The Sky Survey, 5,000 Megapixel image of space. There really isn’t too much I can write about this, other than you should probably be prepared to set your status to “Away” for a couple hours. Before doing that, check out the story behind it on the site as well as the iPad app. I’d imagine, if you can hook your new Retina Laptop up to a 1080p projector and shoot that on a wall, it’s going to look pretty impressive.
A year and many sleepless nights later I had amassed over 37,000 exposures. Even then, the work of unifying all the photographs took three months to complete and many hundreds of CPU hours. The data crunching consumed four terabytes of hard drive space and nearly equal amounts of patience but the end result seemed worth the wait.
Here’s the link to the Interactive 360, make sure to full screen it and enjoy!
C Andrew Rohrmann or scntfc is a Seattle based multi-disciplinary audio + visual artist. He has been working in music, design, and media production for the past fifteen years. Rohrmann has completed many successful commissions including feature film scores, large scale audio installations, and art direction for commercial clients. The above is his series Undone:
Undone is an experiment in ambient cinema, comprised of an ever expanding series of short films revolving around the depiction of artificially constructed macroscopic environments. The intent is to evoke a sense of space that is ambiguous in terms of scale: simultaneously microscopically small and astronomically large.
Take a look at this amazing Flickr set of Undone stills.
Li Hui or Hui+ as I’ve also seen referred to as, is a self-taught Chinese photographer who creates moody, often double-exposed, dreamscapes using a couple film cameras: Nikon FM2 & a light-leakedCanon AT-1. What apparently started off as a hobby to fend off loneliness, has turned in to a career.
Image Blender is my go to app for blending and masking but I was getting frustrated using the brush tool to mask a straight line, then it dawned on me that I could use a solid black or white image to “knock out” the part I wanted to be transparent (or in this case to be opaque). Once I blended down the solid black or white I could bring the image back in and use the blending modes to get the transparency.
The screenshots above show this process. The original photo was the edge of a window frame. I overlaid a blank white image at four different angles. I then flipped it and blended it over the mountain photo. Tip: Swipe to the right to move and rotate the image and then from the main screen tap and hold to flatten down, switch images or copy. I did the final color adjustments in picfx, another go to app for me. If you have any other Blender tricks post them below!
Norman Seeff has photographed some of the greatest legends of our time. One of my favorites was Steve Jobs. Seeff was able to photograph Steve both in the work environment with the Apple team, but also in Steve’s home.
In captions that support these images, which can be read on his website, Seeff recalls how Steve surveyed his work before he was comfortable enough to allow him to come to his home. This photoshoot would in turn produce one of the most iconic portaits of Steve Jobs of all time.
The Impossible Project launched the Impossible Instant Lab via Kickstarter, which is designed to transform any digital image via your iPhone into an instant photo that is exposed using only the light from the display, then processed and developed by chemicals. A photo that no longer needs an electronic device to be seen.
What are everyone’s thoughts on this? Is a photo just a photo, or…?
3. Cropped and mirrored and layered in Image Blender
1. Initial Photo of some shadows in a corner (taken with Stilla)
2. Cropped and mirrored
3. Final Image layered in Image Blender
1. Initial photo of some stairs
2. Mirrored (you may notice a habit here)
3. Final image layered in Image Blender
The first photos I started using in my designs were simple textures. (we’ve all seen the explosion of texture sites out there) but lately I’ve been using photos to get shapes that typically I would have drawn before. This has been largely driven by having a decent camera in my pocket at all times, allowing me to capture random staircases or light hitting the corner of an architectural feature just right. I find the natural light and texture in photographs have so much more depth in the final product then what I can come up with in photoshop …and its much easier to get to the end result.
I’m really loving the beautiful tranquility of Hungarian photographer Akos Major’s photos. I really admire photographers who can achieve such a crisp, light tone in their images. When I look at Akos’ photographs, I can feel the solitude and cold air in these photos and in some, I can almost taste the air. They remind me of the quiet winter nights growing up in Wisconsin. Still to this day one of my favorite things to do is lay out in the woods while it’s snowing and listen to the snow flakes pelt the fabric on my jacket and surrounding trees.
To view more of Akos Major’s work, check out the photographer’s website: