesting considering the price. I guess it’s a testament to the quality of the camera; people feel it’s worth it.
These images are from photographer Cedric Delsaux’s Dark Lens series. The project has been around for a while but a new set of images was just released. World Famous Design Junkies has a great write up of the history of the project. They detail the three waves of content releases and go into a little more detail.
The always excellent Watsonian — who also brought you the Super 8 packaging — have posted these beautiful examples of vintage Kodak film packaging. Every time I see something like this the first thing that pops into my head is “Why doesn’t more commercial packaging look like this anymore?”. I then tell myself “If more commercial packaging looked like this you wouldn’t find it as interesting.” I think that point could be argued but you can’t argue that strictly from a design standpoint, these are just plain better than this crap.
I guess the next question though is whether some kid in 30 years will think the more recent example is better, but I seriously doubt it. I really feel like more attention was paid to the quality of design before the age of computers, I guess the practitioners were just more skilled given the level of training required. Now it’s “have Photoshop will travel”, which obviously cuts both ways. What do you think?
Found these simply edited photos by Anatoly Zenkov pretty appealing to my eye, reminds of some album cover that I can’t remember but that might not be the case, it could be just a good idea for an album cover that hasn’t been done before.
Tata Vislevskaya has some incredible pictures of the Swiss Alps. This is something I really enjoy; shots of epic landscapes like this, paired with this style of processing. I love seeing the blacks turn to purples and blues (especially in the mountains on that first one). The rest of her series, especially the ones of Iceland, really spurs the travel bug in me. I’ve always really wanted to go to Reykjavik.
I’ve just finished packing for tomorrow’s trip to Amsterdam where I’ll be speaking at FITC (sorry, the event has sold out). I’ll be talking about my background and theory along with some in depth process stuff, should be fun. I am not sure if they’re taping, I’ll check when I get there.
I’ll be bringing along my D80 and trying to get some good shots during my week there. I was going through some photos from last year’s trip and it really inspired me to get back into photography. I’ve been super busy with music and design lately so the only work the D80 has been doing lately is product photography stuff so it will be nice to give it a workout in such a beautiful place. Seeing those old pictures also reminded me that I need to get them up; I stopped posting halfway through an around the world trip I took a couple years back and there’s a lot of shots left to process and post (like the wing over Stockholm above).
Ryan Schude (Site | Flickr) is a Los Angeles (via Chicago, San Francisco, and San Diego) based photographer. I’m loving the honesty in a lot of these, they feel really raw and relatable. The staged shots are nice but I’m really gravitating toward the more candid moments he’s captured. Definitely getting a Joe Stevens vibe off the various automotive shots in there, really cool stuff. Also, my new dream is to have a yellow tent full of photographic equipment.
