Bibio’s Flickr is full of some great subtle saturated personal photos that would make amazing album covers for music of his nature. In a good way Bibio has this wonderful european back country feel to everything to puts his hands on. Seems to me that he spends his day taking photos of friends and surroundings with his Holga and records music onto a 4 track recorder in the forest and only goes home because the sun is going down. It’s like some odd Boards of Canada dream that features the early set of Fred Penner’s Place. Let me know if i’m losing you on the Fred Penner part.
Bibio – Aberriw
Bibio – Looking Through The Facets Of A Plastic Jewel
Bibio – Bewley In Grey
You can find all these tracks either off Bibio’s Fi or Hand Cranked LPs on Mush Records.
Some of you that might read McSweeney’s lovely Believer Magazine(which my dad turned me onto) might already have this from last year’s music issue. Zach Condon aka Beirut put together a great track for the magazine which also does the Wolphin DVD series which features greats like Zach Galifianakis and i think David Cross. Venice is alil more lush and slower going than his Beirut music since he strips the track down to only him singing, a hypnotic synth melody, and muted horns. I first heard this track off a mix my DJ partner’s Worst Friend’s did last year and i had to have it by itself, they did an amazing podcast today for Ghostly International which includes Tycho’s The Disconnect. We sometimes see Zach at Macri Park Bar where we DJ at every Wednesday in Brooklyn, i’m always tempted to put the track on.
When I was in Toronto I had the good fortune to hear an advance copy of Montreal-based indie outfit Wolf Parade’s forthcoming album, At Mount Zoomer (due out June 17th). Suffices to say, I was very impressed; this will surely be one of my favorite albums of 2008. The track below is a stand-out on the album, but still just the tip of the iceberg. And yes, the cover looks like a 3rd grade class project gone awry, but the colors bring it together and make it somewhat bearable and after all, this is the standard visually ironic fare I would expect from a release like this. As we learned the other day, sometimes a bad album cover can mean great things are hiding on the inside.
Last weekend i finally got to hang out with Scott again so with a few hours to spare i drove him to Ann Arbor, MI and on the way got to feel out his music taste beyond what we post on the blog. I remember this track coming up on shuffle among many others and we talked about it for awhile and i think i read somewhere that its one of Boards of Canada’s favorite tracks at one point in time or something of that nature. I would of posted the artwork but i think the true ISO50 fans here would maybe not ever want to see a post from me again just because its a bit on the silly side which isn’t a bad thing. Also, i think the last 2 covers i’ve posted have been beauties so instead i found a great photo of them live on Fujirockers.
Super Furry Animals – Some Things Come from Nothing
Chicago’s Kranky Records is home to the music that soundtracks my day like Loscil, Stars of the Lid, Tim Hecker, and The Dead Texan which i will share in future music posts. In recent years they have gained probably most their popularity from young guys like Deerhunter and Atlas Sound but the one musician songwriting wise that sticks out is Portand’s Benoît Pioulard. The artwork and photography is done by Will Calcutt who is a great photographer out of Los Angeles and probably couldn’t of pushed this artwork in my opinion closer to perfection for this album. Hopefully this hits the spot to carry you into the weekend.
I remember this 12″ cover art looking right at me when i walked into Etherea Record Shop in East Village, it was pretty much everything i wanted in a font and texture a few years back. This track reminds me of Erlend Oye right away, it feels like something he would sing over but his voice never drops in. If you get a chance check out this record label Eskimo Recordings, they have great art direction and some of the best slow motion disco out there.
Just a quick note to thank everyone for checking out the new single; Adrift is already at #17 on the iTunes charts.
Also a note on the iTunes exclusivity issue. Ghostly International, the label who releases my music, often grants iTunes exclusive rights to a single for a specified period of time. In this case, a month. But after that month, or possibly sooner, it will be available at all other online retailers as well as right here from The ISO50 Shop. I am sorry if this is an inconvenience to anyone, I will be sure to post as soon as the song is available via alternative channels.
Also, as Jakub pointed out in the comments, this is also available as iTunes Plus, meaning it is DRM free and encoded at 256Kbps, just the same as all the other retailers.
So if the last music post left you wondering what ever happened to Digable Planets here’s at least a small part of the explanation. My favorite member of Digable was definitely Butterfly, so when I heard he had a solo project called Cherrywine I was pretty excited. The resulting album is sort of middle of the road for me, but this single is definitely strong and while the subject matter is a far cry from the revolution fomenting intellectualism of Blowout Combit’s still an enjoyable listen.
Back in 2003 when this album came out I was able to catch Cherrywine when they came through Sacramento. It was noticeably underattended, particularly considering the fact that the group was headed up by none other than Ishmael Butler. While it was sort of disappointing to see such a poor turnout, it ended up working in our favor as we got to meet Butterfly and talk with him after the show.