There’s plenty of music that really hits that sweet spot when it comes to analog synthesizers playing melodies. I wonder why it gives so many people such nostalgia though? We all weren’t watching the same children’s show were we? When our parents showed us old photos there wasn’t a button that made the photo play Geogaddi like some musical greeting card. I think I have narrowed it down to the show Nova, TV commercials, and the speaker quality of shopping markets playing 80s muzak. You all know Christ (The 3rd member of Boards of Canada that left after the Twoism album) and of course Boards of Canada (the Fonec track posted is from the album Closes Vol.1 EP) but I have found 2 young musicians that really caught my ear Minnesota’s Boreal Network and UK’s JC Harnell both are notable talents and carry on the torch properly of that sound in my opinion.
After what was perhaps the most arduous musical experience of my life, I’ve finally wrapped the new Tycho single. It’s a rather dense arrangement so getting everything to work together ended up taking 3 mixing sessions in SF and LA. I definitely learned a lot though, first, SSL is the most useful, greatest sounding EQ and compression I’ve ever used. Second, my monitoring situation at home is garbage. Time for some more Auralex and Adam A7s. Anyways, it’s done, and I’m done…for about a week or so then it’s back to work on the album.
I spent the free time I had between mixing sessions last week creating the cover art for the single, luckily that process ended up being a bit less stressful (you can see a small snippet of the artwork above). All the details will be coming shortly, the estimated release date is looking like late January. As always, you can keep an eye out here or subscribe to be notified when more info is available.
I hope some of you are sketch comedy fans here, i’m sure if Scott and I could add one more element to the site we would post youtube videos of Tim and Eric or other Adult Swim shows. For me comedy started with the Canadian show Kids In The Hall that was produced by SNL’s Lorne Michaels. The theme song to this show was by a group called “Shadowy Men On A Shadowy Planet” I’m sure many of us here that grew up close to Canada can hum the bassline to this theme song flawlessly.
I usually check out every release on Plug Research since they put out quality artists like John Tejada, Dntel, etc. I found this classic jam really catchy, it would of probably been huge in the 70’s but it reminds me alil too much of the song “We Will Rock You” but if you can get over that then this track has some parts to offer.
I look back and I don’t think I posted one Animal Collective song here and that blows my mind alil. So without posting one of their hit singles here is “Visiting Friends” a 12 min entrancing psych-folk song.
Small Sins is a very easy listen, super simple for a indie rock song in my opinion and I can’t help myself comparing the songs to Yo La Tengo or even Brendan Canning of Broken Social Scene.
Shadowy Men On A Shadowy Planet – Having an Average Weekend (Kids in the Hall)
Today marks a day of variety, we put up a cover of an old Chemical Brothers track reworked by Japan’s Shinichi Osawa. One of my favorite label’s Delsin delivers a deep and soft house cut from the mysterious Newworldaquarium. Caribou goes in a whole new direction with a Kelley Polar track that hints at he has been listening to a lot of electronic music and not just The Beach Boys. The Mountains seal the deal at the end with a gentle sleeper filled with layer upon layer of guitar.
Also, at the end there’s the original “Star Guitar” video by Michel Gondry just so you can pick if you like the cover more than the original, personally I don’t but its a wonderful effort by Mr. Osawa and featuring Au Revoir Simone never hurts. Chime in on the picks today since they’re all over the place and i’d love to hear if there’s something you like more than the other.
Shinichi Osawa – Star Guitar (feat. Au Revoir Simone)
Newworldaquarium – Tresspassers
Kelley Polar – We Live In An Expanding Universe – Caribou Remix
Mountains – Blown Glass Typewriter
Chemical Brothers – Star Guitar – Video by Michel Gondry
Before I start to gush about The Sight Below I think Alan Kellman from Allmusic Guide nailed the description perfectly: “The work of an anonymous Seattle-based producer with an evident affinity for the outer realms of shoegaze and somber ambient techno, Glider would have been an equally easy fit on Kranky, like label staple Loscil, or an idealized version of 4AD that has maintained the line running through the darker and spacier aspects of their early catalog. Alternately, this is just as likely to evoke the absorbing gray moods present throughout the Cure’s Faith and Seventeen Seconds as thaw-out techno like Yagya’s The Rhythm of Snow or Markus Guenter’s In Moll. Though heavily processed, caressingly foreboding guitars are a major component of the Sight Below sound, the root is Wolfgang Voigt’s Gas releases — whether or not a muffled thump is present, rhythm is paramount. Lesser producers would ride out these tracks for eight or nine minutes, rather than the six-minute average here; this producer keeps things tight and ever-developing, never straying into formlessness.”
Ahh the uphill battle that is releasing electronic music and trying to explain to uninformed fans and even friends that its not all the same 4/4 club music.
It is difficult to attract new fans to the hidden gems of the genre, there is so much good music that comes out weekly that gets buried under mediocre mainstream releases; the gelled up DJs, and the gimmicks that don’t age well. With “No New Enemies Vol. 1” we’ve assembled some up and comers that have strong melodic crossover tracks from the past, present, and future releases on Moodgadget. We think this is our finest attempt to date to show the diversity in this genre’s sound.
Slow disco edit experts Worst Friends kick the compilation off with a psychedelic rock/disco jam that begs the question “What if Pink Floyd made a dance track?” Charles Trees drops in with a dusty, heavy sample-laced track that is both soulful and upbeat; conjuring up the good times.
I know i’ve filled this blog with Benoit Pioulard but here he offers a serenade over a snowy Direwire’s song from the past, a real enjoyable headphone listening piece.
Tstewart’s, “What’s This Color” is new folk at its finest; with bouncy circular guitars, and samples warm enough to take the place of your winter coat in the coming months.
Also, not to be overlooked but Alex/HeadUp did the cover for the compilation and Scott was kind enough to let me take up a whole post to share these exclusive songs on the blog with you guys, I hope you enjoy.
Well composed ambient music with dynamics always brings a smile to my face no matter how sad people think the song might be. I want to start from bottom to top on this post since this Pub song “Lunch” is the most listened to song on my iTunes with just over 100 plays and clocking in at under 17 minutes long. I don’t know much about Pub, i’ve emailed him a couple times telling him I was a big fan years ago but I think he just keeps to himself I guess which is fine. I’ve honestly never heard anything else like this song, he makes this sound that fluctuates thru the song that feels like your standing in a clear huge air tunnel with the sun just beating down on you thru the glass and you stand there taking on a clean 30 MPH wind with your eyes closed. If you want more by him I’ve posted another alias of his months ago where he went under the name Lucky & Easy.
I went to the label Mush to check to see if Bibio was releasing anything anytime soon and behold there it was, a new LP. They had one song to sample and it couldn’t be more beautiful, a bit short but i’ll take whatever I can get my hands on. Very similar to his sound on his last 2 albums but thats what I want from him; lo-fi folk songs that bring me back to daydreaming about Polish mountain sides, collecting rocks, and thinking about how crayons we’re made.
My friend Danny turned me onto The Innocence Mission when I was getting my first listen in on Sufjan Steven’s Come on Feel the Illinoise! album. The song “John Wayne Gacy Jr.” came on and he ran upstairs and yelled “what’s this rip off artists name?” He thought the songs sounded the same, I still to this day don’t hear it. I guess he was just very protective of The Innocence Mission.
All this time I thought I already posted this Ekkehard Ehlers song but haven’t instead I was actually going to post Yo La Tengo – Autumn Sweater but i’ve already done that, damn. This song just completely satisfies my ambient sweet tooth by offering up some of the richest layers of drone you’ll ever hear. Each time I listen to this song I find a new section to magnify and listen to over and over.
As Autumn is rolling thru I have to throw my ring in with the first winter themed song by French musician Domotic, the beginning really captures that frigid winter night snowshoeing by yourself and wondering why on earth anyone would do this for fun.
This 13 min. journey by DFA’s most unrated duo is a pure analong synth gem, just let it ride out. When IDM producers slowed down some of the best composers of melody started quiting o9 and Marumari we’re 2 of my favorites, this track was only available if you bought the Marumari remix CD then you had to find the files that we’re on the CD, it came with some real treats like remixes from Casino Versus Japan, Atomly, Kettel, Greg Davis, Lusine, etc. Superpitcher always comes with such fullness, his style of taking techno and stretching and pulling on it to the point its almost made for everyone and the use of bird sounds is unbelievable in this track “You Don’t Need A Weatherman”. I don’t know much about Shogun Kunitoki I just know that this song has been on my computer for a long time and I keep coming back to it, i’ve heard more by them and some of their labelmates and everything was pretty flawless, enjoy the weekend.
Delia Gonzalez & Gavin Russom – Black Spring
Marumari – Untitled (o9 remix)
Carsten Jost – You Don’t Need A Weatherman (Superpitcher Remix)